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Originario di Ankara, Cenk G\u00fcray (1973) vanta una composita formazione: ha conseguito un PhD in Ingegneria Mineraria alla Middle East Technical University, un master in Musicologia presso la Ba\u015fkent University e un altro dottorato, questa volta in musica religiosa turca, presso la Facolt\u00e0 dell’Universit\u00e0 di Ankara e l’Istituto di Scienze Sociali. \u00c8 docente di Teoria Musicale presso il Dipartimento di teoria della Musica del Conservatorio dell\u2019Universit\u00e0 Hacettepe. Da concertista \u00e8 un compositore e un suonatore di chiara fama di varie fogge di ba\u011flama; \u00e8 anche il direttore dell’Ensemble for Anatolian Music Cultures e membro del comitato scientifico del Centro culturale Atat\u00fcrk. Al centro della sua cifra artistica \u00e8 la volont\u00e0 di gettare ponti tra stili e orizzonti sonori diversi, cercando terreni comuni. Per il catalogo mediorientale dell\u2019etichetta piemontese Felmay, ha pubblicato \u201cThe Fountain\u201d (2008), \u201cBir.Turkish Musical Traditions\u201d (2011) in coppia con Ali Fuat Aydin e, con il DEM Trio, \u201cErguvan\u201d (2014), \u201cOte\u201d (2018) e \u201cAnatolian dances\u201d (2022). Non tradisce le attese \u201cSounds of Cycle\u201d, nuovo capitolo che si manifesta come un\u2019esplorazione della memoria culturale e musicale condivisa di Oriente e Occidente; registrato tra il 2019 e il 2023 in Turchia, porta come sottotitolo \u201cCirculating Melodies and Narratives Between East and west\u201d. Il polistrumentista si avvale della collaborazione di valenti strumentisti (\u2018\u016bd, yayli tambur, tambura, chitarra, violoncello, clarinetto, kemane, ney, percussioni e voci) per lanciarsi in un viaggio, non scevro di una forte connotazione visionaria, che attraversa epoche e luoghi. Cos\u00ec, l\u2019apertura \u00e8 \u201cSessiz\u201d, motivo autografo per solo saz, che vuole ricordare le migrazioni \u201csilenziose e dimenticate\u201d. Subito dopo arriva una gavotte di St.Colombe (1640-1700). Il programma prosegue con un \u201cHalay\u201d, trascritto dall\u2019armeno Padre Komitas (1869-1935) e da una \u201cPavane\u201d di epoca barocca di Gaspar Sanz (1640-1710), dialogo tra cura ba\u011flama e \u2018\u016bd. Oltre a temi tradizionali anatolici a ritmo di zeybek e composizioni dello stesso Cenk: su tutti, segnaliamo \u201cKizil Kartal Zeybe\u011fi\u201d, \u201cKeskin Halayi\u201d, daza raituale tradizionale della regione di Kir\u015fhir\/Keskin\u201d e il tradizionale di Milas\/Mu\u011fla \u201cYa\u011fmur Ya\u011fdi Zeybe\u011fi\u201d, quest\u2019ultimo uno zeybek dall\u2019incedere lento nel makam Hicaz, l\u2019ensemble riprende Georg Friedrich H\u00e4ndel (\u201cMinuet in G Minor) e \u201cLes Pleurs\u201d, un tema ricco di pathos attribuito ancora a St.Colombe, qui, suonato insieme all\u2019altrettanto melanconico \u201cNihavend Saz Smaisi\u201d del compositore originario della Crimea Gazi Giray Han (1551-1607), due brani accomunati da commossa intensit\u00e0. Subito dopo, sempre con ensemble allargato, Cenk G\u00fcray esegue il suo \u201cRequiem\u201d, mentre chiude questo ammaliante album con \u201cYar Yare Kar\u015fi\u201d, dove \u00e8 messa in musica una poesia alevita del genere \u201cmira\u00e7lama\u201d di \u015eah Ismail Hatay (1487-1524), cantato dal grande Ismail Hakki Demircio\u011flu, che simboleggia il Mi\u02bfr\u0101j, l\u2019ascesa ai sette cieli del Profeta. L\u2019impresa sonora di \u201cSounds of Cycle\u201d sorprende e affascina, scorre senza retorica, sempre misurata e mai sopra le righe, coniugando spirito di ricerca con necessit\u00e0 di emozionare, facendo primeggiare l\u2019\u201danima<\/p>\n
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Aslen Ankaral\u0131 olan Cenk G\u00fcray (1973) farkl\u0131 bir ge\u00e7mi\u015fe sahiptir: Orta Do\u011fu Teknik \u00dcniversitesi’nde Maden M\u00fchendisli\u011fi alan\u0131nda doktoras\u0131, Ba\u015fkent \u00dcniversitesi’nde M\u00fczikoloji alan\u0131nda y\u00fcksek lisans\u0131 ve bu kez 2009 y\u0131l\u0131nda T\u00fcrk dini m\u00fczi\u011fi alan\u0131nda doktoras\u0131 vard\u0131r. Ankara \u00dcniversitesi ve Sosyal Bilimler Enstit\u00fcs\u00fc. Hacettepe \u00dcniversitesi Konservatuar\u0131 M\u00fczik Teorisi B\u00f6l\u00fcm\u00fc’nde m\u00fczik teorisi profes\u00f6r\u00fcd\u00fcr. Bir konser yorumcusu olarak tan\u0131nm\u0131\u015f bir besteci ve \u00e7e\u015fitli ba\u011flama tarzlar\u0131nda icrac\u0131d\u0131r; ayn\u0131 zamanda anadolu m\u00fczik k\u00fclt\u00fcrleri toplulu\u011fu ba\u015fkan\u0131 ve atat\u00fcrk k\u00fclt\u00fcr merkezi bilim kurulu \u00fcyesidir. Sanatsal kodunun temelinde, farkl\u0131 \u00fcsluplar ve ses ufuklar\u0131 aras\u0131nda k\u00f6pr\u00fcler kurma, ortak payda arama arzusu var. Piedmontlu Felmay etiketinin Orta Do\u011fu katalo\u011fu i\u00e7in \u201c\u00c7e\u015fme\u201d (2008), Ali Fuat Ayd\u0131n’la \u201cBir.T\u00fcrk M\u00fczi\u011fi Gelenekleri\u201d (2011) ve DEM Trio ile \u201cErguvan\u201d (2014) alb\u00fcmlerini \u00e7\u0131kard\u0131. \u201cOte\u201d (2018) ve \u201cAnadolu Danslar\u0131\u201d (2022). Do\u011fu ve Bat\u0131’n\u0131n ortak k\u00fclt\u00fcrel ve m\u00fczikal haf\u0131zas\u0131n\u0131n ke\u015ffi olarak kendini g\u00f6steren yeni bir b\u00f6l\u00fcm olan \u201cSounds of Cycle\u201d beklentilere ihanet etmiyor; 2019-2023 y\u0131llar\u0131 aras\u0131nda T\u00fcrkiye’de kaydedilmi\u015f, \u201cDo\u011fu ile Bat\u0131 Aras\u0131nda D\u00f6nen Melodiler ve Anlat\u0131lar\u201d alt ba\u015fl\u0131\u011f\u0131n\u0131 ta\u015f\u0131yor. Multi-enstr\u00fcmantalist, g\u00fc\u00e7l\u00fc bir vizyoner \u00e7a\u011fr\u0131\u015f\u0131m olmadan bir yolculu\u011fa \u00e7\u0131kmak i\u00e7in yetenekli enstr\u00fcmantalistlerin (‘ud, yayl\u0131 tambur, tambura, gitar, \u00e7ello, klarnet, kemane, ney, perk\u00fcsyon ve \u015fan) i\u015fbirli\u011finden yararlan\u0131r. d\u00f6nemler ve yerler. B\u00f6ylece a\u00e7\u0131l\u0131\u015f, “sessiz ve unutulmu\u015f” g\u00f6\u00e7leri hat\u0131rlamak isteyen solo saz i\u00e7in bir imza motifi olan “Sessiz” olur. K\u0131sa s\u00fcre sonra St. Colombe’un (1640-1700) bir gavotu gelir. Program, Ermeni Peder Komitas’\u0131n (1869-1935) transkripsiyonunu yapt\u0131\u011f\u0131 bir “Halay” ve Gaspar Sanz’\u0131n (1640-1710) Barok d\u00f6nemden kalma, cura ba\u011flama ve ‘\u016bd diyalo\u011fu olan “Pavane” ile devam ediyor. Zeybek ritmine ve Cenk’in bestelerine geleneksel Anadolu temalar\u0131n\u0131n yan\u0131 s\u0131ra, her \u015feyden \u00f6nce \u201cK\u0131z\u0131l Kartal Zeybe\u011fi\u201d, \u201cKeskin Halayi\u201d, K\u0131r\u015fhir\/Keskin y\u00f6resinin geleneksel rit\u00fcel dans\u0131\u201d ve geleneksel Milas\/Mu\u011fla’ya dikkat \u00e7ekiyoruz. Hicaz makam\u0131nda yava\u015f hareket eden bir zeybek olan \u201cYa\u011fmur Ya\u011fdi Zeybe\u011fi\u201d, toplulukta Georg Friedrich H\u00e4ndel (\u201cMinuet in Sol Minor) ve h\u00e2l\u00e2 St. Colombe’a atfedilen dokunakl\u0131 bir tema olan \u201cLes Pleurs\u201d, burada K\u0131r\u0131ml\u0131 besteci Gazi Giray Han’\u0131n (1551-1607) ayn\u0131 derecede melankolik “Nihavend Saz Smaisi” ile birlikte \u00e7ald\u0131\u011f\u0131, hareketli bir yo\u011funlukla birle\u015fen iki par\u00e7a. Hemen ard\u0131ndan Cenk G\u00fcray yine daha b\u00fcy\u00fck bir toplulukla Requiem’ini seslendirirken, bu b\u00fcy\u00fcleyici alb\u00fcm\u00fc \u015eah \u0130smail Hatay’\u0131n (1487-1524) “mira\u00e7lama” t\u00fcr\u00fcnden bir Alevi \u015fiirinin yer ald\u0131\u011f\u0131 “Yar Yare Kar\u015f\u0131” ile kapat\u0131yor. Peygamber’in yedi g\u00f6\u011fe y\u00fckseli\u015fi olan Mirac’\u0131 simgeleyen b\u00fcy\u00fck \u0130smail Hakk\u0131 Demircio\u011flu taraf\u0131ndan s\u00f6ylenmi\u015ftir. “Sounds of Cycle”\u0131n ses ba\u015far\u0131s\u0131 \u015fa\u015f\u0131rt\u0131yor ve b\u00fcy\u00fcl\u00fcyor, retorik olmadan ak\u0131yor, her zaman \u00f6l\u00e7\u00fcl\u00fc ve asla a\u015f\u0131r\u0131ya ka\u00e7m\u0131yor, ara\u015ft\u0131rma ruhunu heyecanland\u0131rma ihtiyac\u0131yla birle\u015ftirerek “insan ruhunu” \u00fcst\u00fcn k\u0131l\u0131yor.<\/p>\n
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https:\/\/cenkguray.bandcamp.com\/album\/sounds-of-cycle-2<\/p>\n","protected":false},"excerpt":{"rendered":"
https:\/\/www.blogfoolk.com\/2023\/08\/cenk-gurays-baroque-miniatures-sounds.html?m=1&fbclid=IwAR3kzitM5aMWo8Nn42NIBzyzyNr8XVZsXI-KYkdcTX9_vyd9rin1hKGIm68 “”Sounds of Cycle”\u0131n t\u0131n\u0131sal ba\u015far\u0131s\u0131 \u015fa\u015f\u0131rt\u0131yor ve b\u00fcy\u00fcl\u00fcyor, dinleyiciyi kal\u0131psal bir retori\u011fe mahkum etmeden ak\u0131yor, her zaman \u00f6l\u00e7\u00fcl\u00fc ve asla a\u015f\u0131r\u0131ya ka\u00e7m\u0131yor, ara\u015ft\u0131rma ruhunu heyecan verici ilhamlarla birle\u015ftirerek “insan ruhunu” \u00fcst\u00fcn k\u0131l\u0131yor.” Originario di Ankara, Cenk<\/p>\n","protected":false},"author":2,"featured_media":182,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-181","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/posts\/181","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/cenkguray.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=181"}],"version-history":[{"count":2,"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/posts\/181\/revisions"}],"predecessor-version":[{"id":184,"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/posts\/181\/revisions\/184"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/media\/182"}],"wp:attachment":[{"href":"https:\/\/cenkguray.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=181"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cenkguray.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=181"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cenkguray.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}