{"id":173,"date":"2023-08-04T22:29:13","date_gmt":"2023-08-04T19:29:13","guid":{"rendered":"https:\/\/cenkguray.com\/?p=173"},"modified":"2023-08-05T00:37:59","modified_gmt":"2023-08-04T21:37:59","slug":"saygun-muziginde-makam-soyutlamalari","status":"publish","type":"post","link":"https:\/\/cenkguray.com\/?p=173","title":{"rendered":"Saygun M\u00fczi\u011finde Makam Soyutlamalar\u0131"},"content":{"rendered":"\r\n

Saygun m\u00fczi\u011findeki \u015fifre nas\u0131l \u00e7\u00f6z\u00fcld\u00fc? “Saygun Akoru” ve bestecinin makamlarla ili\u015fkisi \u00fczerine be\u015f yazar\u0131n \u00e7al\u0131\u015fmas\u0131 sanal ortamda yay\u0131mland\u0131.<\/p>\r\n

https:\/\/www.dr.com.tr\/ekitap\/saygun-muziginde-makam-soyutlamalar<\/a><\/p>\r\n

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https:\/\/www.sanattanyansimalar.com\/saygun-muziginde-makam-soyutlamalari\/7408\/<\/a><\/p>\r\n

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Ahmet Adnan Saygun (1907-1991), \u00f6l\u00fcm\u00fcn\u00fcn \u00fczerinden 32 y\u0131l ge\u00e7mi\u015f olmas\u0131na kar\u015f\u0131n, geride b\u0131rakt\u0131\u011f\u0131 s\u0131ra numaras\u0131 verilmi\u015f 76 yap\u0131t\u0131n\u0131n neredeyse herbirinde, yeni bir \u015feyler ke\u015ffedilen, m\u00fczi\u011finin derinliklerindeki anlamlar\u0131n \u00e7\u00f6z\u00fclmeye \u00e7al\u0131\u015ft\u0131\u011f\u0131 bir bestecimiz. Saygun’un eski T\u00fcrk makamlar\u0131ndan esinlendi\u011fi baz\u0131 yap\u0131tlar\u0131 Avrupa’daki topluluklar taraf\u0131ndan seslendirilerek uluslararas\u0131 kay\u0131t da\u011far\u0131na da kazand\u0131r\u0131ld\u0131. Saygun’un makamlarla ili\u015fkisi konusunda \u00f6nemli bir m\u00fczikolojik \u00e7al\u0131\u015fma yap\u0131ld\u0131 ve \u201cSaygun M\u00fczi\u011finde Makam Soyutlamalar\u0131\u201d\u00a0<\/b>ba\u015fl\u0131\u011f\u0131 alt\u0131nda Pan Yay\u0131nevi taraf\u0131ndan sanal ortamda yay\u0131mland\u0131.\u00a0(https:\/\/www.dr.com.tr\/ekitap\/saygun-muziginde-makam-soyutlamalar<\/a>)<\/span><\/span><\/p>\r\n

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Bu \u00f6nemli ara\u015ft\u0131rman\u0131n y\u00fcr\u00fct\u00fcc\u00fcs\u00fc\u00a0Prof. Dr. T\u00fcrev Berki<\/b>, kitap fikrinin ilk ortaya \u00e7\u0131k\u0131\u015f\u0131, geli\u015fimi ve i\u00e7eri\u011fi konusunda sorular\u0131m\u0131z\u0131 yan\u0131tlad\u0131.\u00a0<\/span><\/span><\/p>\r\n

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Saygun M\u00fczi\u011finde Makam Soyutlamalar\u0131<\/b><\/i>\u00a0ba\u015fl\u0131kl\u0131 be\u015f yazarl\u0131 \u00e7al\u0131\u015fma nas\u0131l ortaya \u00e7\u0131kt\u0131?<\/b><\/span><\/span><\/p>\r\n

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Bu \u00e7al\u0131\u015fman\u0131n fikirsel temeli, neredeyse 30 y\u0131l \u00f6ncesine uzan\u0131yor. 1990\u2019l\u0131 y\u0131llarda, Saygun\u2019un\u00a0Aksak Tart\u0131lar \u00dczerine On Et\u00fcd<\/i>\u00a0(1938) ve\u00a0Aksak Tart\u0131lar \u00dczerine On \u0130ki Prel\u00fcd<\/i>\u00a0(1945) ba\u015fl\u0131kl\u0131 alb\u00fcmlerini repertuvar\u0131ma ald\u0131\u011f\u0131mda, yap\u0131tlar\u0131n pek \u00e7ok yerinde tekrar eden bir\u00a0akor<\/i>\u00a0dikkatimi \u00e7ekmi\u015fti. \u00c7ocukluk y\u0131llar\u0131ndan beri, \u00e7al\u0131\u015ft\u0131\u011f\u0131m eserlerde akl\u0131ma tak\u0131lan her soruyu not etti\u011fim bir defterim vard\u0131r. Deftere \u015fu soruyu yazm\u0131\u015f\u0131m:<\/span><\/span><\/p>\r\n

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\u201cPrel\u00fcd 2\u2019nin sonu:\u00a0<\/i>La-re-fa-sol diyez.\u00a0Neden bu akor? Bunun \u00f6zel bir anlam\u0131 var m\u0131?\u201d<\/i><\/span><\/span><\/p>\r\n

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O d\u00f6nem, \u00e7evremdeki bestecilere ve m\u00fczik teorisyenlerine bu soruyu y\u00f6nelttim. Ald\u0131\u011f\u0131m yan\u0131t -\u00e7o\u011funlukla- \u015fuydu:<\/span><\/span><\/p>\r\n

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\u201cBu, Saygun\u2019un neo-klasik yakla\u015f\u0131m\u0131n\u0131n bir sembol\u00fc olabilir.\u201d<\/i><\/span><\/span><\/p>\r\n

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Ancak, bu cevab\u0131n beni pek de tatmin etmedi\u011fini s\u00f6ylemeliyim.<\/span><\/span><\/p>\r\n

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\"\"\u00a0Dr.\u00a0\u0130smet Karadeniz ve Prof.T\u00fcrev Berki<\/small><\/span><\/span><\/p>\r\n

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Y\u0131llar sonra, Hacettepe \u00dcniversitesi G\u00fczel Sanatlar Enstit\u00fcs\u00fc M\u00fczik Teorileri Anabilim Dal\u0131\u2019nda, sevgili \u0130smet Karadeniz\u2019in y\u00fcksek lisans tez dan\u0131\u015fman\u0131 oldum. Olas\u0131 tez konular\u0131n\u0131 tart\u0131\u015f\u0131rken, kendisine bu akordan bahsettim. \u00c7ok ilgisini \u00e7ekti; birlikte \u00e7al\u0131\u015fmaya ba\u015flad\u0131k. Matematiksel bir yakla\u015f\u0131mla\u00a0x<\/b><\/sub>(3 3 5)<\/b>,\u00a0x<\/b><\/sub>(3 5 3)<\/b>\u00a0ve\u00a0x<\/b><\/sub>(5 3 3)<\/b>\u00a0olarak tan\u0131mlad\u0131\u011f\u0131m\u0131z ve \u201cSaygun Akoru\u201d ad\u0131n\u0131 verdi\u011fimiz \u00fc\u00e7 akor tipi bulduk. De\u011ferli meslekta\u015f\u0131m, besteci\u00a0\u00d6zkan Manav\u00a0<\/a>ile \u0130stanbul\u2019da yapt\u0131\u011f\u0131m\u0131z g\u00f6r\u00fc\u015fme ise, tez i\u00e7in bir\u00a0d\u00f6n\u00fcm noktas\u0131<\/i>\u00a0oldu: Akorun k\u00f6keni\u00a0Bestenig\u00e2r makam\u0131\u00a0<\/i>idi!<\/span><\/span><\/p>\r\n

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Bu ke\u015fiften sonraki payda\u015flar\u0131n\u0131z\u0131 nas\u0131l se\u00e7tiniz? \u0130\u015f b\u00f6l\u00fcm\u00fcn\u00fc nas\u0131l yapt\u0131n\u0131z?<\/b><\/span><\/span><\/p>\r\n

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Bu ilk\u00a0ke\u015fif<\/i>, giderek \u201cSaygun m\u00fczi\u011fini anlama\u201d tutkusuna d\u00f6n\u00fc\u015ft\u00fc bizim i\u00e7in. O denli ki, -kurucusu olmaktan b\u00fcy\u00fck mutluluk duydu\u011fum- M\u00fczik Teorileri Anabilim Dal\u0131\u2019n\u0131n temel \u00e7al\u0131\u015fma alanlar\u0131ndan biri h\u00e2line geldi Saygun. De\u011ferli meslekta\u015flar\u0131m\u00a0Cenk G\u00fcray\u00a0<\/a>ve Ferhat \u00c7ayl\u0131\u2019n\u0131n da kat\u0131l\u0131m\u0131yla, bir\u00a0Analiz Grubu\u00a0<\/i>olu\u015fturduk ve Saygun m\u00fczi\u011fine dair yapt\u0131\u011f\u0131m\u0131z \u00e7al\u0131\u015fmalar\u0131n sonu\u00e7lar\u0131n\u0131 kitapla\u015ft\u0131rmaya karar verdik. Elbette, bu proje sevgili \u00d6zkan Manav\u2019s\u0131z d\u00fc\u015f\u00fcn\u00fclemezdi!<\/span><\/span><\/p>\r\n

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\u0130lk b\u00f6l\u00fcm\u00fcn, -genel anlamda- \u201cSaygun m\u00fczi\u011fini anlama k\u0131lavuzu\u201d i\u015flevi g\u00f6rmesini ve kitaptaki di\u011fer analizler i\u00e7in tam bir\u00a0kuramsal \u00e7er\u00e7eve<\/i>\u00a0olu\u015fturmas\u0131n\u0131 tasarlad\u0131m. B\u00f6l\u00fcm\u00fc, Saygun\u2019un son d\u00f6nem \u00f6\u011frencileri aras\u0131nda yer alan \u00d6zkan Manav kaleme ald\u0131 ve bu harikul\u00e2de \u00e7al\u0131\u015fmas\u0131na \u201cSaygun M\u00fczi\u011finin Genetik Kodlar\u0131na Do\u011fru\u201d ad\u0131n\u0131 verdi.<\/span><\/span><\/p>\r\n

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\u0130kinci b\u00f6l\u00fcmde1<\/sup><\/a>, yukar\u0131da s\u00f6z\u00fcn\u00fc etti\u011fim \u201cSaygun Akoru\u201dnu ele ald\u0131k.<\/span><\/span><\/p>\r\n

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\u00dc\u00e7\u00fcnc\u00fc2<\/sup><\/a>, be\u015finci3<\/sup><\/a>\u00a0ve yedinci4<\/sup><\/a>\u00a0b\u00f6l\u00fcmler; –Kerem<\/i>\u00a0Operas\u0131, Opus 34 Piyano Kon\u00e7ertosu ve\u00a0Aksak Tart\u0131lar \u00dczerine On \u0130ki Prel\u00fcd<\/i>\u00a0ba\u015fl\u0131kl\u0131 alb\u00fcmde yer alan 7. Prel\u00fcd \u00f6rnekleminde- eser analizlerine ayr\u0131ld\u0131.<\/span><\/span><\/p>\r\n

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Cenk G\u00fcray, kitaba\u00a0m\u00fczikolojik<\/i>\u00a0perspektif kazand\u0131rma amac\u0131yla kaleme ald\u0131\u011f\u0131 alt\u0131nc\u0131 b\u00f6l\u00fcmde, Saygun\u2019un halk m\u00fczi\u011fi tahayy\u00fcl\u00fcn\u00fc \u015fekillendiren k\u00fclt\u00fcrel ortam\u0131 irdeledi.<\/span><\/span><\/p>\r\n

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Kitab\u0131n tam ortas\u0131nda yer alan d\u00f6rd\u00fcnc\u00fc b\u00f6l\u00fcm\u00fc ise, Saygun\u2019un\u00a0kendi<\/i>\u00a0s\u00f6zlerine ay\u0131rmaya karar verdik:\u00a0Benim G\u00f6z\u00fcmden Makam.\u00a0<\/i>\u0130stedik ki, kitapta yer alan analizlerin dayanak noktas\u0131n\u0131 bizler de\u011fil, O anlats\u0131n okurlar\u0131m\u0131za…<\/span><\/span><\/p>\r\n

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\u00c7al\u0131\u015fma, Saygun\u2019un son yap\u0131t\u0131na kadar t\u00fcm yap\u0131tlar\u0131n\u0131 kaps\u0131yor mu?<\/b><\/span><\/span><\/p>\r\n

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Kitapta yer verilen bulgulara, Saygun yap\u0131tlar\u0131n\u0131n tamam\u0131 analiz edilerek ula\u015f\u0131lmad\u0131. Bunun istisnas\u0131, ikinci b\u00f6l\u00fcmd\u00fcr (Bir Akorun Anatomisi<\/i>). Bununla birlikte, \u201cSaygun\u2019un makamlar\u0131 nas\u0131l (ya da hangi yakla\u015f\u0131mla) soyutlad\u0131\u011f\u0131\u201d sorusuna tatmin edici bir yan\u0131t verildi\u011fini s\u00f6yleyebilirim.<\/span><\/span><\/p>\r\n

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Bu noktada, yeni tamamlanm\u0131\u015f bir ba\u015fka \u00e7al\u0131\u015fmadan s\u00f6z etmekte yarar g\u00f6r\u00fcyorum. Hacettepe M\u00fczik Teorileri Anabilim Dal\u0131\u2019nda y\u00fcksek lisans tezini kaleme alan Refikcan Ta\u015far, bu \u00e7al\u0131\u015fmada, bestecinin tamamlanm\u0131\u015f\u00a0son<\/i>\u00a0eseri olan Opus 76 Piyano Sonat\u0131\u2019n\u0131 analiz etti ve yap\u0131tta olduk\u00e7a kompleks bir makam soyutlama \u00f6rg\u00fcs\u00fcn\u00fc ortaya \u00e7\u0131kard\u0131. (Tez Ba\u015fl\u0131\u011f\u0131: Bir D\u00fcalite Ekseninde Be\u015f Analiz: Saygun, Opus 76\u201d, Dan\u0131\u015fman: Prof. Dr. T\u00fcrev Berki)<\/span><\/span><\/p>\r\n

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Vard\u0131\u011f\u0131n\u0131z sonu\u00e7 nedir? Makam soyutlamalar\u0131 olmasayd\u0131, Saygun m\u00fczi\u011fi olabilir miydi?<\/b><\/span><\/span><\/p>\r\n

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Makam soyutlamalar\u0131, Saygun m\u00fczi\u011finin en temel karakteristik \u00f6zelliklerinden biri. Dolay\u0131s\u0131yla, i\u00e7inde makam soyutlamalar\u0131 olmayan bir bestecilik anlay\u0131\u015f\u0131n\u0131n Saygun\u2019a ait olmas\u0131 m\u00fcmk\u00fcn g\u00f6r\u00fcnm\u00fcyor.<\/span><\/span><\/p>\r\n

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Yapt\u0131\u011f\u0131n\u0131z bu \u00e7al\u0131\u015fmaya yurt d\u0131\u015f\u0131ndan ilgi var m\u0131? Kitab\u0131n yurt d\u0131\u015f\u0131nda yay\u0131mlanmas\u0131 s\u00f6z konusu mu?<\/b><\/span><\/span><\/p>\r\n

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Saygun Akoru\u2019nu, \u0130smet Karadeniz\u2019le birlikte, 2018\u2019de Trabzon\u2019da d\u00fczenlenen uluslararas\u0131 bir sempozyumda5<\/sup><\/a>\u00a0bildiri olarak sunmu\u015ftuk,\u00a0Anatomy of a Chord<\/i>\u00a0<\/i>ba\u015fl\u0131\u011f\u0131yla. Toplant\u0131ya d\u0131\u015f \u00fclkelerden kat\u0131lan bilim insanlar\u0131, elde etti\u011fimiz bulgular\u0131n \u0130ngilizce bir kitap olarak yay\u0131mlanmas\u0131 konusunda bize destek s\u00f6z\u00fc verdiler. Ancak, Saygun M\u00fczi\u011fi \u00fczerine \u00e7al\u0131\u015fmalar\u0131m\u0131z\u0131n olgunla\u015fmas\u0131 i\u00e7in zamana ihtiya\u00e7 vard\u0131 ve ilk a\u015famada T\u00fcrk\u00e7e bir kitap yay\u0131mlamak daha do\u011fru bir yakla\u015f\u0131m olacakt\u0131. Bug\u00fcn geldi\u011fimiz noktada ise, kitab\u0131, de\u011ferli meslekta\u015f\u0131m\u0131z Yi\u011fit Ayd\u0131n\u2019\u0131n da kat\u0131l\u0131m\u0131yla \u0130ngilizce olarak kaleme alman\u0131n zaman\u0131n\u0131n geldi\u011fini d\u00fc\u015f\u00fcn\u00fcyorum.<\/span><\/span><\/p>\r\n

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Kitab\u0131n sanal ortamda yay\u0131mland\u0131\u011f\u0131n\u0131 rastlant\u0131 sonucu \u00f6\u011frendim. Kitab\u0131n tan\u0131t\u0131m\u0131 konusunda bir \u00e7al\u0131\u015fma yapmad\u0131n\u0131z san\u0131r\u0131m.<\/b><\/span><\/span><\/p>\r\n

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Babam ODT\u00dc Matematik B\u00f6l\u00fcm\u00fc\u2019nde Cahit Arf\u2019\u0131n asistan\u0131yd\u0131. Y\u0131llar sonra, Cahit Hoca hakk\u0131nda bir kitap yaz\u0131ld\u0131, \u201cAnlamak Tutkunu Bir Matematik\u00e7i\u201d ba\u015fl\u0131\u011f\u0131yla. Bu bir tesad\u00fcf de\u011fildi. Ger\u00e7ekten de Cahit Hoca, -neredeyse her konu\u015fmas\u0131nda- en b\u00fcy\u00fck tutkusunun\u00a0anlamak<\/i>\u00a0oldu\u011funu s\u00f6ylerdi.<\/span><\/span><\/p>\r\n

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Bu kitab\u0131n yazarlar\u0131n\u0131n da yakla\u015f\u0131m\u0131 ayn\u0131 do\u011frultuda. Hepimiz, \u201cm\u00fczi\u011fi anlama ve anlamland\u0131rma\u201d tutkusuyla \u00e7ok ve titizlikle \u00e7al\u0131\u015fan bireyleriz. Bu tutkunun yan\u0131nda, kendimizi tan\u0131tma, \u015f\u00f6hret olma gibi heveslerin hi\u00e7biri ilgi \u00e7ekici de\u011fil. Bu sebeple, -m\u00fczikle ilgili hi\u00e7bir spek\u00fclasyona dahil olmadan- sadece \u00e7al\u0131\u015f\u0131yoruz. Zira insan \u00f6mr\u00fc s\u0131n\u0131rl\u0131 ve daha ke\u015ffedecek \u00e7ok \u015fey var. En b\u00fcy\u00fck dile\u011fim, bu y\u00f6ndeki \u00e7al\u0131\u015fmalar\u0131m\u0131z\u0131 devam ettirmek; T\u00fcrk m\u00fczik teorisi ve m\u00fczikolojisine katk\u0131 sa\u011flamak.<\/span><\/span><\/p>\r\n

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Bizler i\u00e7in,\u00a0Saygun M\u00fczi\u011finde Makam Soyutlamalar\u0131<\/i>\u2019n\u0131n, m\u00fczik camias\u0131yla sizin arac\u0131l\u0131\u011f\u0131n\u0131zla bulu\u015fuyor olu\u015fu son derecede \u00f6nemli ve de\u011ferli.<\/span><\/span><\/p>\r\n

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\u015eEF\u0130K KAHRAMANKAPTAN<\/b><\/span><\/span><\/p>\r\n

4 A\u011fustos 2023, Ka\u015f<\/i><\/span><\/span><\/p>\r\n

BE\u015e YAZAR K\u0130MD\u0130R?<\/b><\/span><\/span><\/p>\r\n

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Prof. Dr. T\u00fcrev Berki<\/b><\/span><\/span><\/span><\/p>\r\n

1970\u2019te Ankara\u2019da do\u011fan T\u00fcrev Berki\u2019nin konser piyanistli\u011fi \u00f6\u011frenimi, d\u00fcnyaca \u00fcnl\u00fc piyano ikilisi Elif ve Bedii Aran\u2019\u0131n hocal\u0131\u011f\u0131 alt\u0131nda ger\u00e7ekle\u015fti.<\/span><\/span><\/span><\/p>\r\n

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\"\"<\/span><\/span><\/span>T\u00fcrev Berki, 1982\u2019de Almanya\u2019da d\u00fczenlenen 29. Uluslararas\u0131 Steinway Piyano Yar\u0131\u015fmas\u0131\u2019nda birincilik \u00f6d\u00fcl\u00fcn\u00fc kazand\u0131. 1983\u2019te \u0130talya\u2019da kat\u0131ld\u0131\u011f\u0131 Senigallia Uluslararas\u0131 Gen\u00e7 Piyanistler Yar\u0131\u015fmas\u0131\u2019nda ise \u00f6d\u00fcle l\u00e2y\u0131k g\u00f6r\u00fclen be\u015f yar\u0131\u015fmac\u0131 aras\u0131nda yer ald\u0131.<\/span><\/span><\/span><\/p>\r\n

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1993\u2019te, T\u00fcrkiye Cumhuriyeti\u2019nin 70. Kurulu\u015f Y\u0131ld\u00f6n\u00fcm\u00fcn\u00fc etkinlikleri kapsam\u0131nda Amerika Birle\u015fik Devletleri\u2019ne\u00a0k\u00fclt\u00fcr el\u00e7isi<\/i>\u00a0s\u0131fat\u0131yla davet edilerek Washington D.C.\u2019de bir resital verdi. 2001\u2019de, Moons and Stars Project organizasyonu \u00e7er\u00e7evesinde, New York\u2019un \u00fcnl\u00fc konser salonu Carnegie Hall\u2019daki performans\u0131 geni\u015f yank\u0131 uyand\u0131rd\u0131.<\/span><\/span><\/span><\/p>\r\n

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1991, bu tarihten sonraki meslek ya\u015fam\u0131n\u0131 \u201cpiyanist ve m\u00fczik teorisyeni\u201d olarak farkl\u0131 bir perspektifte s\u00fcrd\u00fcrme karar\u0131n\u0131 ald\u0131\u011f\u0131 y\u0131l oldu. Bu karar\u0131n ard\u0131nda; akademisyenli\u011fin, \u00fcniversitede g\u00f6revli matematik\u00e7i bir baba ve hukuk\u00e7u bir annenin o\u011flu olarak, \u00f6teden beri ilgi duydu\u011fu bir ya\u015fam bi\u00e7imi olu\u015fu ve\u00a0m\u00fczi\u011fi anlama<\/i>\u00a0tutkusu yatmaktayd\u0131.<\/span><\/span><\/span><\/p>\r\n

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Prof. Dr. T\u00fcrev Berki,\u00a0m\u00fczik analizi<\/i>\u00a0konusuna odaklanan \u00e7al\u0131\u015fmalar\u0131n\u0131, Hacettepe \u00dcniversitesi Ankara Devlet Konservatuvar\u0131 M\u00fczik Teorileri Anabilim Dal\u0131 \u00f6\u011fretim \u00fcyesi olarak g\u00fcn\u00fcm\u00fczde de s\u00fcrd\u00fcrmektedir. Kurucusu oldu\u011fu bu Anabilim Dal\u0131, \u00fclkemizde Bat\u0131 M\u00fczi\u011fi Teorisi ve T\u00fcrk M\u00fczik Teorisi\u2019nin ayn\u0131 \u00e7at\u0131 alt\u0131nda ve e\u015fit \u00f6nemde incelendi\u011fi\u00a0tek akademik birim<\/i>\u00a0olma \u00f6zelli\u011fini ta\u015f\u0131maktad\u0131r.<\/span><\/span><\/span><\/p>\r\n

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Uluslararas\u0131 arenada b\u00fcy\u00fck prestiji olan\u00a0Steinway Sanat\u00e7\u0131l\u0131\u011f\u0131<\/i>\u00a0\u00fcnvan\u0131na sahip olan T\u00fcrev Berki, 1997\u2019de Junior Chamber International taraf\u0131ndan\u00a0K\u00fclt\u00fcr Alan\u0131nda T\u00fcrkiye\u2019nin En Ba\u015far\u0131l\u0131 Genci<\/i>\u00a0olarak ilan edilmi\u015ftir. Sanat\u00e7\u0131 ve bilim insan\u0131 olarak edindi\u011fi farkl\u0131 kimlik ve kazand\u0131\u011f\u0131 uluslararas\u0131 \u00f6d\u00fcller nedeniyle, T\u00fcrev Berki\u2019nin ad\u0131, bug\u00fcn Hacettepe \u00dcniversitesi Onur Hol\u00fc\u2019nde yer almaktad\u0131r.<\/span><\/span><\/span><\/p>\r\n

 <\/p>\r\n

Prof. Dr. \u00d6zkan Manav<\/b><\/span><\/span><\/span><\/p>\r\n

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20 May\u0131s 1967\u2019de Mersin\u2019de d\u00fcnyaya gelen Ali \u00d6zkan Manav, Mimar Sinan \u00dcniversitesi Devlet Konservatuvar\u0131\u2019nda Ahmed Adnan Saygun ve \u0130lhan Usmanba\u015f\u2019la kompozisyon \u00e7al\u0131\u015ft\u0131. Bestecilik \u00f6\u011frenimini Boston \u00dcniversitesi\u2019nde Lukas Foss ve Marjorie Merryman\u2019le 1996-99 y\u0131llar\u0131 aras\u0131nda y\u00fcr\u00fctt\u00fc\u011f\u00fc doktora \u00e7al\u0131\u015fmalar\u0131yla tamamlad\u0131. 1991 y\u0131l\u0131ndan bu yana Mimar Sinan G\u00fczel Sanatlar \u00dcniversitesi \u0130stanbul Devlet Konservatuvar\u0131\u2019nda ders vermektedir.<\/span><\/span><\/span><\/p>\r\n

 <\/p>\r\n

\"\"<\/span><\/span><\/span>Sforzandolar\u00a0<\/b><\/i><\/span><\/span><\/span>adl\u0131 orkestra yap\u0131t\u0131n\u0131n ilk seslendirili\u015fi 1999 y\u0131l\u0131nda M\u00fcnih\u2019te,\u00a0<\/span><\/span><\/span>musica viva<\/i><\/span><\/span><\/span>\u00a0konser dizisi kapsam\u0131nda Bavyera Radyosu Senfoni Orkestras\u0131\u2019yla yap\u0131ld\u0131.\u00a0<\/span><\/span><\/span>Portamento lento<\/b><\/i><\/span><\/span><\/span>\u00a0adl\u0131 orkestra m\u00fczi\u011fi 2002 y\u0131l\u0131 Deutsche Welle Kompozisyon \u00d6d\u00fcl\u00fc arac\u0131l\u0131\u011f\u0131yla Bonn\u2019da,\u00a0Beethoven Festivali\u2019nde seslendirildi. Orkestral ses d\u00fcnyas\u0131nda yorumlad\u0131\u011f\u0131 Ali Ekber \u00c7i\u00e7ek\u2019in\u00a0<\/span><\/span><\/span>Haydar Haydar<\/em><\/b><\/i><\/span><\/span><\/span>\u00a0deyi\u015fi 2017 y\u0131l\u0131nda\u00a0T\u00fcrkiye Ulusal Gen\u00e7lik Filarmoni Orkestras\u0131\u2019n\u0131n Avrupa turnesinde, 2021 y\u0131l\u0131nda\u00a0Londra Filarmoni Orkestras\u0131\u2019n\u0131n Cumhurba\u015fkanl\u0131\u011f\u0131 Senfoni Orkestras\u0131\u2019n\u0131n yeni konser salonunda ve \u0130stanbul\u2019daki Atat\u00fcrk K\u00fclt\u00fcr Merkezi\u2019nin a\u00e7\u0131l\u0131\u015f\u0131nda verdi\u011fi konserlerde seslendirildi.\u00a0<\/span><\/span><\/span>2022 y\u0131l\u0131nda Besteciler, Orkestra \u015eefleri ve M\u00fczikologlar Birli\u011fi-BESOM taraf\u0131ndan \u201cY\u0131l\u0131n Bestecisi\u201d \u00f6d\u00fcl\u00fcne lay\u0131k g\u00f6r\u00fcld\u00fc.<\/span><\/span><\/span><\/p>\r\n

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Kompozisyonlar\u0131nda y\u00fczeyde birbirine uzak, birbiriyle ba\u011fda\u015fmaz g\u00f6r\u00fcnen m\u00fcziksel\/k\u00fclt\u00fcrel \u00f6\u011feler aras\u0131nda derinlerde yatan ba\u011flar\u0131 ara\u015ft\u0131rmay\u0131 sever. M\u00fczi\u011fi, ya\u015famsal g\u00fcc\u00fcn\u00fc \u00e7e\u015fitlilik ve kar\u015f\u0131tl\u0131ktan al\u0131r. M\u00fczikte bir dizi d\u00fcaliteyi \u2013k\u00fclt\u00fcrel, tarihsel olsun, yap\u0131sal, t\u0131n\u0131sal, mek\u00e2nsal, akustik olsun\u2013 potansiyel olarak do\u011furgan bulur.<\/span><\/span><\/span><\/p>\r\n

 <\/p>\r\n

Dr.\u00a0\u0130smet Karadeniz<\/a><\/b><\/span><\/span><\/span><\/p>\r\n

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1986 y\u0131l\u0131nda Ordu\u2019da do\u011fdu. Ankara \u00dcniversitesi Di\u015f Hekimli\u011fi Fak\u00fcltesi\u2019nde ba\u015flad\u0131\u011f\u0131 \u00f6\u011frenimini 2009\u2019da yar\u0131da b\u0131rakarak Hacettepe \u00dcniversitesi Ankara Devlet Konservatuvar\u0131 M\u00fczikoloji Anabilim Dal\u0131 lisans program\u0131na ba\u015fvurdu ve buradan \u201cGadamer’in Felsefi\u0302 Hermeneutig\u0306ine G\u00f6re, Programl\u0131 M\u00fczik Eserlerinin Anla\u015f\u0131labilirli\u011fi \u00dczerine\u201d projesiyle 2013 y\u0131l\u0131nda mezun oldu. Lisans\u00fcst\u00fc \u00f6\u011frenimine Hacettepe \u00dcniversitesi G\u00fczel Sanatlar Enstit\u00fcs\u00fc\u2019nde m\u00fczik teorileri alan\u0131nda devam ederek, \u201cBir Saygun \u0130mzas\u0131: [3,5,3]\u201d ba\u015fl\u0131kl\u0131 tezi ile 2016\u2019da y\u00fcksek lisans ve \u201cSaygun M\u00fczi\u011finde Makam Soyutlamalar\u0131: Piyano Kon\u00e7ertosu, Op. 34, I\u201d ba\u015fl\u0131kl\u0131 tezi ile 2020\u2019de doktora derecelerini ald\u0131. 2015-2022 y\u0131llar\u0131 aras\u0131nda Hacettepe \u00dcniversitesi Ankara Devlet Konservatuvar\u0131\u2019nda \u201cBat\u0131 M\u00fczi\u011fi Teorisi\u201d ve \u201cM\u00fczik Performans\u0131 Analizi\u201d dersleri vermesinin yan\u0131nda, 2007 y\u0131l\u0131ndan bu yana pek \u00e7ok m\u00fczik toplulu\u011funda yayl\u0131 tanbur, ref\u00eek-i rebab, perdesiz gitar, perdesiz bas gitar, e-bow ve kopuz icrac\u0131l\u0131\u011f\u0131yla yer ald\u0131. \u00c7a\u011fda\u015f D\u00f6nem bestecilik yakla\u015f\u0131mlar\u0131, program m\u00fczi\u011fi, m\u00fczik formlar\u0131, m\u00fczik performans\u0131 ve ele\u015ftirisi gibi alanlarda yay\u0131nlar \u00fcretmi\u015f olan Karadeniz; \u00c7a\u011fda\u015f T\u00fcrk M\u00fczi\u011fi ve Cumhuriyet D\u00f6nemi Klasik T\u00fcrk M\u00fczi\u011fi bestecilerine odaklanan analitik \u00e7al\u0131\u015fmalar\u0131n\u0131 Ankara M\u00fczik ve G\u00fczel Sanatlar \u00dcniversitesi b\u00fcnyesinde s\u00fcrd\u00fcrmekte, bu kurumda ve Hacettepe \u00dcniversitesi\u2019nde \u201cGeleneksel M\u00fczi\u011fe Yarat\u0131c\u0131 Bak\u0131\u015f\u201d, \u201cM\u00fczik Bi\u00e7imleri\u201d, \u201cM\u00fczikal Analiz\u201d, \u201c\u00c7a\u011fda\u015f T\u00fcrk M\u00fczi\u011fi\u2019nde Bestecilik Yakla\u015f\u0131mlar\u0131\u201d ve \u201c\u00c7a\u011fda\u015f T\u00fcrk M\u00fczi\u011fi\u2019nin 60 Y\u0131l\u0131: Ahmed Adnan Saygun\u201d derslerini y\u00fcr\u00fctmektedir.<\/span><\/span><\/span><\/p>\r\n

 <\/p>\r\n

Prof. Dr. Cenk G\u00fcray<\/b><\/span><\/span><\/span><\/p>\r\n

 <\/p>\r\n

\"\"<\/b><\/span><\/span><\/span>\u00c7al\u0131\u015fma alanlar\u0131 \u201cTeori ve icra a\u00e7\u0131lar\u0131ndan makamsal m\u00fczik gelenekleri\u201d, \u201cEdvar Teorisi\u201d, \u201cMakam Analizinde Bili\u015fim Uygulamalar\u0131\u201d ve \u201cba\u011flama icras\u0131\u201d \u00fczerinde yo\u011funla\u015fan Cenk G\u00fcray, halen Hacettepe \u00dcniversitesi Ankara Devlet Konservatuvar\u0131 M\u00fczik Teorileri Anabilim Dal\u0131\u2019nda \u00f6\u011fretim \u00fcyesi olarak g\u00f6rev yapmakta ve ayn\u0131 zamanda Anadolu M\u00fczik K\u00fclt\u00fcrleri Derne\u011fi\u2019nin ba\u015fkanl\u0131\u011f\u0131n\u0131 y\u00fcr\u00fctmektedir.<\/span><\/span><\/span><\/p>\r\n

 <\/p>\r\n

Dr. Ferhat \u00c7ayl\u0131<\/b><\/span><\/span><\/span><\/p>\r\n

 <\/p>\r\n

\"\"<\/b><\/span><\/span><\/span>Hacettepe \u00dcniversitesi’nde Psikoloji B\u00f6l\u00fcm\u00fc’nden 2009\u2019da mezun olmu\u015f, ayn\u0131 \u00fcniversitenin G\u00fczel Sanatlar Enstit\u00fcs\u00fc M\u00fczik Teorileri Anabilim Dal\u0131nda Y\u00fcksek Lisans (2014) ve Doktora (2019) derecelerini elde etmi\u015ftir. Halen, Hacettepe \u00dcniversitesi Ankara Devlet Konservatuvar\u0131 M\u00fczik Teorileri Anabilim Dal\u0131nda Doktor \u00d6\u011fretim \u00dcyesi olarak g\u00f6rev yapmaktad\u0131r.<\/span><\/span><\/span><\/p>\r\n

 <\/p>\r\n\r\n\r\n\r\n

 <\/p>\r\n","protected":false},"excerpt":{"rendered":"

Saygun m\u00fczi\u011findeki \u015fifre nas\u0131l \u00e7\u00f6z\u00fcld\u00fc? “Saygun Akoru” ve bestecinin makamlarla ili\u015fkisi \u00fczerine be\u015f yazar\u0131n \u00e7al\u0131\u015fmas\u0131 sanal ortamda yay\u0131mland\u0131. https:\/\/www.dr.com.tr\/ekitap\/saygun-muziginde-makam-soyutlamalar   https:\/\/www.sanattanyansimalar.com\/saygun-muziginde-makam-soyutlamalari\/7408\/   Ahmet Adnan Saygun (1907-1991), \u00f6l\u00fcm\u00fcn\u00fcn \u00fczerinden 32 y\u0131l ge\u00e7mi\u015f olmas\u0131na kar\u015f\u0131n, geride b\u0131rakt\u0131\u011f\u0131 s\u0131ra numaras\u0131 verilmi\u015f 76 yap\u0131t\u0131n\u0131n<\/p>\n","protected":false},"author":2,"featured_media":176,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-173","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/posts\/173","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/cenkguray.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=173"}],"version-history":[{"count":4,"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/posts\/173\/revisions"}],"predecessor-version":[{"id":178,"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/posts\/173\/revisions\/178"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/media\/176"}],"wp:attachment":[{"href":"https:\/\/cenkguray.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=173"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cenkguray.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=173"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cenkguray.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}