\n
AY: Hocam, nas\u0131ls\u0131n\u0131z? K\u0131saca Kendinizi Okurlar\u0131m\u0131za Tan\u0131t\u0131r m\u0131s\u0131n\u0131z?<\/strong><\/span><\/p>\nG\u00dcRAY:\u00a0<\/strong>\u00c7ok te\u015fekk\u00fcr ederim, gayet iyiyim. Bu s\u00f6yle\u015fiyi Sizinle ger\u00e7ekle\u015ftirmekten \u015feref duyuyorum. 1973 y\u0131l\u0131nda Ankara\u2019da do\u011fdum.\u00a0<\/strong>Ortado\u011fu Teknik \u00dcniversitesi Maden M\u00fchendisli\u011fi B\u00f6l\u00fcm\u00fc\u2019nden 1995 y\u0131l\u0131nda mezun oldum. Ayn\u0131 b\u00f6l\u00fcmde 1998\u2019de y\u00fcksek lisans, 2003\u2019de de doktora \u00e7al\u0131\u015fmalar\u0131m\u0131 Prof.Dr. Ne\u015f\u2019e \u00c7elebi\u2019nin dan\u0131\u015fmanl\u0131\u011f\u0131nda, Prof.Dr. G\u00fcnhan Pa\u015famehmeto\u011flu ve Prof.Dr.Volkan Atalay\u2019\u0131n destekleriyle tamamlad\u0131m. Ba\u015fkent \u00dcniversitesi Devlet Konservatuar\u0131 M\u00fczikoloji Anabilim Dal\u0131\u2019ndaki y\u00fcksek lisans \u00e7al\u0131\u015fmalar\u0131m\u0131 ise 2006 y\u0131l\u0131nda Dr.Erdo\u011fan Okyay\u2019\u0131n dan\u0131\u015fmanl\u0131\u011f\u0131nda \u201cMakam Yap\u0131lar\u0131n\u0131 Yans\u0131tan Bir Model \u00d6nerisi \u0130\u00e7in Yapay Zek\u00e2 Tekniklerinin Kullan\u0131m\u0131\u201d adl\u0131 tez \u00e7al\u0131\u015fmas\u0131 ile sonu\u00e7land\u0131rd\u0131m. 2006\u2019da Ankara \u00dcniversitesi \u0130lahiyat Fak\u00fcltesi T\u00fcrk Din Musikisi Anabilim Dal\u0131\u2019nda Prof.Dr. Bayram Akdo\u011fan\u2019\u0131n dan\u0131\u015fmanl\u0131\u011f\u0131nda ikinci bir doktora \u00e7al\u0131\u015fmas\u0131na ba\u015flad\u0131m. Bu \u00e7al\u0131\u015fma 2012 y\u0131l\u0131nda, \u201cAnadolu\u2019daki inan\u00e7 ve m\u00fczik ili\u015fkisinin sema-semah kavramlar\u0131 \u00e7er\u00e7evesinde incelenmesi\u201d ba\u015fl\u0131kl\u0131 tez \u00e7al\u0131\u015fmas\u0131 ile sonu\u00e7land\u0131. Ortaokul-lise y\u0131llar\u0131ndan beri ba\u011flama icras\u0131yla da me\u015fgul\u00fcm. Erhan K\u00fcrk\u00e7\u00fc, Mehmet Semiz, Okan Murat \u00d6zt\u00fcrk, Veysel Ayd\u0131n, Sel\u00e7uk Sipahio\u011flu, Hasan Erdo\u011fan,\u00a0S\u00fcleyman Erguner ve Tahir Aydo\u011fdu ile \u201cgeleneksel m\u00fczik icras\u0131 ve m\u00fczik teorisi\u201d alanlar\u0131nda \u00e7al\u0131\u015fma f\u0131rsat\u0131 buldum. Ayr\u0131ca, Durul Gence ve Murat Arkan ile caz teorisi ve tarihi konular\u0131nda \u00e7al\u0131\u015fma f\u0131rsat\u0131 bulurken, Erkan O\u011fur\u2019dan hayat\u0131m boyunca pek \u00e7ok m\u00fczikal ve felsefi de\u011fer alma \u015fans\u0131 da buldum. Erkan O\u011fur a\u011fabey halen m\u00fczik ve fikir \u00fcretmem a\u00e7\u0131s\u0131ndan \u00e7ok \u00f6nemli bir kaynak olmaya devam ediyor hayat\u0131mda.\u00a0 \u0130craya y\u00f6nelik \u00e7al\u0131\u015fmalar\u0131mda Ali Fuat Ayd\u0131n ile Zeybek m\u00fczi\u011fi ve Ege m\u00fczik k\u00fclt\u00fcr\u00fc \u00fczerinde yo\u011funla\u015f\u0131rken; Okan Murat \u00d6zt\u00fcrk, Murat Salim Toka\u00e7 ve Derya T\u00fcrkan ile birlikte \u015fekillendirdi\u011fimiz Dem Trio ile Anadolu Kentli M\u00fczik gelene\u011fi \u00fczerinde \u00e7al\u0131\u015fma imk\u00e2n\u0131 buldum; bu de\u011ferli ustalar\u0131n tecr\u00fcbelerinden faydaland\u0131m. AB\u0130S-Deneysel M\u00fczik Toplulu\u011fu, Akdeniz Orkestras\u0131, Ya\u011fmur \u00d6ncesi, Akis, Barok Minyat\u00fcrler, Dem Trio, Zeybek Havalar\u0131 ve ODT\u00dc T\u00fcrk Halk Bilimi Toplulu\u011fu Ba\u011flama Orkestras\u0131 gibi topluluklar arac\u0131l\u0131\u011f\u0131yla m\u00fczikal fikirlerimi ortaya koyma \u015fans\u0131 bulurken, bu \u00e7al\u0131\u015fmalar kapsam\u0131nda Muammer Ketenco\u011flu, Nida Ate\u015f, Erdal Erzincan, Sarp Maden gibi de\u011ferli icrac\u0131lar\u0131n birikimlerinden de faydalanma imk\u00e2n\u0131 buldum. Yine uzun y\u0131llard\u0131r M\u00fczik, \u00f6zellikle Makam Teorisi ve Bestecilik\u2019e dair alanlarda Prof. M. Ertu\u011frul Bayraktarkatal\u2019\u0131n \u00f6\u011frencisi olma onurunu da ta\u015f\u0131yorum. Ertu\u011frul Hocam ile ortaya koydu\u011fumuz \u00fcretimler hem makam teorisi hem de geleneksel m\u00fczik icras\u0131 ve bestecili\u011fi alan\u0131nda uzun y\u0131llard\u0131r hayat\u0131m\u0131n merkezinde duruyor.<\/span><\/p>\nAY: M\u00fczik Alan\u0131nda;\u00a0 Hem Uygulamac\u0131 Hem Teorisyen Olarak Biliniyorsunuz. \u0130ki Alanda Ba\u015far\u0131l\u0131 Olmak Zor mu? Yoksa Birbirini Tamaml\u0131yor mu?<\/strong><\/span><\/p>\nG\u00dcRAY:\u00a0<\/strong>Ben m\u00fczik teorisini, m\u00fczi\u011fin icraya dair ayr\u0131nt\u0131lar\u0131n\u0131 i\u00e7inde saklayarak aktar\u0131lmas\u0131n\u0131 sa\u011flayan ana kaynak olarak g\u00f6r\u00fcyorum. Zira m\u00fczik teorisi m\u00fczisyenler i\u00e7in m\u00fczi\u011fi olu\u015fturma metodolojisini, ses sisteminden, akort sistemlerine, \u00e7alg\u0131 teknikleri ve pozisyonlar\u0131ndan, ezgi, ritim ve form olu\u015fturma metotlar\u0131na kadar en ince ayr\u0131nt\u0131s\u0131na kadar tan\u0131mlayan bir alan. S\u00f6zl\u00fc ve yaz\u0131l\u0131 bi\u00e7imlerde aktar\u0131labilen bu bilgiler \u00f6ncelikli olarak icrac\u0131n\u0131n kafas\u0131ndaki m\u00fczik fikrinin seslere aktar\u0131labilmesi i\u00e7in ge\u00e7erli yollar\u0131 g\u00f6steriyor ve o yollar m\u00fczi\u011fe dair \u00fcsluplar\u0131, tarzlar\u0131, gelene\u011fe dair fikirleri ve gelece\u011fe dair tahayy\u00fclleri bir b\u00fct\u00fcn olarak kaps\u0131yor.\u00a0 \u00a0Bu y\u00f6n\u00fcyle bu alanlar\u0131n birisi olmadan di\u011ferinin sa\u011fl\u0131kl\u0131 bir bi\u00e7imde devam etmesinin m\u00fcmk\u00fcn olamayaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum. Hayat\u0131nda hi\u00e7bir yaz\u0131l\u0131 kayna\u011fa ba\u015fvurmam\u0131\u015f bir m\u00fczisyenden, senfoni orkestralar\u0131na eser yazan bir besteciye kadar t\u00fcm m\u00fczik insanlar\u0131n\u0131n i\u00e7inde bir \u201cteori\u201d oldu\u011funa, bu teorinin \u201cdo\u011faya, kadim zamanlara, insan\u0131n i\u00e7sel y\u00f6nelimlerine, geleneklere ve hayallere\u201d dair bilgileri i\u00e7inde saklad\u0131\u011f\u0131na ve \u201cm\u00fczik\u201d arac\u0131l\u0131\u011f\u0131yla bu bilginin a\u00e7\u0131\u011fa \u00e7\u0131kar\u0131ld\u0131\u011f\u0131na inan\u0131yorum. Dolay\u0131s\u0131yla teori ve uygulama alanlar\u0131n\u0131n birbirlerini tamamlad\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum.<\/span><\/p>\nAY: \u00a0S\u00fcrekli faaliyetler yap\u0131yorsunuz ki \u00e7ok g\u00fczel\u2026\u00dcretken akademisyenler, \u00fcstelik m\u00fczisyen olursa daha da seviliyor.\u00a0<\/strong><\/span>T\u00fcrkiye Cumhuriyeti\u2019nin kurucu de\u011ferlerini m\u00fczik ve sanat alan\u0131nda gelece\u011fe ta\u015f\u0131yan bir \u201cbellek olarak\u201d g\u00f6r\u00fclebilecek olan \u201cHacettepe \u00dcniversitesi Ankara Devlet Konservatuvar\u0131\u2019n\u0131n 87. Kurulu\u015f Y\u0131ld\u00f6n\u00fcm\u00fc\u201d etkinliklerinde neler yapt\u0131n\u0131z?<\/strong><\/span><\/p>\nG\u00dcRAY:\u00a0<\/strong>Konservatuvar\u0131m\u0131z\u0131n 87. Ya\u015f g\u00fcn\u00fc kutlamak i\u00e7in olduk\u00e7a kapsaml\u0131 bir program y\u00fcr\u00fctt\u00fck. Ankara Devlet Konservatuvar\u0131n\u0131, bu okulun kurulu\u015f ilkelerini ve bu ilkelerin sonucunda ortaya \u00e7\u0131kan kazan\u0131mlar\u0131m\u0131z\u0131 Cumhuriyetimizin 100. Y\u0131l\u0131nda daha da fazla hat\u0131rlamam\u0131z ve hat\u0131rlatmam\u0131z gerekti\u011fini d\u00fc\u015f\u00fcn\u00fcyorum. Zira Cumhuriyetimizin ikinci y\u00fczy\u0131l\u0131n\u0131n ancak bu ilkelerin \u00fczerinde geli\u015fen ve kendini yenileyen fikirlerle bizi gelece\u011fe ta\u015f\u0131yabilece\u011fini d\u00fc\u015f\u00fcn\u00fcyor, t\u00fcm Hacettepe \u00dcniversitesi Ankara Devlet Konservatuvar\u0131 ailemizin de bu fikirler payla\u015faca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum. \u0130sterseniz hem bu noktadaki fikirlerimizi \u00f6zetleyeyim hem de etkinliklerin i\u00e7eriklerinden bahsedeyim:<\/span><\/p>\n1936 y\u0131l\u0131nda Gazi Mustafa Kemal Atat\u00fcrk\u2019\u00fcn direktifleriyle kurulan ve 1982 y\u0131l\u0131nda Hacettepe \u00dcniversitesi\u2019ne ba\u011flanan Ankara Devlet Konservatuar\u0131\u2019n\u0131, T\u00fcrkiye Cumhuriyeti\u2019nin sanat ve k\u00fclt\u00fcr hayat\u0131n\u0131n merkezi kurumlar\u0131ndan biri olarak Cumhuriyet\u2019in \u201ckurucu\u201d fikirlerini g\u00fcn\u00fcm\u00fcze ve gelece\u011fe ta\u015f\u0131yan bir k\u00fclt\u00fcrel bellek olarak g\u00f6rmek m\u00fcmk\u00fcnd\u00fcr. Hacettepe \u00dcniversitesi Ankara Devlet Konservatuvar\u0131 87. Ya\u015f\u0131n\u0131 s\u00fcrd\u00fc\u011f\u00fc bug\u00fcn de ayn\u0131 heyecan ve kararl\u0131l\u0131kla Cumhuriyetimiz \u2019in m\u00fczik ve sanat miras\u0131n\u0131 g\u00fcn\u00fcm\u00fcze ve gelece\u011fimize ta\u015f\u0131maya \u00e7al\u0131\u015fmakta, d\u00fcnya insanlar\u0131 i\u00e7in kadim Anadolu uygarl\u0131klar\u0131n\u0131n ve as\u0131rl\u0131k T\u00fcrkiye Cumhuriyeti\u2019nin k\u0131lavuzlu\u011funda g\u00fczellik ve umut dolu bir d\u00fc\u015f\u00fcnce alan\u0131n\u0131 var etmeye \u00e7al\u0131\u015fmaktad\u0131r.\u00a0 M\u00fczik, Sahne Sanatlar\u0131 ve M\u00fczik Bilimleri ba\u015fl\u0131klar\u0131na sahip \u00fc\u00e7 b\u00f6l\u00fcm\u00fc; ilk\u00f6\u011fretimden, doktora ve sanatta yeterlik seviyesinde e\u011fitim veren y\u00fczlerce program\u0131 ile Hacettepe \u00dcniversitesi Ankara Devlet Konservatuvar\u0131, emanet ald\u0131\u011f\u0131 Cumhuriyet\u2019in \u201cm\u00fczik ve sahne sanatlar\u0131\u201d miras\u0131n\u0131 koruyarak, geli\u015ftirerek gelece\u011fe co\u015fku ve inan\u00e7la ta\u015f\u0131maya devam etmektedir. Hacettepe \u00dcniversitesi Ankara Devlet Konservatuvar\u0131n\u0131n 87. Kurulu\u015f Y\u0131ld\u00f6n\u00fcm\u00fc etkinlikleri 5-11 May\u0131s 2023 tarihleri aras\u0131nda Ankara Devlet Konservatuvar\u0131 Binas\u0131\u2019nda ger\u00e7ekle\u015ftirilen \u00e7e\u015fitli etkinliklerle b\u00fcy\u00fck bir co\u015fku i\u00e7inde kutland\u0131.\u00a0<\/span><\/p>\n5 May\u0131s 2023 tarihinde, Hacettepe \u00dcniversitesi Ankara Devlet Konservatuvar\u0131\u2019n\u0131n \u00f6\u011fretim elemanlar\u0131, mezunlar\u0131 ve \u00f6\u011frencilerinden olu\u015fan heyetinin An\u0131tkabir\u2019de Konservatuvar\u0131n Kurucusu Mustafa Kemal Atat\u00fcrk\u2019\u00fcn manevi makam\u0131n\u0131 ziyaret etmeleriyle ba\u015flayan t\u00f6renler, hemen arkas\u0131ndan mezuniyetlerinin 50. Y\u0131llar\u0131n\u0131 kutlayan mezunlar\u0131n plaketlerini almalar\u0131yla Konservatuvar binas\u0131nda devam etti. \u0130stiklal Mar\u015f\u0131n\u0131n Hacettepe Senfoni Orkestras\u0131 ve Konservatuvar Korosu taraf\u0131ndan icras\u0131 ile ba\u015flayan plaket t\u00f6reni m\u00fcd\u00fcr Prof. Dr. Metin Munzur\u2019un anlaml\u0131 konu\u015fmas\u0131, HSO konseri, Konservatuvar Mar\u015f\u0131n\u0131n icras\u0131 ve plaket t\u00f6reni ile devam etti. Ayn\u0131 g\u00fcn, Yayl\u0131 \u00c7alg\u0131lar Ana Sanat Dal\u0131\u2019n\u0131n d\u00fczenledi\u011fi Feza G\u00f6kmen Oda M\u00fczi\u011fi S\u0131n\u0131f\u0131 konserinin ard\u0131ndan Tiyatro Ana Sanat Dal\u0131 taraf\u0131ndan sahneye konulan Mrozek\u2019in \u201cS\u0131\u011f\u0131nt\u0131lar\u201d isimli oyunu sergilendi. \u0130lk g\u00fcn\u00fcn son etkinli\u011fi ise\u00a0Hacettepe \u00dcniversitesi Ankara Devlet Konservatuvar\u0131n\u0131n Paraguay ve El Salvador B\u00fcy\u00fckel\u00e7ilikleri ile Cumhuriyetimizin 100. Y\u0131l\u0131 onuruna birlikte d\u00fczenledi\u011fi “Agust\u00edn Pio Barrios Anma Konseri” oldu. Konser, 6 \u015eubat 2023 tarihinde \u00fclkemizin ya\u015fad\u0131\u011f\u0131 deprem felaketinde hayatlar\u0131n\u0131 kaybeden vatanda\u015flar\u0131m\u0131z i\u00e7in yap\u0131lan sayg\u0131 duru\u015fu ve \u00fc\u00e7 \u00fclkenin milli mar\u015flar\u0131n\u0131n icras\u0131 ile ba\u015flad\u0131. Hemen arkas\u0131ndan El Salvador T\u00fcrkiye\u00a0<\/span>B\u00fcy\u00fckel\u00e7isi\u00a0<\/strong>Hector\u00a0Enrique Jaime Calderon, Paraguay T\u00fcrkiye B\u00fcy\u00fckel\u00e7isi Ceferino Adrian Valdez Peralta, D\u0131\u015fi\u015fleri Bakanl\u0131\u011f\u0131 D\u0131\u015f Tan\u0131t\u0131m ve K\u00fclt\u00fcr \u0130\u015fleri Genel M\u00fcd\u00fcr Yard\u0131mc\u0131s\u0131 Mehmet G\u00fcnay ve Ankara Devlet Konservatuvar\u0131 M\u00fcd\u00fcr\u00fc Prof. Dr. Metin Munzur\u2019un konu\u015fmalar\u0131n\u0131n ard\u0131ndan \u201cBarrios\u2019un\u201d eserlerinden olu\u015fan konsere ge\u00e7ildi. Hacettepe \u00dcniversitesi Rekt\u00f6r Yard\u0131mc\u0131s\u0131 Prof. Dr. Serhat \u00dcnal\u2019\u0131n yan\u0131nda, 15 b\u00fcy\u00fckel\u00e7iyi de i\u00e7eren yo\u011fun bir uluslararas\u0131 protokol\u00fcn kat\u0131l\u0131m ve ilgisini \u00e7eken konserde Hacettepe \u00dcniversitesi Ankara Devlet Konservatuvar\u0131n\u0131n e\u011fitim kadrosunda yer alan sanat\u00e7\u0131lar konserde Barrios\u2019un \u00e7e\u015fitli eserlerini icra ettiler.\u00a0<\/span>Konserde Barrios\u2019un eserlerinin Erkan Mehmet Karag\u00fclle, Alper Es, Soner \u00c7ift\u00e7io\u011flu ve Eren S\u00fcalp taraf\u0131ndan yap\u0131lan ustal\u0131kl\u0131 icralar\u0131n\u0131n takdir g\u00f6rmesinin yan\u0131nda, bestecinin “Danza” adl\u0131 eserinin ba\u011flama i\u00e7in yaz\u0131lm\u0131\u015f varyasyonlar\u0131 ve ana tema \u00fczerine do\u011fa\u00e7lamalar\u0131n Cenk G\u00fcray taraf\u0131ndan ba\u011flama ile icras\u0131 da yo\u011fun ilgi toplad\u0131.<\/span><\/p>\n <\/p>\n
Etkinliklerin ikinci g\u00fcn\u00fc olan 6 May\u0131s 2023 tarihi ayn\u0131 zamanda Ankara Devlet Konservatuvar\u0131\u2019n\u0131n an\u0131tsal isimlerinden Necil Kaz\u0131m Akses\u2019in de 115. Ya\u015f g\u00fcn\u00fcyd\u00fc. Bu vesile ile \u201cBir Cumhuriyet Miras\u0131 Olarak Ankara Devlet Konservatuvar\u0131 s\u00f6yle\u015fisi ve \u201cSanat ve \u00c7ocuk\u201d isimli sergi 115. Do\u011fum G\u00fcn\u00fcnde Necil Kaz\u0131m Akses An\u0131s\u0131na Prof. Rengim G\u00f6kmen, Ersin Antep, P\u0131nar Alpay ve Cenk G\u00fcray\u2019\u0131n kat\u0131l\u0131mlar\u0131yla tertip edildi.<\/span><\/p>\n <\/p>\n
8 May\u0131s 2023 tarihindeki etkinlikler ise \u00dcflemeli ve Vurmal\u0131 \u00c7alg\u0131lar Ana Sanat Dal\u0131 taraf\u0131ndan d\u00fczenlenen \u201cKlaranka\u201d konseri ile ba\u015flad\u0131. MBO ve MSSL Okul-Aile birlikleri taraf\u0131ndan d\u00fczenlenen Kermes\u2019in ard\u0131ndan Caz Ana Sanat Dal\u0131 dinletisi d\u00fczenlendi. G\u00fcn\u00fcn etkinlikleri Yayl\u0131 \u00c7alg\u0131lar Ana Sanat Dal\u0131 taraf\u0131ndan d\u00fczenlenen Erdo\u011fan Davran Oda M\u00fczi\u011fi S\u0131n\u0131f\u0131\u2019n\u0131n konseri ve Tiyatro Ana Sanat Dal\u0131 taraf\u0131ndan sahneye konulan Shakespeare\u2019in Macbeth adl\u0131 oyunu ile devam etti. G\u00fcn\u00fcn son konseri ile Prof. Rengim G\u00f6kmen\u2019in \u015fefli\u011finde sahneye \u00e7\u0131kan Hacettepe \u00dcniversitesi Senfoni Orkestras\u0131\u2019n\u0131n Gen\u00e7 Solistler ba\u015fl\u0131\u011f\u0131ndaki konseri oldu. Ba\u015far G\u00fcl (trombon), Bu\u011frahan \u0130lter (keman), Atakan Altun (kontrbas), Ece Naml\u0131 (keman), Efe Erol (bariton) ve Dilan Kan\u2019\u0131n (soprano) solist olarak yer ald\u0131\u011f\u0131 konser b\u00fcy\u00fck bir ba\u015far\u0131 ile tamamland\u0131.\u00a0<\/span><\/p>\n <\/p>\n
9 May\u0131s 2023 tarihinde etkinlikler Yayl\u0131 \u00c7alg\u0131lar Ana Sanat Dal\u0131 taraf\u0131ndan d\u00fczenlenen Kontrbas Orkestras\u0131 konseri ile ba\u015flad\u0131. Alan\u0131ndaki ilk \u00f6rneklerden olan orkestra s\u0131ra d\u0131\u015f\u0131 repertuar\u0131 ile ilgi toplad\u0131. Bu etkinli\u011fin ard\u0131ndan M\u00fczik Bilimleri B\u00f6l\u00fcm\u00fc taraf\u0131ndan d\u00fczenlenen M\u00fczik Bilim Konferanslar\u0131 kapsam\u0131nda G\u00fcnay G\u00fcnayd\u0131n \u201cG\u00fcftelerimizin Gizli D\u00fcnyas\u0131\u201d ba\u015fl\u0131kl\u0131 bir seminer verdi. Hemen ard\u0131ndan CSO Keman Sanat\u00e7\u0131s\u0131 ve Konservatuvar\u0131m\u0131z mezunu H\u00fcseyin Uluta\u015f ve Yayl\u0131 Sazlar Quarter izleyiciyle birlikte oldu. Konserde keman repertuar\u0131n\u0131n ustal\u0131k gerektiren eserlerinin yan\u0131nda Ali Ekber \u00c7i\u00e7ek\u2019in \u201cHaydar haydar\u201d adl\u0131 eserinin \u00f6zg\u00fcn bir d\u00fczenlemeyle seslendirilmesi de b\u00fcy\u00fck bir co\u015fku yaratt\u0131. G\u00fcn\u00fcn son etkinli\u011fi ise Opera Ana Sanat Dal\u0131 taraf\u0131ndan d\u00fczenlenen ve lied\u2019lerin incelikli icras\u0131 ile be\u011feni toplayan \u201cLied Ak\u015fam\u0131\u201d oldu.\u00a0<\/span><\/p>\n <\/p>\n
Etkinliklerin son g\u00fcn\u00fcnde yer alan Hacettepe \u00dcniversitesi Ankara Devlet Konservatuvar\u0131 Gen\u00e7lik Senfoni Orkestras\u0131\u2019n\u0131n Prof. Dr. Burak T\u00fcz\u00fcn\u2019\u00fcn \u015fefli\u011finde verdi\u011fi konser adeta Konservatuvar ruhunun gen\u00e7 ku\u015faklarda nas\u0131l bir g\u00fc\u00e7 ile devam etti\u011finin g\u00fczel bir i\u015faretiydi. \u00d6yk\u00fc Kebir (fagot), Beyza Tur (fagot), Mert B\u00fct\u00fcner (kontrbas), Roni Do\u011fan (korno), Hatice Nisa Sar\u0131 (viyolonsel) ve Zeyno Karada\u011fl\u0131\u2019n\u0131n (piyano) solist olarak kat\u0131ld\u0131\u011f\u0131 konser Cumhuriyet\u2019in olu\u015fturdu\u011fu k\u00fclt\u00fcr temellerinin \u00f6n\u00fcm\u00fczdeki y\u00fczy\u0131lda da devam edebilece\u011fi konusunda bizlere umut verdi. Bu ba\u011flamda etkinliklere t\u00fcm eme\u011fi ge\u00e7enlere \u015f\u00fckranlar\u0131m\u0131z\u0131 arz ediyoruz.<\/span><\/p>\nDevam edecek\u2026<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n
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Anahtar Kelimeler:<\/b>\u00a0..<\/a>\u00a0 G\u00dcRAY;<\/a>\u00a0 Ankara<\/a>\u00a0 Devlet<\/a>\u00a0 Konservatuar\u0131<\/a>\u00a0 M\u00fczik<\/a>\u00a0 K\u00fclt\u00fcr\u00fcm\u00fcz\u00fcn<\/a>\u00a0 Belle\u011fidir\u2026()<\/a><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"https:\/\/www.enpolitik.com\/haber\/profdr_cenk_guray_ankara_devlet_konservatuari_muzik_kulturumuzun_bellegidir1-342272.html PROF.DR. CENK G\u00dcRAY; ANKARA DEVLET KONSERVATUARI, M\u00dcZ\u0130K K\u00dcLT\u00dcR\u00dcM\u00dcZ\u00dcN BELLE\u011e\u0130D\u0130R\u2026(1) Tarih: 3.07.2023 Sitemiz k\u00f6\u015fe yazar\u0131 Dr. G\u00f6ktan AY\u2019\u0131n, Prof. Dr. Cenk G\u00fcray (Hacettepe \u00dcniversitesi, Ankara Devlet Konservatuvar\u0131) ile yapt\u0131\u011f\u0131 \u201cSanat-M\u00fczik ve Kurumlar\u0131m\u0131z \u201ckonulu s\u00f6yle\u015fiyi yay\u0131ml\u0131yoruz. AY: Hocam, nas\u0131ls\u0131n\u0131z? K\u0131saca Kendinizi<\/p>\n","protected":false},"author":2,"featured_media":146,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-145","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/posts\/145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/cenkguray.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=145"}],"version-history":[{"count":1,"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/posts\/145\/revisions"}],"predecessor-version":[{"id":147,"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/posts\/145\/revisions\/147"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/media\/146"}],"wp:attachment":[{"href":"https:\/\/cenkguray.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cenkguray.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cenkguray.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}