{"id":12,"date":"2021-03-16T18:18:18","date_gmt":"2021-03-16T15:18:18","guid":{"rendered":"https:\/\/cenkguray.com\/?page_id=12"},"modified":"2021-03-19T23:53:30","modified_gmt":"2021-03-19T20:53:30","slug":"hakkimizda","status":"publish","type":"page","link":"https:\/\/cenkguray.com\/?page_id=12","title":{"rendered":"\u00d6z Ge\u00e7mi\u015f"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p align=\"center\"><b><i><span lang=\"TR\">CENK G\u00dcRAY<\/span><\/i><\/b><\/p>\n<p><span lang=\"TR\">1973 y\u0131l\u0131nda Ankara\u2019da do\u011fdu. Anadolu\u2019nun geleneksel m\u00fczik k\u00fclt\u00fcr\u00fcne hem bu m\u00fczi\u011fin temel \u00e7alg\u0131s\u0131 olan ba\u011flamay\u0131 icra ederek hem de m\u00fczikoloji\/m\u00fczik teorisi alan\u0131ndaki akademik \u00e7al\u0131\u015fmalar\u0131yla hizmet etmeye \u00e7al\u0131\u015fmaktad\u0131r. G\u00fcray ara\u015ft\u0131rmac\u0131 olarak pek \u00e7ok ulusal ve uluslararas\u0131 bilimsel toplant\u0131ya kat\u0131lm\u0131\u015f, bildiriler, makaleler ve kitaplar yay\u0131mlam\u0131\u015ft\u0131r. \u0130crac\u0131 olarak, T\u00fcrkiye\u2019de ve pek \u00e7ok \u00fclkede konserlerde, TV-Radyo programlar\u0131nda, caz ve geleneksel m\u00fczik festivalleri ile kay\u0131tlarda yer alm\u0131\u015f; at\u00f6lye \u00e7al\u0131\u015fmalar\u0131 ve ustal\u0131k s\u0131n\u0131flar\u0131 y\u00f6netmi\u015f, yurt i\u00e7i ve d\u0131\u015f\u0131nda alb\u00fcmler \u00fcretmi\u015ftir.\u00a0\u00a0Evli ve bir k\u0131z \u00e7ocu\u011fu sahibi olan Cenk G\u00fcray halen Hacettepe \u00dcniversitesi Ankara Devlet Konservatuvar\u0131 M\u00fczik Bilimleri B\u00f6l\u00fcmleri M\u00fczik Teorileri Anabilim Dal\u0131 \u00f6\u011fretim \u00fcyesi olarak g\u00f6rev yapmaktad\u0131r. Cenk G\u00fcray ayn\u0131 zamanda 2017 y\u0131l\u0131nda kurulmas\u0131na \u00f6nc\u00fcl\u00fck etti\u011fi ve Anadolu M\u00fczik K\u00fclt\u00fcr\u00fcn\u00fcn icra ve teori alanlar\u0131ndaki zenginliklerini \u00fclkemiz ve d\u00fcnya insanlar\u0131n\u0131n \u201cortak belle\u011findeki\u201d \u00f6neminin alt\u0131n\u0131 sanatsal ve akademik faaliyetlerle \u00e7izmeye \u00e7al\u0131\u015fan Anadolu M\u00fczik K\u00fclt\u00fcrleri Derne\u011fi\u2019nin de ba\u015fkanl\u0131\u011f\u0131n\u0131 y\u00fcr\u00fctmektedir.<\/span><\/p>\n<p align=\"center\"><span lang=\"TR\">\u0130leti\u015fim:<\/span><\/p>\n<p align=\"center\"><span lang=\"TR\"><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/www.cenkguray.com\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/www.cenkguray.com\/&amp;source=gmail&amp;ust=1550559346807000&amp;usg=AFQjCNFeMU7sZmVuAOQlfBMuROM2htjIuA\">www.cenkguray.com<\/a><\/span><\/p>\n<p align=\"center\">***<\/p>\n<p>Anadolu M\u00fczik K\u00fclt\u00fcrleri Derne\u011fi-\u0130klimler Sanat- Mahmut \u00d6lmez<\/p>\n<p>+90-553-0169608<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/mailto:anadolumuzikkulturleri@gmail.com\">anadolumuzikkulturleri@gmail.com<\/a><\/p>\n<div class=\"yj6qo ajU\"><\/div>\n<ol>\n<li><strong>Ad\u0131 Soyad\u0131: Cenk G\u00fcray<\/strong><\/li>\n<li><strong>Do\u011fum Tarihi: 30. 03.1973<\/strong><\/li>\n<li><strong>Unvan\u0131: Prof. Dr.<\/strong><\/li>\n<li><strong>\u00d6\u011frenim Durumu:<\/strong><\/li>\n<\/ol>\n<ul>\n<li>Lisans &#8211; Maden M\u00fchendisli\u011fi &#8211; Orta Do\u011fu Teknik \u00dcniversitesi &#8211; 1995<\/li>\n<li>Y. Lisans &#8211; Maden M\u00fchendisli\u011fi &#8211;\u00a0 Orta Do\u011fu Teknik \u00dcniversitesi &#8211; 1998<\/li>\n<li>Doktora\/S.Yeterlik\/T\u0131pta Uzmanl\u0131k &#8211; Maden M\u00fchendisli\u011fi &#8211; Orta Do\u011fu Teknik \u00dcniversitesi &#8211; 2003<\/li>\n<li>Y. Lisans &#8211; M\u00fczikoloji &#8211; Ba\u015fkent \u00dcniversitesi &#8211; 2006<\/li>\n<li>Doktora &#8211; T\u00fcrk Din Musikisi &#8211; Ankara \u00dcniversitesi &#8211; 2012<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ol start=\"5\">\n<li><strong>Akademik Unvanlar:<\/strong><\/li>\n<\/ol>\n<p>Yard\u0131mc\u0131 Do\u00e7entlik Tarihi : 2004<\/p>\n<p>Do\u00e7entlik Tarihi\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0: 2013<\/p>\n<p>Profes\u00f6rl\u00fck Tarihi\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0: 2020<\/p>\n<p>&nbsp;<\/p>\n<ol start=\"6\">\n<li><strong>Y\u00f6netilen Y\u00fcksek Lisans ve Doktora Tezleri<\/strong>\n<ul>\n<li><strong>Y\u00fcksek Lisans Tezleri<\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ol>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00d6\u011frenci\/Yazar:<\/strong>\u00a0Ay\u015fe Tokay<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ba\u015fl\u0131k:\u00a0<\/strong>\u0130bn Hurd\u00e2zbeh\u2019in m\u00fbsik\u00ee ris\u00e2leleri \u00fcst\u00fcne mukayeseli bir \u00e7al\u0131\u015fma<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Program:<\/strong>\u00a0Y\u0131ld\u0131r\u0131m Beyaz\u0131t \u00dcniversitesi Sosyal Bilimler Enstit\u00fcs\u00fc T\u00fcrk Din Musikisi Tarihi \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Y\u00fcksek Lisans Program\u0131<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dan\u0131\u015fman:<\/strong>\u00a0Do\u00e7.Dr.Cenk G\u00fcray<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Durum:<\/strong>\u00a0Tamamland\u0131\/2017-2018 Bahar D\u00f6nemi<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00d6\u011frenci\/Yazar:<\/strong>\u00a0Ezgi Tekin<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ba\u015fl\u0131k:<\/strong>\u00a0Orta Anadolu ve Ege Abdal K\u00fclt\u00fcrleri Aras\u0131ndaki \u0130li\u015fkinin M\u00fczikal Analiz \u00dczerinden \u00a0\u00a0\u00a0\u00a0 \u0130ncelenmesi<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Program:<\/strong>\u00a0Y\u0131ld\u0131r\u0131m Beyaz\u0131t \u00dcniversitesi Sosyal Bilimler Enstit\u00fcs\u00fc T\u00fcrk Din Musikisi Tarihi \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Y\u00fcksek Lisans Program\u0131<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dan\u0131\u015fman:<\/strong>\u00a0Do\u00e7.Dr.Cenk G\u00fcray<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Durum: Tamamland\u0131\/2017-2018 Bahar D\u00f6nemi<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<ul>\n<li><strong>Doktora Tezleri<\/strong><\/li>\n<\/ul>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<p><strong>\u00a0 \u00d6\u011frenci\/Yazar: Yi\u011fit Koray Gen\u00e7<\/strong><\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ba\u015fl\u0131k:<\/strong>\u00a0Reliability of Missile Systems<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Program:<\/strong>\u00a0At\u0131l\u0131m \u00dcniversitesi MODES (M\u00fchendislik Sistemlerinin Modellenmesi ve \u00a0\u00a0\u00a0\u00a0 Tasar\u0131m\u0131) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Doktora Program\u0131<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dan\u0131\u015fman:<\/strong>\u00a0Y.Do\u00e7.Dr.Cenk G\u00fcray<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Yard\u0131mc\u0131 Dan\u0131\u015fman:<\/strong>\u00a0Y.Do\u00e7.Kutluk Bilge Ar\u0131kan<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Durum:<\/strong>\u00a01 Temmuz 2012 tarihinde sonu\u00e7land\u0131.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00d6\u011frenci\/Yazar:<\/strong>\u00a0Burcu Devrim \u0130\u00e7tenba\u015f<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ba\u015fl\u0131k:<\/strong>\u00a0Proposing an Hybrid Model fort he Optimization of the Casting Parameters<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Program:<\/strong>\u00a0At\u0131l\u0131m \u00dcniversitesi MODES (M\u00fchendislik Sistemlerinin Modellenmesi ve \u00a0\u00a0\u00a0\u00a0 Tasar\u0131m\u0131) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Doktora Program\u0131<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dan\u0131\u015fman:<\/strong>\u00a0Y.Do\u00e7.Dr.Cenk G\u00fcray<\/p>\n<p>Durum: 28 Haziran 2013 tarihinde sonu\u00e7land\u0131.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<ol start=\"7\">\n<li><strong>Yay\u0131nlar<\/strong>\n<ul>\n<li><strong>Uluslararas\u0131 hakemli dergilerde yay\u0131nlanan makaleler (SCI &amp; SSCI &amp; Arts and Humanities)<\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ol>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>G\u00fcray, C.\u00a0<em>Semadan Semaha Bir Sonsuz Devir<\/em>, T\u00fcrk K\u00fclt\u00fcr\u00fc ve Hac\u0131 Bekta\u015f Veli Ara\u015ft\u0131rma Dergisi (AHCI), Gazi \u00dcniversitesi, Say\u0131 56 (G\u00fcz)-Alevilik \u00d6zel Say\u0131s\u0131, s.119-152, 2010.<\/p>\n<p>G\u00fcray, C.\u00a0 \u015eim\u015fek, E.,\u00a0<em>Alevilik ve Etkile\u015fim \u0130\u00e7ine Girdi\u011fi K\u00fclt\u00fcrel Yap\u0131lar A\u00e7\u0131s\u0131ndan \u201cPervane\u201d Kavram\u0131n\u0131n \u0130rdelenmesi,<\/em>\u00a0T\u00fcrk K\u00fclt\u00fcr\u00fc ve Hac\u0131 Bekta\u015f Veli Ara\u015ft\u0131rma Dergisi (AHCI), Gazi \u00dcniversitesi, Say\u0131 60 (K\u0131\u015f), s.159-180, 2011.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<ul>\n<li><strong>Uluslararas\u0131 di\u011fer hakemli dergilerde yay\u0131nlanan makaleler<\/strong><\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>G\u00fcray<strong>,\u00a0<\/strong>C.\u00a0<em>Anadolu ve T\u00fcrk M\u00fczik K\u00fclt\u00fcr\u00fc A\u00e7\u0131s\u0131ndan Semah ve Sema Kavramlar\u0131na Bir Bak\u0131\u015f<\/em>, Folklor-Edebiyat Dergisi (MLA Folklore Bibliography), 2009\/2 (M\u00fczik K\u00fclt\u00fcr\u00fc \u00d6zel Say\u0131s\u0131), say\u0131 58, s.117-132, Ankara, 2009.<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>G\u00fcray<strong>,\u00a0<\/strong>C.\u00a0<em>Vahdet-i Mevcut\u2019tan Vahdet-i V\u00fccud\u2019a: Anadolu\u2019da \u0130slam D\u00f6nemi \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sonras\u0131ndaki \u00a0\u00a0 Tanr\u0131 Alg\u0131s\u0131n\u0131n Semah ve Sema Kavramlar\u0131 Arac\u0131l\u0131\u011f\u0131yla \u0130ncelenmesi<\/em>,<em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em>Folklor-Edebiyat Dergisi \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (MLA Folklore Bibliography), 2012\/3, say\u0131 71, s. 185-200, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ankara, 2012.<\/p>\n<p><em>\u00a0<\/em><\/p>\n<p>G\u00fcray, C., Toka\u00e7, M.S.\u00a0<em>XVII. Y\u00fczy\u0131l Osmanl\u0131 M\u00fczik Gelene\u011fi ve Mustafa Itri Efendi<\/em>, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Folklor-Edebiyat Dergisi (MLA Folklore Bibliography), 2013\/3, say\u0131 75, Ankara, 2013.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>G\u00fcray, C.\u00a0<em>Ankara M\u00fczik K\u00fclt\u00fcr\u00fcnde Dini Simgeler<\/em>, Alevi-Bekta\u015fi Ara\u015ft\u0131rmalar\u0131 Dergisi, Alevi-Bekta\u015fi K\u00fclt\u00fcr Enstit\u00fcs\u00fc, Say\u0131 8, s.69-90, Almanya, 2013.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>G\u00fcray, C.\u00a0<em>Abdal\u00e2n-\u0131 R\u00fbm Topluluklar\u0131n\u0131n \u0130nan\u00e7 Gelenekleri \u00dczerinden Semah \u0130badetinin \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0Temellerine Bir Bak\u0131\u015f<\/em>, H\u00fcnkar Alevilik-Bekta\u015filik Ara\u015ft\u0131rmalar\u0131 Dergisi, Y\u0131l 1, Say\u0131 2, s. 5-14,\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00c7orum, 2014.<\/p>\n<p>&nbsp;<\/p>\n<p>G\u00fcray, C.\u00a0<em>Devirsel \u0130badet Modelleri Olarak Semah-Sema Uygulamalar\u0131n\u0131n Tarihsel K\u00f6kenleri<\/em>, T\u00fcrk K\u00fclt\u00fcr\u00fc ve Hac\u0131 Bekta\u015f Veli Ara\u015ft\u0131rma Dergisi, G\u00fcz 2018, Say\u0131 87, s.23-48, Ankara, 2018.<\/p>\n<p>&nbsp;<\/p>\n<p>\u015eahin N., G\u00fcray C., Ayd\u0131n A.F.\u00a0<em>Cross-Cultural Influences in Makam Theory: The Case of Greek Orthodox Theorists in the Ottoman Empire<\/em>, Musicologist-International Journal of Music Studies, Volume 2, Issue 2, p. 115-126, Trabzon, 2018.<\/p>\n<p>&nbsp;<\/p>\n<p>Tekin E., G\u00fcray C. E<em>ge ve Orta Anadolu\u2019da Abdall\u0131k Gelene\u011finin Tarihsel ve K\u00fclt\u00fcrel \u00a0\u00a0 \u00d6zelliklerinin M\u00fczik Gelenekleri ve M\u00fczikal Analiz \u00dczerinden De\u011ferlendirilmesi,<\/em>\u00a0Uluslararas\u0131 \u00a0\u00a0\u00a0 M\u00fczik ve Sahne Sanatlar\u0131 Dergisi, Say\u0131 2, s. 21-39, Antalya, 2018.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<ul>\n<li><strong>Uluslararas\u0131 bilimsel toplant\u0131larda sunulan ve bildiri kitab\u0131nda (<em>Proceedings<\/em>) bas\u0131lan bildiriler<\/strong><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>G\u00fcray, C. \u201cAnadolu\u2019daki Geleneksel M\u00fczikler ve AB S\u00fcreci\u201d, M\u00fczik Sanat\u0131m\u0131z ve AB S\u00fcreci \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sempozyumu, Bildiriler Kitab\u0131, s.297-310 SCA M\u00fczik Vakf\u0131, Ankara, 2006.<\/p>\n<p>&nbsp;<\/p>\n<p>G\u00fcray, C. ve Ayd\u0131n, A.F., \u201cByzantine Music as an Expression of Eastern Liturgy\u201d, American \u00a0\u00a0\u00a0\u00a0\u00a0 Society of Byzantine Music and Hymnology-First International Conference: Byzantine Musical Culture, Proceedings of the First International Conference of the ASBHM, p.751-758, Atina, Yunanistan, 2007.<\/p>\n<p>&nbsp;<\/p>\n<p>G\u00fcray, C., ICANAS 38, Uluslararas\u0131 Asya ve Kuzey Afrika \u00c7al\u0131\u015fmalar\u0131 Kongresi Konferans\u0131 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 dahilinde \u201cICANAS 38, Uluslararas\u0131 Asya ve Kuzey Afrika \u00c7al\u0131\u015fmalar\u0131 Kongresi Bildiri \u00a0 Kitap\u00e7\u0131\u011f\u0131\u201d bildiri kitap\u00e7\u0131\u011f\u0131ndaki \u201cBiz Kimiz ?: Kimli\u011fimiz \u00dczerine D\u00fc\u015f\u00fcnceler\u201d, 38. ICANAS Bildiriler Kitab\u0131 (2011), K\u00fclt\u00fcrel De\u011fi\u015fim, Geli\u015fim ve Hareketlilik, Cilt 1, s.327-335, Ankara, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 T\u00fcrkiye, Eyl\u00fcl 2007.<\/p>\n<p>&nbsp;<\/p>\n<p>G\u00fcray, C.,\u00a0 Demir, A., \u201cBir Alg\u0131 De\u011fi\u015fimi: Devletin Geleneksel M\u00fczikler \u00dczerinden \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Anadolu\u2019daki \u00a0\u00a0\u00a0\u00a0 K\u00fclt\u00fcrel Renklerle Yak\u0131nla\u015fmas\u0131\u201d,\u00a0 IV. Uluslararas\u0131 Hisarl\u0131 Ahmet \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sempozyumu Bildiriler Kitab\u0131 (Ed. \u00c7a\u011fhan Adar), s.127-131,K\u00fctahya, 2014.<\/p>\n<p>&nbsp;<\/p>\n<p>E.D\u00fczenli, M.Y\u00fcksel, C. G\u00fcray, \u201cGeleneksel T\u00fcrk Halk M\u00fczi\u011fi Eserlerinde Ses Merkezlerine \u00a0\u00a0\u00a0\u00a0 Dayal\u0131 Bir Ezgisel Analiz Modeli\u201d, ,\u00a0 IV. Uluslararas\u0131 Hisarl\u0131 Ahmet Sempozyumu Bildiriler \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kitab\u0131 \u00a0 \u00a0(ed.\u00c7a\u011fhan Adar), s. 249-256, K\u00fctahya, 2014.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Demir A., G\u00fcray C., \u201c\u00c7ubuk ve \u00c7evresinde Dini Musiki Yakla\u015f\u0131mlar\u0131\u201d, B\u00fct\u00fcn Y\u00f6nleriyle \u00c7ubuk \u00a0 ve \u00c7evresi Uluslar aras\u0131 Sempozyumu Bildiriler Kitab\u0131 (ed. \u00c7\u0131nar H., \u00dcnal T.), s. 229-249, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ankara, 2016.<\/p>\n<p>&nbsp;<\/p>\n<p>\u015eahin N., G\u00fcray C., \u201cBizans Sonras\u0131 M\u00fczik K\u00fclt\u00fcr\u00fcn\u00fcn T\u00fcrk Musikisindeki Yans\u0131malar\u0131: Rum Kuramc\u0131lar\u0131n Nazariyat Yazmalar\u0131\u201d, 2. Uluslararas\u0131 M\u00fczik ve Dans Sempozyumu E- Bildiler Kitab\u0131 \u00a0 (ed. Yaz\u0131c\u0131 T., G\u00fclbeyaz K.), s. 271-275, Mu\u011fla S\u0131tk\u0131 Ko\u00e7man \u00dcniversitesi, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mu\u011fla, T\u00fcrkiye, 2016.<\/p>\n<p>&nbsp;<\/p>\n<ol start=\"7\">\n<li>G\u00fcray, \u201cYezidilerin Dini M\u00fczik ve Dans Gelenekleri\u201d, VIII. Milletleraras\u0131 T\u00fcrk Halk K\u00fclt\u00fcr\u00fc Kongresi Bildiriler Kitab\u0131,Cilt 3, s.215-226, Ankara, 2017.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p>G\u00fcray C., \u00c7ayl\u0131 F., \u201cH\u00fcseyin Sadettin Arel\u2019in S\u00fcmer M\u00fczi\u011fi Tasavvuru \u00dczerine Baz\u0131 M\u00fclahazalar ve Bu \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tasavvurun Arel\u2019in Bestecilik Anlay\u0131\u015f\u0131 ile Nazariyat Fikri \u00dczerindeki \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Etkileri\u201d,\u00a0 H\u00fcseyin Sadettin \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Arel ve T\u00fcrk M\u00fczi\u011fi Sempozyumu Bildiriler Kitab\u0131,, s. 237-246,\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 \u0130stanbul \u00dcniversitesi T\u00fcrkiyat Enstit\u00fcs\u00fc, \u0130stanbul, 2018.<\/p>\n<p>&nbsp;<\/p>\n<p>G\u00fcray C., \u201c\u00c7ubuk B\u00f6lgesi Alevi K\u00f6ylerindeki Cem Geleneklerine Ve Bu Kapsamdaki Dini \u00a0\u00a0 Musiki Uygulamalar\u0131na Bir Bak\u0131\u015f\u201d, B\u00fct\u00fcn Y\u00f6nleriyle \u00c7ubuk ve \u00c7evresi 2. Uluslararas\u0131 \u00a0 Sempozyumu Bildiri Kitab\u0131, s. 549-565, \u00c7ubuk Belediyesi, Ankara, 2018.<\/p>\n<p>&nbsp;<\/p>\n<p>Tekin Ar\u0131c\u0131 E., G\u00fcray C., \u201cAnadolu\u2019da Abdall\u0131k Gelene\u011finin Ortaya \u00c7\u0131kmas\u0131nda Etkili Olan \u00a0 Tasavvufi ve Dini Yap\u0131lanmalar ile Abdallar\u0131n M\u00fczikle \u0130li\u015fkisinde Bu Yap\u0131lar\u0131n Etkisi\u201d, 9. \u00a0\u00a0\u00a0\u00a0\u00a0 Milletleraras\u0131 T\u00fcrk Halk K\u00fclt\u00fcr\u00fc Kongresi Bildiriler Kitab\u0131, Cilt 3, s. 273-292,\u00a0 T.C. K\u00fclt\u00fcr ve \u00a0\u00a0\u00a0\u00a0\u00a0 Turizm Bakanl\u0131\u011f\u0131 Ara\u015ft\u0131rma ve E\u011fitim Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc, Ankara, 2018.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>Tekin E., G\u00fcray C.,\u00a0<em>\u015eeyh Bedreddin Meselesinin Siyasi Y\u00f6n\u00fcne\u00a0 M\u00fczikal ve Edebi Zeminden \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Bir \u00a0\u00a0\u00a0 Bak\u0131\u015f<\/em>, Uluslararas\u0131 Etnom\u00fczikoloji Sempozyumu-M\u00fczik ve Politika Sempozyum Bildiri \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kitab\u0131, S. 69-88, Bursa, 2018.<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>G\u00fcray C.,\u00a0<em>Semah Gelene\u011finin \u0130slam Orta\u00e7a\u011f\u0131 Sonras\u0131 Anadolu\u2019daki K\u00f6kleri: Vahdet,- Mevcut \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Gelene\u011fi ve Tanr\u0131sal Bilginin Bir Tezah\u00fcr\u00fc Olarak Hz. Ali<\/em>, Uluslararas\u0131 Ge\u00e7mi\u015ften Gelece\u011fe \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Alevilik Sempozyumu Bildiriler Kitab\u0131, Ed. H\u00fcseyin Dedegark\u0131no\u011flu, Ahmet Ta\u015f\u011f\u0131n, Alevi \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u0130nan\u00e7 Birli\u011fi Vakf\u0131, s. 155-181, Ankara, 2018.<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>G\u00fcray C.,\u00a0<em>Semah Kavram\u0131n\u0131 Devir Nazariyesi \u00dczerinden Anlamak: Aynay\u0131 Tuttum Y\u00fcz\u00fcme<\/em>, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 IV.Uluslararas\u0131 Alevilik ve Bekta\u015filik Sempozyumu Bildiriler Kitab\u0131, Ed. Orhan Kurto\u011flu, Ay\u015fe \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Camkara Erginer, s. 611-632, Ankara, 2018.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Yaz\u0131lan uluslararas\u0131 kitaplar veya kitaplarda b\u00f6l\u00fcmler<\/strong><\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>G\u00fcray, C., Bin Y\u0131l\u0131n Miras\u0131-Makam\u0131 Var Eden D\u00f6ng\u00fc: Edvar Gelene\u011fi, Pan Yay\u0131nc\u0131l\u0131k, \u0130stanbul, 2012 (2. Bask\u0131 2017), 154 sayfa.<\/p>\n<p>G\u00fcray, C., Toka\u00e7 M.S., \u00d6ks\u00fczo\u011flu O., G\u00fcm\u00fc\u015f Y., Anadoluda \u0130nan\u00e7 ve M\u00fczik \u0130li\u015fkisi \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (kitap ve \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CD), T.C. K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 Yay\u0131nlar\u0131, Ekol Ajans-Metropol M\u00fczik, Ankara, \u00a0\u00a0\u00a0 2010.<\/p>\n<p>G\u00fcray C.,\u00a0 Toka\u00e7 M.S, \u00d6ks\u00fczo\u011flu O., Bin Y\u0131l\u0131n Miras\u0131-T\u00fcrk M\u00fczi\u011fi (kitap ve CD), T.C. \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Merkez Bankas\u0131 K\u00fclt\u00fcr Yay\u0131nlar\u0131, Ekol Ajans-Metropol M\u00fczik, Ankara, 2010.<\/p>\n<p>G\u00fcray C., (Kuramsal Dan\u0131\u015fman), Toka\u00e7 M.S.(M\u00fczik Y\u00f6netmeni), Buhurizade Mustafa \u00a0\u00a0 Efendi-Itri (kitap ve CD), \u201cXVII. Y\u00fczy\u0131l Osmanl\u0131 M\u00fczik Gelene\u011fi ve Buhurizade \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mustafa \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Itri Efendi\u201d ile ilgili b\u00f6l\u00fcm\u00fcn kaleme al\u0131nmas\u0131, T.C. Merkez Bankas\u0131 Yay\u0131nlar\u0131 \u00a0\u00a0 T.C.K\u00fclt\u00fcr \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ve Turizm Bakanl\u0131\u011f\u0131\u2019n\u0131n katk\u0131lar\u0131yla, T.C.Merkez Bankas\u0131\u2019n\u0131n katk\u0131lar\u0131yla, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ankara, 2013.<\/p>\n<p>G\u00fcray, C., Balkanlarda ve T\u00fcrkiye\u2019de Halk K\u00fclt\u00fcr\u00fc Konferans\u0131: Geleneksel M\u00fczik \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Odakl\u0131 bir \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 De\u011ferlendirme, Kom\u015fu K\u00fclt\u00fcrler ve Diyalog Projesi kitab\u0131n\u0131n i\u00e7inde, s. 225-227, Ankara,2012.<\/p>\n<p>G\u00fcray, C., Tarihsel ve G\u00fcncel M\u00fczik Kaynaklar\u0131nda \u015eamanl\u0131k Gelene\u011finin \u0130zleri: \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kazakistan \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 T\u00fcrkiye \u00d6rne\u011fi, T\u00fcrkiye-Kazakistan Ortak M\u00fczik Etkile\u015fimi Projesi Kitab\u0131, s .3-15,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 UNESCO \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Milli \u00a0\u00a0 Komitesi, Ankara, 2014.<\/p>\n<p>G\u00fcray, C., Orta Asya\u2019dan Anadolu\u2019ya T\u00fcrk Din Musikisi, Anadolu\u2019da Medeniyetin Hikayesi \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 kitab\u0131n\u0131n i\u00e7inde-Ed. Fikret \u00dc\u00e7can, Tasar\u0131m-Ersu Pekin, \u015eekerbank Yay\u0131nlar\u0131, s. 333-344, \u0130stanbul, 2016.<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>Barry P., G\u00fc\u00e7l\u00fc Titre\u015fimler-M\u00fczi\u011fin Fizi\u011fi, \u2018The Good Vibrations\u2019, \u00c7ev. G\u00fcray C., \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 S\u00f6zer M., \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 T\u00fcbitak Yay\u0131nlar\u0131, No. 725, Ankara, 2015.<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>G\u00fcray C., A Change of Perception: The Raproachment of The State With the Cultural \u00a0\u00a0\u00a0 Colours of Anatolia Through Traditional Musics\u2019, \u2018In Which Direction is Music Heading \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ?-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cultural and Cognitive Studies in Turkey\u2019, Ed. Kutluk F., T\u00fcrkmen U. Cambridge \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Scholars \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Publishing, 109-122, UK, 2015.<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>G\u00fcray C., \u2018Cumhuriyetin \u0130lk Y\u0131llar\u0131ndan G\u00fcn\u00fcm\u00fcze H\u00fck\u00fcmet Programlar\u0131nda M\u00fczik: \u00a0\u00a0 Ele\u015ftirisel Bir Bak\u0131\u015f\u2019, \u0130l\u00fczyon, Ed. Kutluk F., s. 231-255, H2O Yay\u0131nlar\u0131, \u0130stanbul, 2016.<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>Jahnichnen G., Elsner J., G\u00fcray C.,\u00a0 (Ed), ICTM-Proceedings of the Joint Symposium of \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Study \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Groups Maqam and Music in the Arab World, Ed. Pan Publishing, \u0130stanbul, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2016.<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>Tekin E., G\u00fcray C., \u015eahin N., Toka\u00e7 M.S., Kadim Sesler Kadim \u0130zler,\u00a0 T\u0130KA-K\u00fclt\u00fcr \u00a0\u00a0\u00a0\u00a0\u00a0 Bakanl\u0131\u011f\u0131 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 G\u00fczel Sanatlar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc Yay\u0131nlar\u0131 (CD-Kitap), Ankara, 2016.<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>Toka\u00e7 M.S., G\u00fcray C., Ayn\u0131 Telden Ayr\u0131 Dilden,\u00a0\u00a0 T\u0130KA-K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 G\u00fczel \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sanatlar \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc Yay\u0131nlar\u0131 (CD-Kitap), Ankara, 2016.<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>Ba\u011f\u00e7eci, F.S., Levendo\u011flu O., G\u00fcray C.,\u00a0<strong>\u00a0<\/strong>M\u00fczik=Bilim + Sanat, Ed. \u00a0\u00a0\u00a0\u00a0 Fazl\u0131 Arslan, Tahir \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00d6zt\u00fcrk, B\u00f6l\u00fcm Ad\u0131:Metaforik Anlat\u0131mlarla \u00a0\u00a0\u00a0 Bezenmi\u015f Bir M\u00fczi\u011fin Dili \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ney\u2019i \u00a0\u00a0 Anlat\u0131r, s. 35-56, Kitapevi Yay\u0131nlar\u0131, \u0130stanbul, 2016.<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>G\u00fcray C., Levendo\u011flu \u00d6ner, O., Tanburi Cemil Bey (Sempozyum Bildirileri), Ed. Hasan \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Baran F\u0131rat, Zeynep Y\u0131ld\u0131z \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Abbaso\u011flu, Cemil: Bin Y\u0131ll\u0131k Sesin Haf\u0131zas\u0131,\u00a0 s. 101-116, K\u00fcre Yay\u0131nlar\u0131, \u0130stanbul, 2016.<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>G\u00fcray C., Anadolu\u2019nun S\u0131rl\u0131 Sesi: M\u00fczi\u011fiyle Ankara, Ed. \u00d6mer T\u00fcrkmeno\u011flu, \u00a0 \u2018Ankara\u2019da T\u00fcrk Din Musikisi\u2019 b\u00f6l\u00fcm\u00fc, s. 146-163, SFN Yay\u0131nc\u0131l\u0131k, Ankara Kalk\u0131nma \u00a0\u00a0\u00a0 Ajans\u0131, Ankara, 2017.<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>G\u00fcray C., Dar\u00fc\u2019l Elhan\u2019dan Yurttan Sesler\u2019e: T\u00fcrk Halk M\u00fczi\u011fi Derlemelerine \u00a0 Yans\u0131yan \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Makam Alg\u0131s\u0131na Bir Bak\u0131\u015f, Kurulu\u015funun 100. Y\u0131l\u0131nda Dar\u00fclelhan ve \u00a0\u00a0\u00a0 T\u00fcrkiye\u2019de T\u00fcrk \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 M\u00fczi\u011fi \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E\u011fitimi \u00c7al\u0131\u015ftay\u0131-Dar\u00fc\u2019l Elhan Arma\u011fan Kitab\u0131, (Ed. G\u00fcl\u00e7in Yahya Ka\u00e7ar), s. 179-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 196, Atat\u00fcrk \u00a0\u00a0 K\u00fclt\u00fcr Merkezi, Ankara, 2018.<\/p>\n<p>G\u00fcray C.,\u00a0<em>Cumhuriyet Politikalar\u0131n\u0131n Halk M\u00fczi\u011fine Yakla\u015f\u0131m\u0131: Bir Toplumsal \u00a0 D\u00f6n\u00fc\u015f\u00fcm \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Modeli<\/em>, Cumhuriyetin M\u00fczik Politikalar\u0131, s. 15-46, Der. F\u0131rat Kutluk, H2O \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Yay\u0131nlar\u0131, \u0130stanbul, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2018.<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li><strong>Ulusal hakemli dergilerde yay\u0131nlanan makaleler<\/strong><\/li>\n<\/ul>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li><strong>Ulusal bilimsel toplant\u0131larda sunulan ve bildiri kitab\u0131nda bas\u0131lan bildiriler<\/strong><\/li>\n<\/ul>\n<ol start=\"8\">\n<li>G\u00fcray, T\u00fcrkiye\u2019deki M\u00fczik E\u011fitimine M\u00fczikoloji Disiplinin Yapabilece\u011fi Katk\u0131lar,Tarihsel Makam Kuram\u0131n\u0131n M\u00fczi\u011fi E\u011fitiminde Kullan\u0131labilmesi i\u00e7in D\u00fc\u015f\u00fcnceler, 8. Ulusal M\u00fczik E\u011fitimi Sempozyumu (T\u00fcrkiye\u2019de M\u00fczik E\u011fitiminin Sorunlar\u0131 ve \u00c7\u00f6z\u00fcm \u00d6nerileri) Bildiriler Kitab\u0131, s.146-156, Samsun, 2009.<\/li>\n<li>Kal\u0131nsaz, C. G\u00fcray, M\u00fczikle Terapi Uygulamalar\u0131n\u0131n Ba\u015far\u0131s\u0131nda M\u00fczik Bilimin Rol\u00fc,M\u00fczik, Tiyatro ve Edebiyat\u0131n Bilim \u0130le Etkile\u015fimi Sempozyumu, Hali\u00e7 \u00dcniversitesi, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u0130stanbul, Avc\u0131lar Belediyesi Yay\u0131nlar\u0131, s. 61-66, \u0130stanbul, 2019.<\/li>\n<\/ol>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>\u015eahin N., G\u00fcray C., Son D\u00f6nem T\u00fcrk Musikisi Bestek\u00e2rlar\u0131n\u0131n Us\u00fbl\u00a0\u00a0 Anlay\u0131\u015flar\u0131ndaki \u00a0\u00a0 D\u00f6n\u00fc\u015f\u00fcm\u00fcn Ezgi ve G\u00fcfte \u00dczerinden \u0130ncelemesi: Lenk Fahte \u00d6rne\u011fi, 1. Erzurum M\u00fczik Bilimleri Sempozyumu Bildiri Kitab\u0131, S. 719-730, Erzurum, 2016.<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>G\u00fcray C., Ezgi T.,Ya\u015far A., Koyunbaba Semah\u0131 ve Nefesleri, Nehrin Piri Koyunbaba \u00a0\u00a0\u00a0\u00a0\u00a0 Sempozyumu Bildiri Kitab\u0131, s. 157-177, \u00c7orum, 2016.<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>G\u00fcray C., Ayd\u0131n A.F., Muzaffer Sar\u0131s\u00f6zen\u2019in Ki\u015fili\u011finde \u00dclkemizdeki \u201cBat\u0131l\u0131la\u015fma\u201d S\u00fcrecinin Geleneksel M\u00fczikler \u00dczerindeki Etkisinin Tart\u0131\u015f\u0131lmas\u0131: Bir D\u00f6n\u00fc\u015f\u00fcm\u00fcn \u00d6yk\u00fcs\u00fc, \u00d6l\u00fcm\u00fcn\u00fcn 50. Y\u0131l\u0131nda Muzaffer Sar\u0131s\u00f6zen Sempozyumu Bildirileri Kitab\u0131 (ed. P\u00fcrl\u00fc K.), Cilt 2, 67-80, Sivas, 2015.<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Di\u011fer yay\u0131nlar<\/strong><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>A.F.Ayd\u0131n, C. G\u00fcray, , The Effects of the Theorists of the Ecumenical Patriarchate to the Ottoman Musical Theory After the XVII. Century: Similarities and Differences, 3rd International Conference of Byzantine Music and Hymnology, The American Society of Byzantine Music and Hymnology, Athens, 2011.<\/p>\n<ol start=\"9\">\n<li>G\u00fcray, A.F.Ayd\u0131n, The Heritage of Byzantine in the Memory of Ottoman: Greek Orthodox Theorists and Their Effect in the Transmission of the Makam Theory, 2nd International Conference of Byzantine Music and Hymnology, The American Society of Byzantine Music and Hymnology, Athens, 2009.<\/li>\n<\/ol>\n<p>M.S.Toka\u00e7, O.\u00d6ks\u00fczo\u011flu, C. G\u00fcray, \u0130stanbul ve Musiki I, KADEM Musiki ve Edebiyat Dergisi, Say\u0131 1, s.4-7, \u0130stanbul, Ekim 2010.<\/p>\n<p>M.S.Toka\u00e7, O.\u00d6ks\u00fczo\u011flu, C. G\u00fcray, \u0130stanbul ve Musiki II, KADEM Musiki ve Edebiyat Dergisi, Say\u0131 2 (K\u0131\u015f), s.4-5, \u0130stanbul, 2011.<\/p>\n<p>M.S.Toka\u00e7, O.\u00d6ks\u00fczo\u011flu, C. G\u00fcray, \u0130stanbul ve Musiki III, KADEM Musiki ve Edebiyat Dergisi, Say\u0131 3 (\u0130lkbahar), s.4-9, \u0130stanbul, 2011.<\/p>\n<ol>\n<li>G\u00fcray, Bir Yapay Ayr\u0131l\u0131\u011fa Dair I, KADEM Musiki ve Edebiyat Dergisi, Say\u0131 1, s.32-35, \u0130stanbul, Ekim 2010.<\/li>\n<li>G\u00fcray, Bir Yapay Ayr\u0131l\u0131\u011fa Dair II, KADEM Musiki ve Edebiyat Dergisi, Say\u0131 2 (K\u0131\u015f), s.27-31, \u0130stanbul, 2011.<\/li>\n<\/ol>\n<p>C.G\u00fcray, Sema ve Semah\u2019\u0131n XIII. Y\u00fczy\u0131l \u00d6ncesi Temelleri I (<em>KADEM dergisinde halen devam eden bu yaz\u0131 dizisi \u00f6nce yazar\u0131n \u201cAnadolu\u2019da \u0130nan\u00e7 ve M\u00fczik \u0130li\u015fkisinin Sema ve Semah Kavramlar\u0131 \u00c7er\u00e7evesinde \u0130ncelenmesi\u201d ba\u015fl\u0131kl\u0131 tez \u00e7al\u0131\u015fmas\u0131nda de\u011ferlendirilmi\u015f, tez \u00e7al\u0131\u015fmas\u0131n\u0131n sonu\u00e7lanmas\u0131ndan sonra da yaz\u0131 dizisi tezdeki sonu\u00e7lar\u0131 da i\u00e7eren bir \u015fekilde s\u00fcrm\u00fc\u015ft\u00fcr.<\/em>), KADEM Musiki ve Edebiyat Dergisi, Say\u0131 5 (Sonbahar),s.32-35, \u0130stanbul, 2011.<\/p>\n<p>C.G\u00fcray, Sema ve Semah\u2019\u0131n XIII. Y\u00fczy\u0131l \u00d6ncesi Temelleri II, KADEM Musiki ve Edebiyat Dergisi, Say\u0131 6 (K\u0131\u015f), s.26-27, \u0130stanbul, 2012.<\/p>\n<p>C.G\u00fcray, Sema ve Semah\u2019\u0131n XIII. Y\u00fczy\u0131l \u00d6ncesi Temelleri III, KADEM Musiki ve Edebiyat Dergisi, Say\u0131 7 (\u0130lkbahar),s.26-27, \u0130stanbul, 2012.<\/p>\n<p>C.G\u00fcray, Itri: \u00dcstadl\u0131k Gelene\u011finin XVII. Y\u00fczy\u0131ldaki Yans\u0131mas\u0131, KADEM Musiki ve Edebiyat Dergisi, Say\u0131 7 (\u0130lkbahar), s.27, \u0130stanbul, 2012.\u00a0<em>(Yazar\u0131n bu \u00e7al\u0131\u015fmay\u0131 temel alan daha geni\u015f bir makalesi, Itri\u2019nin t\u00fcm beste k\u00fclliyat\u0131n\u0131 i\u00e7eren bir CD setinin kitap\u00e7\u0131\u011f\u0131nda T.C. K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 Yay\u0131nlar\u0131 aras\u0131nda 2012 y\u0131l\u0131 sonunda yay\u0131mlanm\u0131\u015ft\u0131r.)<\/em><\/p>\n<p>A.F. Ayd\u0131n, C. G\u00fcray, Anadolu K\u00fclt\u00fcr\u00fcnde Bir Ba\u015fkald\u0131r\u0131 Simgesi Olarak Zeybeklik, Nikbinlik Dergisi, Say\u0131 36 (Ocak-\u015eubat),s. 53-56, Ankara, 2012.<\/p>\n<p>C.G\u00fcray, Sokak, S\u00f6zler ve Sesler, Nikbinlik Dergisi, Say\u0131 37 (Mart-Nisan), s.26-28, Ankara, 2012.<\/p>\n<p>C.G\u00fcray, Solo Enstr\u00fcmanla\u015fma S\u00fcrecinde Ba\u011flama, 3. Ulusal M\u00fczikoloji Sempozyumu [26-28 Ekim 2001, \u0130stanbul] (Bas\u0131lm\u0131\u015f hali ODT\u00dc-THBT Halkbilimi Dergisinin 17. Say\u0131s\u0131nda-Sonbahar 2002, 29-31 sayfalar\u0131 aras\u0131nda mevcut), M\u00fczikoloji Derne\u011fi, \u0130stanbul, 2001.<\/p>\n<ol start=\"7\">\n<li>G\u00fcray, Mezopotamya ve Antik Yunan Aras\u0131ndaki Kay\u0131p Halka Anadolu, Halkbilimi Dergisi, Say\u0131 21(2007\/1), s.45-50, ODT\u00dc-THBT, Ankara, 2007.<\/li>\n<li>G\u00fcray, Anadolu\u2019da Geleneksel M\u00fczikler ve Avrupa Birli\u011fi S\u00fcreci (yukar\u0131da ismi ge\u00e7en yay\u0131n\u0131n g\u00fcncellenmi\u015f hali), Musiki Dergisi, http:\/\/www.musikidergisi.net\/?p=1097, 2009.<\/li>\n<li>G\u00fcray, An Analysis of Zeybek Tunes with Respect to Their Makam Structures, International Weekend Conference on Zeibekiko and Zeybek Dance, School of African and Oriental Studies [SOAS], Londra, \u0130ngiltere, 2007.<\/li>\n<\/ol>\n<p>C.G\u00fcray, Hayat, Musikimiz ve Caz \u00dczerine, Halkbilimi Dergisi, Say\u0131 15, ODT\u00dc-THBT, Ankara, 2001.<\/p>\n<ol>\n<li>G\u00fcray, Anadolu\u2019da \u0130nan\u00e7 ve M\u00fczik \u0130li\u015fkisi, Neo-Filarmoni Dergisi, Say\u0131 2, Ankara, 2011.<\/li>\n<li>G\u00fcray, Bin Y\u0131l\u0131n Miras\u0131 CD ve Kitap Projesi-\u201cT\u00fcrk M\u00fczi\u011finin Bin Y\u0131l\u0131\u201d, Neo-Filarmoni Dergisi, Say\u0131 1, s.27, Ankara, 2011.<\/li>\n<li>G\u00fcray, \u201cBin Y\u0131l\u0131n Miras\u0131na\u201d Dair Birka\u00e7 S\u00f6z, Sevda-Cenap And Vakf\u0131 M\u00fczik Dosyas\u0131, Bahar 2009 (MK 05\/04), s. 14-20, Ankara.<\/li>\n<li>G\u00fcray, \u00dc\u00e7 Usta \u00dc\u00e7 Alb\u00fcm, Neo-Filarmoni Dergisi, Say\u0131 7 (Ocak-\u015eubat), s. 43, Ankara, 2012.<\/li>\n<\/ol>\n<p>A.F. Ayd\u0131n, C. G\u00fcray, Bir (CD ve Kitap\u00e7\u0131k) Felmay Music-Torino-ITALY, 2011.\u00a0<em>(T\u00fcrkiye\u2019nin Ege B\u00f6lgesi ve Yunanistan\u2019daki derleme-ara\u015ft\u0131rma sonu\u00e7lar\u0131n\u0131 i\u00e7erir.)<\/em><\/p>\n<ol>\n<li>\u00d6ks\u00fczo\u011flu, C. G\u00fcray, M.S.Toka\u00e7, N.K. Y\u0131lmaz, Dili Yok Kalbimin-Mehmet Akif Ersoy (Cd ve kitap\u00e7\u0131k), T.C. K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 Yay\u0131nlar\u0131, Ankara, 2011.<\/li>\n<li>\u00d6ks\u00fczo\u011flu, M.S.Toka\u00e7, A.F.Ayd\u0131n, C. G\u00fcray, Sirtodan Longaya (CD ve kitap\u00e7\u0131k), T.C. K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 Yay\u0131nlar\u0131, Ankara, 2011.<\/li>\n<li>G\u00fcray, F. Martinelli, E.\u015eim\u015fek, Tulum: A Sound From the Black Sea (CD ve Kitap\u00e7\u0131k, Felmay Music, Torino, 2011.<\/li>\n<\/ol>\n<p>O.M. \u00d6zt\u00fcrk, M.S. Toka\u00e7, C. G\u00fcray, F.Martinelli, The Fountain-DEM Trio (CD ve Kitap\u00e7\u0131k) Felmay Music-Torino-ITALY, 2008.<\/p>\n<ol start=\"8\">\n<li>G\u00fcray, M\u00fczik \u0130le Bulu\u015fmalar, At\u0131l\u0131m \u00dcniversitesi \u0130z Dergisi, Say\u0131 6, s. 70-71, Ankara, 2008.<\/li>\n<li>G\u00fcray, M\u00fczik \u0130le Bulu\u015fmalar-Parma: Correggio\u2019nun Renklerinden Verdi\u2019nin Say\u0131klamalar\u0131na I, At\u0131l\u0131m \u00dcniversitesi \u0130z Dergisi, Say\u0131 7, s. 68-69, Ankara, Kas\u0131m 2008.<\/li>\n<li>G\u00fcray, M\u00fczik \u0130le Bulu\u015fmalar-Parma: Correggio\u2019nun Renklerinden Verdi\u2019nin Say\u0131klamalar\u0131na II, At\u0131l\u0131m \u00dcniversitesi \u0130z Dergisi, Say\u0131 8, s. 74-75, Ankara, May\u0131s 2009.<\/li>\n<li>G\u00fcray, \u0130ki Kenti Birle\u015ftiren Kadim Miras: \u0130stanbul\u2019dan Paris\u2019e Kahve ve Kahvehane K\u00fclt\u00fcr\u00fc, At\u0131l\u0131m \u00dcniversitesi \u0130z Dergisi, Say\u0131 9, s. 51-54, Ankara, Kas\u0131m 2009.<\/li>\n<\/ol>\n<p>C.G\u00fcray, Yeni \u00c7\u0131kan Alb\u00fcmler, At\u0131l\u0131m \u00dcniversitesi \u0130z Dergisi, Say\u0131 13, s. 84, Ankara, Haziran 2011.<\/p>\n<ol start=\"2\">\n<li>G\u00fcray, \u00dcniversite ve Sanat ya da Sanatta At\u0131l\u0131m, At\u0131l\u0131m \u00dcniversitesi \u0130z Dergisi, Say\u0131 15, s.86-88, Ankara, 2012.<\/li>\n<\/ol>\n<p>C.G\u00fcray, M.S.Toka\u00e7, DEM Ensemble-Erguvan, (CD ve Kitap\u00e7\u0131k), Felmay Music, \u0130talya, 2013.<\/p>\n<ol start=\"3\">\n<li>G\u00fcray, M.S.Toka\u00e7, \u00dcniversite ve Sanat ya da Sanatta At\u0131l\u0131m, At\u0131l\u0131m \u00dcniversitesi \u0130z Dergisi, Say\u0131 17, s. 78, Ankara, 2013.<\/li>\n<li>G\u00fcray, Tart\u0131\u015fmalar\u0131n Oda\u011f\u0131nda Bir B\u00fcy\u00fck Bestekar: Itri, At\u0131l\u0131m \u00dcniversitesi \u0130z Dergisi, Say\u0131 15, s.86-88, Ankara, 2012.<\/li>\n<\/ol>\n<p>C.G\u00fcray, Sema ve Semah\u2019\u0131n XIII. Y\u00fczy\u0131l \u00d6ncesi Temelleri IV, KADEM Musiki ve Edebiyat Dergisi, Say\u0131 8, \u0130stanbul, 2012.<\/p>\n<p>C.G\u00fcray, Sema ve Semah\u2019\u0131n XIII. Y\u00fczy\u0131l \u00d6ncesi Temelleri V, KADEM Musiki ve Edebiyat Dergisi, Say\u0131 9, \u0130stanbul, 2012.<\/p>\n<p>C.G\u00fcray, Sema ve Semah\u2019\u0131n XIII. Y\u00fczy\u0131l \u00d6ncesi Temelleri VI, KADEM Musiki ve Edebiyat Dergisi, Say\u0131 10, \u0130stanbul, 2013.<\/p>\n<p>C.G\u00fcray, Sema ve Semah\u2019\u0131n XIII. Y\u00fczy\u0131l \u00d6ncesi Temelleri VII, KADEM Musiki ve Edebiyat Dergisi, Say\u0131 11, \u0130stanbul, 2013.<\/p>\n<p>C.G\u00fcray, Sema ve Semah\u2019\u0131n XIII. Y\u00fczy\u0131l \u00d6ncesi Temelleri VIII, KADEM Musiki ve Edebiyat Dergisi, Say\u0131 12,\u00a0 \u0130stanbul, 2014.<\/p>\n<p>C.G\u00fcray, Sema ve Semah\u2019\u0131n XIII. Y\u00fczy\u0131l \u00d6ncesi Temelleri IX, KADEM Musiki ve Edebiyat Dergisi, Say\u0131 13, \u0130stanbul, 2014.<\/p>\n<p>C.G\u00fcray, Sema ve Semah\u2019\u0131n XIII. Y\u00fczy\u0131l \u00d6ncesi Temelleri X, KADEM Musiki ve Edebiyat Dergisi, Say\u0131 14,\u00a0 \u0130stanbul, 2015.<\/p>\n<p>Cenk G\u00fcray (davetli konu\u015fmac\u0131), Ege \u00dcniversitesi TMDK 30. Y\u0131l Paneli (24.11.2014), T\u00fcrk M\u00fczi\u011fi Konservatuvarlar\u0131 M\u00fcfredatlar\u0131, \u0130zmir, 2014.<\/p>\n<p>Cenk G\u00fcray (davetli konu\u015fmac\u0131), Ege \u00dcniversitesi TMDK 30. Y\u0131l Etkinlikleri 2015, \u00dcniversitelerde Halk M\u00fczi\u011fi \u00c7al\u0131\u015fmalar\u0131, \u0130zmir, 2015.<\/p>\n<p>&nbsp;<\/p>\n<p>Cenk G\u00fcray (davetli konu\u015fmac\u0131), Ege \u00dcniversitesi TMDK 30. Y\u0131l Etkinlikleri 2015-2. Ulusal M\u00fczik Sempozyumu-Panel: Gelene\u011fi Satmak: Anadolu M\u00fczik Geleneklerinin Piyasala\u015fmas\u0131 \u00fczerine \u00d6rnek Vaka \u0130ncelemeleri, \u0130zmir, 2015.<\/p>\n<p>&nbsp;<\/p>\n<p>Ayd\u0131n A.F, G\u00fcray C., Rebetiko M\u00fczi\u011finin Ezgisel \u00d6zelliklerine Bir Bak\u0131\u015f,\u00a0 V. Uluslararas\u0131 Hisarl\u0131 Ahmet Sempozyumu, K\u00fctahya, 2014.<\/p>\n<p>Murat Salim Toka\u00e7, Cenk G\u00fcray (davetli konu\u015fmac\u0131), \u0130pek Yolu-M\u00dcZED B\u00f6lgesel M\u00fczik E\u011fitimi Konferans\u0131, Anadolu Geleneksel M\u00fczikleri, \u0130stanbul, 2014.<\/p>\n<p>C.G\u00fcray, Sema ve Semah\u2019\u0131n XIII. Y\u00fczy\u0131l \u00d6ncesi Temelleri XI, KADEM Musiki ve Edebiyat Dergisi, Say\u0131 15,\u00a0 \u0130stanbul, 2015.<\/p>\n<p>G\u00fcray C., \u2018Sil\u00fcet Belgesel Projesi Metinleri\u2019, Deniz \u015eahin\u2019in \u2018Sil\u00fcet Projesi\u2019 i\u00e7in, T.C.K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 Gen\u00e7-Des Projesi Deste\u011fiyle, Ankara, 2017.<\/p>\n<p>G\u00fcray C., \u2018Duygudan Makama CD Projesi Metinleri\u2019 Ali Y\u0131lmaz ve Ay\u015fenur Murat\u2019\u0131n Duygudan Makama Projesi i\u00e7in, T.C.K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 Gen\u00e7-Des Projesi Deste\u011fiyle, Ankara, 2017.<\/p>\n<p>A.F. Ayd\u0131n, C. G\u00fcray, \u00d6TE (CD ve Kitap\u00e7\u0131k) Felmay Music-Torino-ITALY, 2018.<\/p>\n<p>&nbsp;<\/p>\n<p>Ya\u011fmur \u00d6ncesi, \u201cDuman Alm\u0131\u015f Yaylay\u0131 (CD)\u201d, Ant M\u00fczik, Ankara, T\u00fcrkiye, 1998.<\/p>\n<p>&nbsp;<\/p>\n<p>Ya\u011fmur \u00d6ncesi, \u201cNisan (CD)\u201d, Ada M\u00fczik, \u0130stanbul, Turkiye, 2001.<\/p>\n<p>&nbsp;<\/p>\n<p>Karma-Ya\u011fmur \u00d6ncesi, \u201cTHBT\u2019li T\u00fcrk\u00fcler (CD)\u201d, Karma, Herdem M\u00fczik, \u0130stanbul, T\u00fcrkiye, 2001.<\/p>\n<p>&nbsp;<\/p>\n<ol>\n<li>G\u00fcray, M.S.Toka\u00e7, D. T\u00fcrkan, DEM Trio-S\u0131rda\u015f, Kalan M\u00fczik, 2018 (bas\u0131m a\u015famas\u0131nda).<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"5\">\n<li>Ketenco\u011flu, C. G\u00fcray, \u201cSevgili Hayat (Tiyatro M\u00fczi\u011fii)\u201d, Ankara Devlet Tiyatrosu, 2005.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"9\">\n<li>G\u00fcray, M.C\u00f6mert, \u201cBabam\u0131n Kulesi (Film M\u00fczi\u011fi)\u201d, K\u0131sa film, 1999.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"4\">\n<li>G\u00fcray, \u2018G\u00f6zlerimi Kapar\u0131m Vazifemi Yapar\u0131m (Tiyatro M\u00fczi\u011fi)\u2019, YBU Oyuncular\u0131, 2014.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol>\n<li>G\u00fcray, \u2018Merhaba\u2019, Anadolu M\u00fczik K\u00fclt\u00fcrleri Derne\u011fi Dergisi Say\u0131 1, Ankara, 2018 (Bas\u0131m A\u015famas\u0131nda).<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol>\n<li>G\u00fcray, \u2018\u00d6telerin Sesi\u2019, Anadolu M\u00fczik K\u00fclt\u00fcrleri Derne\u011fi Dergisi Say\u0131 1, Ankara, 2018 (Bas\u0131m A\u015famas\u0131nda).<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p>A.F. Ayd\u0131n, C. G\u00fcray, \u2018Ayfer Tahanc\u0131\u2019n\u0131n Geleneksellikten Gelece\u011fe Kitab\u0131 i\u00e7inde Dursun ve Mesut K\u00fclahl\u0131 ile ilgili de\u011ferlendirme\u2019, R\u00f6p\u00f6rtaj, Berikan Yay\u0131nlar\u0131, \u0130stanbul, 2014.<\/p>\n<p>&nbsp;<\/p>\n<ol start=\"6\">\n<li>G\u00fcray, Zeybekler ile \u0130lgili S\u00f6yle\u015fi, Magma Dergisi, Mart 2016.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"7\">\n<li>G\u00fcray, \u2018M\u00fczi\u011fim ve Ben Projesi \u0130\u00e7in \u0130cralar\u2019, Deniz \u015eahin\u2019in \u2018M\u00fczi\u011fim ve Ben Projesi\u2019, T.C.K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 Gen\u00e7-Des Projesi Deste\u011fiyle, Ankara, 2017.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"7\">\n<li>G\u00fcray, \u2018Antik \u00c7a\u011fdan Bug\u00fcne M\u00fczik Kaynaklar\u0131nda M\u00fczik Terapi\u2019nin \u0130zleri, M\u00fczikle Tedavi Sempozyumu, \u015eanl\u0131urfa Valili\u011fi, \u015eanl\u0131urfa, 12-13 May\u0131s 2017.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"7\">\n<li>G\u00fcray, \u2018Karg\u0131n Halay\u0131 ve Semah\u0131 \u00dczerine De\u011ferlendirmeler\u2019, Horasan Erenlerinin \u0130zinde Dede Gark\u0131n Bulu\u015fmas\u0131 II, \u015eanl\u0131urfa Valili\u011fi, \u015eanl\u0131urfa, 29-30 Nisan 2017.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"3\">\n<li>G\u00fcray, Panel Ba\u015fkan\u0131, 3. Oturum, 21 Aral\u0131k 2017, Hacettepe \u00dcniversitesi Ankara Devlet Konservatuvar\u0131, Ankara.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol>\n<li>G\u00fcray, \u2018\u00dcniversitelerde T\u00fcrk Halk M\u00fczi\u011fi \u00c7al\u0131\u015fmalar\u0131\u2019 Panel, \u00d6mer Halisdemir \u00dcniversitesi T\u00fcrk Musikisi Devlet Konservatuvar\u0131 1. Amat\u00f6r M\u00fczisyenler Festivali, Ni\u011fde, 26 May\u0131s 2017.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"7\">\n<li>Tekin, C. G\u00fcray, Orta Anadolu B\u00f6lgesinde Halaylar\u0131n Makamsal ve Ezgisel Analizleri ve M\u00fczikal Benzerlikleri, Hacettepe \u00dcniversitesi M\u00fczikbilim Toplulu\u011fu, \u00d6\u011frenci Sempozyumu, Ankara, 2017.<\/li>\n<li>G\u00fcray, A.F. Ayd\u0131n, Zeybek M\u00fczikleri At\u00f6lyesi, T\u00fcrk\u00fcleri ve Gelenekleriyle Anadolu\u2019nun Hafizas\u0131 Projesi, Yar\u0131n Toplumsal Geli\u015fim, E\u011fitim K\u00fclt\u00fcr ve Sanat Derne\u011fi, 6-9 Ekim 2017, \u0130zmir.<\/li>\n<li>G\u00fcray, Oturum Ba\u015fkanl\u0131\u011f\u0131, Halk K\u00fclt\u00fcr\u00fcnde E\u011flence Sempozyumu, 8 Nisan 2017, ODT\u00dc THBT, Ankara.<\/li>\n<li>G\u00fcray, Panelist, Halk M\u00fczi\u011fi \u00c7al\u0131\u015ftay\u0131 (Sahne ve Seslendirme Oturumu), Yenimahalle Belediyesi, Ozan-Der, 20 \u015eubat 2017, Ankara (Sonu\u00e7lar yay\u0131mland\u0131).<\/li>\n<li>G\u00fcray, Konu\u015fmac\u0131, AB 6. \u0130nsan Haklar\u0131 Film G\u00fcnleri, Tam G\u00f6zlerimi A\u00e7arken Filmi Hakk\u0131nda, 7 Aral\u0131k 2016, Ankara.<\/li>\n<\/ol>\n<p>C.G\u00fcray, Oturum Ba\u015fkan\u0131 (24 May\u0131s 2017-3. Oturum), 6. Halk K\u00fclt\u00fcr\u00fc Ara\u015ft\u0131rma Sonu\u00e7lar\u0131 Sempozyumu, 23-25 May\u0131s 2017, Milli K\u00fct\u00fcphane, Ankara.<\/p>\n<ol>\n<li>G\u00fcray, Balkanlar\u0131n H\u00fczn\u00fc, Artankara Sanat Rehberi, Mart 2017, Ankara.<\/li>\n<li>G\u00fcray, Ankara\u2019n\u0131n Dini Musiki Gelene\u011finin Teme Kaynaklar\u0131ndan Biri Olarak Hac\u0131 Bayram Veli, Ba\u015fkent Ankara Dergisi, S. 74-77, Ankara Kulub\u00fc Derne\u011fi, Ankara, 2018.<\/li>\n<\/ol>\n<p>G\u00fcray C., Dinler Tarihini \u2018Edvar\u2019 \u00dczerinden D\u00fc\u015f\u00fcnmek: Anadolu \u0130nan\u00e7 Sistemlerinde Tanr\u0131 Tasavvuru, D\u00f6ng\u00fcsel Zaman ve D\u00f6ng\u00fcsel \u0130badet Bi\u00e7imleri Olarak\u00a0 Sem\u00e2 ve\u00a0 Semah Kavramlar\u0131,\u00a0 Hacettepe H\u00dcGEM III. Geleneksel M\u00fczik K\u00fclt\u00fcr\u00fc Ara\u015ft\u0131rmalar\u0131 Sempozyumu-Geleneksel M\u00fczik K\u00fclt\u00fcr\u00fcne Disiplinleraras\u0131 Bak\u0131\u015flar Ba\u015fl\u0131kl\u0131 A\u00e7\u0131l\u0131\u015f Oturumu, Ankara. (Bas\u0131m A\u015famas\u0131nda)<\/p>\n<p>&nbsp;<\/p>\n<p>Tekin E., G\u00fcray C., Women as a Symbol of Fertility in Anatolian Myths, 1. Uluslararas\u0131 Kad\u0131n Kongresi, AYB\u00dc-FIU, Ankara, T\u00fcrkiye, 2016.<\/p>\n<p>&nbsp;<\/p>\n<p>G\u00fcray C., Between Identity and Diversity Music education in times of migration The Case Of Turkey, WOMEX 2016, Santiago De Compostela, \u0130spanya, 2016.<\/p>\n<p>&nbsp;<\/p>\n<p>C.G\u00fcray, From Vahdet-i V\u00fccud to Vahdet-i Mevcut: The discussion of the perception of God in Anatolia during the \u0130slamic Period based on the conepts of\u00a0 Semah and Sema, 42. ICTM World Conference, Shangai, China, 2013 (bas\u0131m s\u00fcreci devam ediyor).<\/p>\n<p>G\u00fcray C., A\u015f\u0131kl\u0131k Gelene\u011fi Gen\u00e7 Sanat\u00e7\u0131larla Bulu\u015fuyor, Etkinlik Kitab\u0131 Sunu\u015f Yaz\u0131s\u0131, Ankara 2016.<\/p>\n<p>Muzaffer Sar\u0131s\u00f6zen, Altay T\u00fcrk\u00fcleri ve Musiki Folklorumuz, Milli K\u00fct\u00fcphane M\u00fczik Ar\u015fivi Yay\u0131nlar\u0131 I, Ed. Cenk G\u00fcray, Ankara, 2018 (bas\u0131m a\u015famas\u0131nda).<\/p>\n<p>G\u00fcray C., Tanburi K\u00fc\u00e7\u00fck Artin\u2019s Musiki Edvar\u0131, Lexicon Encyclopedia for Musical Aesthetics,\u00a0 \u00a0Ed. Melanie Wald-Fuhrmann and Hartmut Grimm, Max Planck Institute for Empirical Aesthetics, Germany, 2018 (Bas\u0131m a\u015famas\u0131nda).<\/p>\n<p>G\u00fcray C.(ed), Der-Beyan-\u0131 Kava\u2019id-i Na\u011fme-i Perde\u2019-i Tanbur, Esseyid Mehmed Emin, T\u00fcrk M\u00fczik K\u00fclt\u00fcr\u00fcn\u00fcn Tarihsel Kaynaklar\u0131 Olarak Edvarlar Projesi, T.C. K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 G\u00fczel Sanatlar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc, Ankara, 2018 (e-kitap olarak yay\u0131n a\u015famas\u0131nda).<\/p>\n<p>&nbsp;<\/p>\n<p>Turner. E., G\u00fcray C., M\u00fczikle Terapi Uygulamalar\u0131n\u0131n Tarihsel K\u00f6kleri ve G\u00fcn\u00fcm\u00fcze Yans\u0131malar\u0131 A\u00e7\u0131s\u0131ndan De\u011ferlendirilmesi, Gelenekten Gelece\u011fe Dergisi, Say\u0131 5, Ankara 2014.<\/p>\n<p>&nbsp;<\/p>\n<p>\u015eahin N., G\u00fcray C., A Comparative Analysis of the Theoretical Approaches to Makam Music in \u00a0 the \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 18th Century \u00a0Manuscripts of Kyrillos Marmarinos and Nas\u0131r Abd\u00fclbaki Dede, 2nd \u00a0\u00a0\u00a0\u00a0 International \u00a0\u00a0\u00a0 Interdisciplinary Musicological Congress, Volos Academy for Theological \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Studies, Volos, Greece, 2017.<\/p>\n<p>&nbsp;<\/p>\n<p>G\u00fcray C., Muzaffer Sar\u0131s\u00f6zen\u2019in Altay T\u00fcrk\u00fcleri ve Musiki Folklorumuz\u201d Adl\u0131 Eserindeki Bilgilerin G\u00fcn\u00fcm\u00fcz Kazakistan M\u00fczik K\u00fclt\u00fcr\u00fc ile Mukayeseli \u0130ncelemesi, \u00d6l\u00fcm\u00fcn\u00fcn 55. Y\u0131l\u0131nda Muzaffer Sar\u0131s\u00f6zen Sempozyumu, \u0130stanbul, 2018.<\/p>\n<p>&nbsp;<\/p>\n<p>G\u00fcray C., T\u00fcrk Halk M\u00fczi\u011fi Repertuar\u0131n\u0131n Tesbiti ve \u0130cras\u0131 A\u00e7\u0131s\u0131ndan Dar\u00fc\u2019l Elhan \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Derlemelerine Yans\u0131yan Makam Alg\u0131s\u0131n\u0131n Tart\u0131\u015f\u0131lmas\u0131,\u00a0 Kurulu\u015funun 100. Y\u0131l\u0131nda \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dar\u2019\u00fcl Elhan Sempozyumu, \u0130bn Haldun \u00dcniversitesi Medeniyetler \u0130ttifak\u0131 Enstit\u00fcs\u00fc, \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi K\u00fclt\u00fcr A.\u015e., \u0130stanbul, 2017.<\/p>\n<p>G\u00fcray, C., Ankara M\u00fczik K\u00fclt\u00fcr\u00fcnde Devir Kavram\u0131 ile \u0130lgili Dini Simgeler, Ge\u00e7mi\u015ften G\u00fcn\u00fcm\u00fcze Ankara Halk M\u00fczi\u011fi Sempozyumu, Ankara Kul\u00fcb\u00fc Derne\u011fi, Ankara, 2012. \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (bas\u0131m s\u00fcreci devam ediyor)<\/p>\n<p>&nbsp;<\/p>\n<p>Arslanbo\u011fa M., Levendo\u011flu \u00d6.O., G\u00fcray C., \u2018Orkestra Dergisinde Musiki \u0130nk\u0131lab\u0131 \u00dczerine Anlat\u0131lar\u2019, 1. Uluslararas\u0131 Mardin K\u00fclt\u00fcr ve Medeniyet Kongresi, Mardin, 7-10 Aral\u0131k, 2017 (bas\u0131m a\u015famas\u0131nda).<\/p>\n<p>&nbsp;<\/p>\n<p>Feldman., W. \u2018Ottoman Court Music\u2019, \u00c7ev. \u00d6zt\u00fcrk O.M., G\u00fcray C., YKY, 2018 (bask\u0131ya haz\u0131rlan\u0131yor).<\/p>\n<p>&nbsp;<\/p>\n<p>Di\u011fer Alanlardaki Yay\u0131nlar (2003- )<\/p>\n<ol>\n<li>Guray, N.Celebi, V. Atalay, A.G. Pasamehmetoglu, Ore-Age: A Hybrid System for assisting and teaching mining method selection, Expert Systems with Applications,24(2003)261-271, Pergamon, Elsevier Science.<\/li>\n<li>G\u00fcray, \u201cOre-Age: An Intelligent Tutoring System for Mining Method Selection\u201d, The International Journal of Mineral Resoruces Engineering, Volume 13 \u2013 Number 1 \u2013 January \u2013 March 2008.<\/li>\n<li>K. Gen\u00e7, C. G\u00fcray, \u201cReliability Studies in Missile Systems\u201d, YAEM 2010, Y\u00f6neylem Ara\u015ft\u0131rmas\u0131 ve End\u00fcstri M\u00fchendisli\u011fi 30. Ulusal Kongresi, s.353-354, 2010.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p>B.D.\u0130\u00e7tenba\u015f, C. G\u00fcray, \u201cStrateji Form\u00fclasyonu: Swot Analizi, Kurumsal Karne, Kalite Fonksiyon Yay\u0131l\u0131m\u0131, Sun Tzu\u2019nun \u0130\u015fletme Y\u00f6netimi Stratejilerinin B\u00fct\u00fcnle\u015ftirilmesi, YAEM 2010, Y\u00f6neylem Ara\u015ft\u0131rmas\u0131 ve End\u00fcstri M\u00fchendisli\u011fi 30. Ulusal Kongresi, s. 253, 2010.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<ol>\n<li>G\u00fcray, N. \u00c7elebi, \u201cOre-Age: An Intelligent Education Tool For Mining Method Selection, 22nd World Mining Congress and EXPO, p.535-542, \u0130stanbul,Turkey, 2011.<\/li>\n<\/ol>\n<p><strong>\u00a0<\/strong><\/p>\n<p>B.D.\u0130\u00e7tenba\u015f, C. G\u00fcray, An Overview of Data Mining Tools for Quality Improvement in Manufacturing, 2\u00a0<sup>nd<\/sup>\u00a0International Symposium on Computing in Science &amp; Engineering (ISCSE 2011), p.595-600, \u0130zmir, T\u00fcrkiye, 2011.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<ol start=\"2\">\n<li>K. Gen\u00e7, C. G\u00fcray, K.B.Ar\u0131kan, Missile System Reliability Estimation, Technology in Society, Elsevier B.V. (De\u011ferlendirmede), 2012.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p>B.D.\u0130\u00e7tenba\u015f, C. G\u00fcray,\u00d6zakta\u015f H., \u00d6zkaya B.Y., Data Mining Techniques in Casting Industry-A review, International Journal of Productions Research, Taylor Francis (SCI), (De\u011ferlendirmede), 2013.<\/p>\n<p>&nbsp;<\/p>\n<p>Tirke\u015f G., \u00c7elebi N., G\u00fcray C.,<strong>\u00a0\u2018<\/strong>Re\u00e7el \u2013 \u015eerbet \u00dcretim Tesisi\u00a0i\u00e7in Bir Talep Tahmin Modeli\u2019, \u00a0YAEM-Y\u00f6neylem Ara\u015ft\u0131rmas\u0131 ve End\u00fcstri M\u00fchendisli\u011fi 35. Ulusal Kongresi, ODT\u00dc, Ankara, 2015.<\/p>\n<p>Tirke\u015f G., \u00c7elebi N., G\u00fcray C., \u2019Demand Forecasting: A Comparison Between the Holt-Winters, Trend Analysis and Decomposition Models, Technical Gazette, September 2017, Volume 24, p. 503-510, Croatia.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Uluslararas\u0131 at\u0131flar<\/strong><\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<h2><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=12219734733488971687&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">Sem\u00e2\u2019dan Semah\u2019a Bir Sonsuz Devir<\/a><\/h2>\n<p>&nbsp;<\/p>\n<h3>\u00a0[DOC]<strong>\u00a0<\/strong><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/www.academia.edu\/download\/43075397\/IMER-SEMA-GURMAN-MAKALE-.docx\">MED\u0130DAT\u0130F DANS BA\u011eLAMINDA SEMA SERAMON\u0130S\u0130\u2019N\u0130N \u0130NCELENMES\u0130 VE KOREOGRAF\u0130K BAKI\u015e A\u00c7ISI \u0130LE SEMA\u2019NIN BEDEN D\u0130L\u0130 ANAL\u0130Z\u0130<\/a><\/h3>\n<p>\u0130S G\u00dcRMAN \u2013 academia.edu<\/p>\n<p>Abstract The Mevlevi Sema ceremony, sect is a form of zhikr. In order to reach the maturity of<br \/>\nthe soul to God in the skies over to the spiritual journey. The historical dimension of the<br \/>\ndance and the child with branches of studies, when looking at the methods used within the<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:NAWqHfPN-wEJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/www.j-humansciences.com\/ojs\/index.php\/IJHS\/article\/viewFile\/4386\/2106\">[PDF]<\/a><\/strong><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/www.j-humansciences.com\/ojs\/index.php\/IJHS\/article\/viewFile\/4386\/2106\">\u00a0j-humansciences.com<\/a><\/p>\n<h3><strong><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/www.j-humansciences.com\/ojs\/index.php\/IJHS\/article\/view\/4386\">To review a tradition of philosophical education inherited from the Turkish music of the Ottoman period: Contemporary me\u015fk practices Osmanl\u0131 d\u00f6nemi T\u00fcrk\u00a0\u2026<\/a><\/strong><\/h3>\n<p>NOL \u00d6ner\u00a0\u2013 Journal of Human Sciences, 2017 \u2013 j-humansciences.com<\/p>\n<p>Abstract The purpose of this study is to bring the me\u015fk tradition, which was almost the only<br \/>\nvalid method of transmission in the Ottoman period, into today\u2019s world once again and in a<br \/>\nmultilateral manner, by revealing the semantic world, moral fabric and philosophical<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:_VqAKKNPOcwJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=14715880819587570429&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">2 s\u00fcr\u00fcm\u00fcn hepsi<\/a><\/p>\n<h3><\/h3>\n<h3>\u00a0[PDF]<strong>\u00a0<\/strong><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/spiritualpc.net\/wp-content\/uploads\/2016\/10\/2016-0014.pdf\">Path to the Universal Self in Haji Baktash Wal\u00ee: Four Doors-Forty Stations<\/a><\/h3>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=p_8kwiIAAAAJ&amp;hl=tr&amp;oi=sra\">E Sevim<\/a>\u00a0\u2013 2016 \u2013 spiritualpc.net<\/p>\n<p>Abstract This work aims to discover the shared psychological characteristics between Haji<br \/>\nBektash Wal\u00ee\u2019s desire to \u201cbe in a state of unity,\u201d as described in his teaching of \u201cFour Doors-<br \/>\nForty Stations (D\u00f6rt Kap\u0131 K\u0131rk Mak\u00e2m),\u201d and the concept of the \u201cuniversal self\u201d appearing in<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:0Fw_fBKzF-EJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a><\/p>\n<p>&nbsp;<\/p>\n<h3><strong><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/www.hbvdergisi.gazi.edu.tr\/index.php\/TKHBVD\/article\/view\/1584\">FARKLILIK \u0130\u00c7\u0130NDE B\u0130RL\u0130K: ALEV\u0130-BEKTA\u015e\u0130 K\u00dcLT\u00dcR\u00dc VE ARA\u00c7SAL \u00c7ER\u00c7EVELEMEN\u0130N MEYDAN OKUYU\u015eU<\/a><\/strong><\/h3>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=gqlfgmsAAAAJ&amp;hl=tr&amp;oi=sra\">H H\u00dcL\u00dcR<\/a>, \u0130 KOLUA\u00c7IK\u00a0\u2013 T\u00fcrk K\u00fclt\u00fcr\u00fc ve Hac\u0131 Bekta\u015f Vel\u00ee\u00a0\u2026, 2014 \u2013 hbvdergisi.gazi.edu.tr<\/p>\n<p>G\u00fcn\u00fcm\u00fczde egemen olan tekno-ekonomik s\u00fcre\u00e7lerin, k\u00fclt\u00fcrlerin \u00f6zg\u00fcnl\u00fcklerini d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc<br \/>\nbir etkisi vard\u0131r. Bu t\u00fcr s\u00fcre\u00e7lerin bir sonucu olarak k\u00fclt\u00fcrler, evrensel bir insanl\u0131\u011fa ili\u015fkin bir kavray\u0131\u015f<br \/>\ngeli\u015ftirmi\u015flerdir. Ancak pratikten kopuk, nihilist bir y\u00f6nelim olarak bu evrenselcilik, de\u011ferlerin<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:0zcxol4La1wJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=6659428975073376211&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">3 s\u00fcr\u00fcm\u00fcn hepsi<\/a><\/p>\n<h3><strong>\u00a0<\/strong><\/h3>\n<h3><strong><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/abked.de\/index.php\/abked\/article\/view\/64\">Alevilik-Bekta\u015filik Ara\u015ft\u0131rmalar\u0131 Dergisi<\/a><\/strong><\/h3>\n<p>G AYTA\u015e \u2013 abked.de<\/p>\n<p>\u015eah \u0130brahim Veli, Anadolu co\u011frafyas\u0131nda yeti\u015fmi\u015f \u00f6nemli erenlerden biridir. \u015eimdiye kadar<br \/>\nkendisi hakk\u0131nda verilen bilgiler, daha \u00e7ok Hac\u0131 Bekta\u015f Velayetnamesi \u00e7er\u00e7evesinde ve bir<br \/>\nk\u0131s\u0131m rivayetlerden ibaretti. Son y\u0131llarda elde edilen kaynaklar ve bu oca\u011f\u0131n mensuplar\u0131ndan<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:TKZprYy9byEJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=2409352737568958028&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">3 s\u00fcr\u00fcm\u00fcn hepsi<\/a><\/p>\n<p>&nbsp;<\/p>\n<h2><\/h2>\n<p>&nbsp;<\/p>\n<h2><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=8274578557459699643&amp;hl=tr&amp;as_sdt=2005\">Bin y\u0131l\u0131n miras\u0131: makam\u0131 var eden d\u00f6ng\u00fc: Edvar gelene\u011fi<\/a><\/h2>\n<p>&nbsp;<\/p>\n<p>El\u00e7i, Arma\u011fan,\u00a0<em>\u00c7ubuk-\u015eaban\u00f6z\u00fc Merkezli Alevi Ocaklar\u0131nda Cem Zakirli\u011fi<\/em>, Gazi Kitabevi, Ankara, 2017.<\/p>\n<p>\u00dcnver, Mine Sultan, Sesin Efendisi-Itri: Mucizem, Mana Yay\u0131nlar\u0131, \u0130stanbul, 2017.<\/p>\n<h3><\/h3>\n<h3>[ALINTI][C] Makamsiz: Individualization of Traditional Music on the Eve of Kemalist Turkey<\/h3>\n<p>M Greve \u2013 2018 \u2013 Ergon Verlag<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cites=17446764208632883703&amp;as_sdt=2005&amp;sciodt=0,5&amp;hl=tr\">Al\u0131nt\u0131lanma say\u0131s\u0131: 3<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/www.rastmd.net\/index.php\/Rast\/article\/view\/174\">[HTML] rastmd.net<\/a><\/p>\n<h3>[HTML][HTML]\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/www.rastmd.net\/index.php\/Rast\/article\/view\/174\">How was the traditional makam theory westernized for the sake of modernization?<\/a><\/h3>\n<p>OM \u00d6zt\u00fcrk\u00a0\u2013 Rast Musicology Journal, 2018 \u2013 rastmd.net<\/p>\n<p>In this article, the transformative interventions of those who want to modernize the traditional<br \/>\nmakam theory in Westernization (or modernization) process experienced in Turkey are<br \/>\ndiscussed in historical and critical context. The makam is among the most basic concepts of\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cites=1812078784363557650&amp;as_sdt=2005&amp;sciodt=0,5&amp;hl=tr\">Al\u0131nt\u0131lanma say\u0131s\u0131: 1<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=1812078784363557650&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">3 s\u00fcr\u00fcm\u00fcn hepsi<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/scholar.googleusercontent.com\/scholar?q=cache:EvMCtw3MJRkJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u00d6nbellek<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/bilig.yesevi.edu.tr\/yonetim\/icerik\/makaleler\/2288-published.pdf\">[PDF] yesevi.edu.tr<\/a><\/p>\n<h3>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/bilig.yesevi.edu.tr\/yonetim\/icerik\/makaleler\/2288-published.pdf\">T\u00fcrk M\u00fczi\u011fi Nazariyat\u0131na Genel Bir Bak\u0131\u015f<\/a><\/h3>\n<p>D Aydar\u00a0\u2013 Bilig, 2018 \u2013 bilig.yesevi.edu.tr<\/p>\n<p>Y\u00f6ntem Bu makalede nazariyat konusuna \u0131\u015f\u0131k tutacak \u015fekilde, kavram\u0131n a\u00e7\u0131klanmas\u0131yla<br \/>\nbirlikte konunun temelinde yer alan bilimsel yakla\u015f\u0131mlar, y\u00fczy\u0131l \u00e7er\u00e7evesindeki geli\u015fimleriyle<br \/>\ng\u00fcn\u00fcm\u00fcze do\u011fru bir \u015fekilde sergilenmi\u015f; kaynak taramas\u0131 yap\u0131larak mevcut tarihsel durum\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:C4_qCGy-sjgJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=4085537183193796363&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">3 s\u00fcr\u00fcm\u00fcn hepsi<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/scholar.googleusercontent.com\/scholar?q=cache:C4_qCGy-sjgJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">HTML olarak g\u00f6r\u00fcnt\u00fcle<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/polen.itu.edu.tr\/handle\/11527\/17354\">Yerelden k\u00fcresele a\u00e7\u0131lan bir model olarak, Erkan O\u011fur\u2019un perdesiz gitar icrac\u0131l\u0131\u011f\u0131<\/a><\/h3>\n<p>ME Ar\u0131n \u2013 2012 \u2013 polen.itu.edu.tr<\/p>\n<p>Lut ailesinin bir alt kolu olarak perdesiz gitar\u2019\u0131n tarihsel k\u00f6keni, M. \u00d6 2000\u2019lerde Akdeniz<br \/>\nhavzas\u0131 ve Mezopotamya\u2019da g\u00f6r\u00fclen ilk telli \u00e7alg\u0131 \u00f6rneklerine kadar uzan\u0131r. Bug\u00fcn bilinen<br \/>\nanlamda perdesiz gitar\u0131n ilk mucidi Henry Partch\u2019d\u0131r. Bununla birlikte Perdesiz Gitar\u0131n\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.googleusercontent.com\/scholar?q=cache:wbtUCy_fmuIJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u00d6nbellek<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/www.academia.edu\/download\/40926355\/Ahmet_Emre_Dagtasoglu_-_Makamsal_Muzik_ve_Kant_Estetigi.pdf\">[PDF] academia.edu<\/a><\/p>\n<h3>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/www.academia.edu\/download\/40926355\/Ahmet_Emre_Dagtasoglu_-_Makamsal_Muzik_ve_Kant_Estetigi.pdf\">MAKAMSAL M\u00dcZ\u0130K VE KANT ESTET\u0130\u011e\u0130.<\/a><\/h3>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=fOlMDVYAAAAJ&amp;hl=tr&amp;oi=sra\">AE DA\u011eTA\u015eO\u011eLU<\/a>\u00a0\u2013 Felsefe ve Sosyal Bilimler Dergisi (FLSF), 2015 \u2013 academia.edu<\/p>\n<p>Kant\u2019\u0131n estetik hakk\u0131ndaki g\u00f6r\u00fc\u015fleri kendisinden sonra gelen d\u00fc\u015f\u00fcn\u00fcrleri \u00f6nemli \u00f6l\u00e7\u00fcde<br \/>\netkilemi\u015ftir. Onun bu konudaki g\u00f6r\u00fc\u015flerinin sadece \u00e7a\u011f\u0131n\u0131 ve haleflerini etkileyen tarihsel<br \/>\nde\u011feri haiz g\u00f6r\u00fc\u015fler olmay\u0131p g\u00fcn\u00fcm\u00fczde de a\u00e7\u0131klama g\u00fcc\u00fc bulundu\u011funu s\u00f6ylemek\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:loLOKEJay3MJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=8343861974832939670&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">3 s\u00fcr\u00fcm\u00fcn hepsi<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/scholar.googleusercontent.com\/scholar?q=cache:loLOKEJay3MJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">HTML olarak g\u00f6r\u00fcnt\u00fcle<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/www.asosjournal.com\/Makaleler\/747113842_211%20A%C5%9EKIM%20HATUNO%C4%9ELU.pdf\">[PDF] asosjournal.com<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/www.asosjournal.com\/Makaleler\/747113842_211%20A%C5%9EKIM%20HATUNO%C4%9ELU.pdf\">T\u00dcRK \u0130SLAM HEK\u0130MLER\u0130N\u0130N PS\u0130KOLOJ\u0130 B\u0130L\u0130M\u0130N\u0130N GEL\u0130\u015e\u0130M\u0130NE KATKILARI VE PS\u0130KOLOJ\u0130K HASTALIKLARA TEDAV\u0130 Y\u00d6NTEMLER\u0130<\/a><\/h3>\n<p>A HATUNO\u011eLU \u2013 asosjournal.com<\/p>\n<p>\u00d6zet Psikoloji bilimi tarihi geli\u015fim s\u00fcreci i\u00e7inde antik d\u00f6nemlerden itibaren konusu insan<br \/>\nolan her bilim dal\u0131 taraf\u0131ndan incelenmi\u015f, merak konusu olmu\u015f ve g\u00fcndeme gelmi\u015ftir.<br \/>\n\u0130nsan\u0131n ruhsal yap\u0131s\u0131n\u0131n ne oldu\u011fu? S\u0131n\u0131rlar\u0131n\u0131n nerede ba\u015flay\u0131p nerede bitti\u011fi ve psikolojik\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:LCQdKnkPZ1QJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/scholar.googleusercontent.com\/scholar?q=cache:LCQdKnkPZ1QJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">HTML olarak g\u00f6r\u00fcnt\u00fcle<\/a><\/p>\n<h3>[ALINTI][C] Konservatuvarlarda g\u00f6rev yapan akademisyenlerin t\u00fckenmi\u015flik d\u00fczeyleri<\/h3>\n<p>O \u00d6zt\u00fcrk \u2013 2018 \u2013 Private Publisher\u2019Fikri Soysal\u2019<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/download\/article-file\/615883\">[PDF] dergipark.gov.tr<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/download\/article-file\/615883\">T\u00dcRK-\u0130SLAM \u0130NAN\u00c7 ANLAYI\u015eI \u00c7ER\u00c7EVES\u0130NDE K\u00d6S \u00c7ALGISI \u00dcZER\u0130NE ONTOLOJ\u0130K B\u0130R DE\u011eERLEND\u0130RME<\/a><\/h3>\n<p>G ERDO\u011eAN\u00a0\u2013 Munzur \u00dcniversitesi Sosyal Bilimler Dergisi (M\u00dcSB\u0130D) \u2013 dergipark.gov.tr<\/p>\n<p>This study aims to raise some ontological questions regarding the musical instrument \u201ck\u00f6s\u201d<br \/>\nwhich has a significant place in the Turkish-Islamic world. With its history dating back to the<br \/>\nstates of the Huns and the G\u00f6kt\u00fcrks in the pre-Islamic Turkish history,\u201ck\u00f6s\u201d was later became\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=126246330986135242&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">2 s\u00fcr\u00fcm\u00fcn hepsi<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/scholar.googleusercontent.com\/scholar?q=cache:yv6fgF6EwAEJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">HTML olarak g\u00f6r\u00fcnt\u00fcle<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;profile=ehost&amp;scope=site&amp;authtype=crawler&amp;jrnl=13079581&amp;AN=116855037&amp;h=prOjKapMswOw1H4G2IZyOmOTZtQQ3Jy%2FIE7PQ89i0neQGCKQZ6wbfJ50OCrWhQwkT2iPjfG99dh8ZcrSN1Ne3A%3D%3D&amp;crl=c\">KURAMDAN \u0130CRAYA M\u00dcZ\u0130\u011e\u0130N \u0130NT\u0130KAL ARACI: UD\u2019UN D\u00dcN\u00dc VE BUG\u00dcN\u00dc.<\/a><\/h3>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=5FL2v5kAAAAJ&amp;hl=tr&amp;oi=sra\">B I\u015eIKTA\u015e<\/a>\u00a0\u2013 Journal of International Social Research, 2016 \u2013 search.ebscohost.com<\/p>\n<p>The musical meaning of the instrument \u201coud\u201d will be strengthened when the subject of the<br \/>\noud performance is evaluated through processes changing by eras, the spirit of time, and<br \/>\nsocial and historical conditions. In each period, the actors of the art area are referred to as\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:Q-x8vTycJjIJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=3613747535702453315&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">2 s\u00fcr\u00fcm\u00fcn hepsi<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/download\/article-file\/642556\">[PDF] dergipark.gov.tr<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/guifd\/issue\/43119\/522903\">13-15. Y\u00dcZYIL ORTA\u00c7A\u011e \u0130SLAM MEDEN\u0130YET\u0130NDE S\u0130STEMC\u0130 OKUL ve T\u00dcRK M\u00dbS\u0130K\u00ce \u0130LM\u0130NE KATKILARI<\/a><\/h3>\n<p>G K\u00d6PR\u00dcL\u00dc\u00a0\u2013 Gaziosmanpa\u015fa \u00dcniversitesi \u0130lahiyat Fak\u00fcltesi Dergisi \u2013 dergipark.gov.tr<\/p>\n<p>In the medieval Islamic civilizations, 10th-13th century is accepted as a period of formation<br \/>\nby some musicologists in the name of Turkish music. Al-Kindi, Ibn S\u00een\u00e2, F\u00e2r\u00e2b\u00ee, etc.,<br \/>\nconstituted a basis for the school system of the 13th century. The powerful name of the 13th\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/download\/article-file\/592469\">[PDF] dergipark.gov.tr<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/trkede\/issue\/40945\/494556\">M\u00dcZ\u0130K, TASAVVUF VE FELSEFE BA\u011eLAMINDA PERDE KAVRAMI<\/a><\/h3>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=fOlMDVYAAAAJ&amp;hl=tr&amp;oi=sra\">AE DA\u011eTA\u015eO\u011eLU<\/a>\u00a0\u2013 Trakya \u00dcniversitesi Edebiyat Fak\u00fcltesi Dergisi \u2013 dergipark.gov.tr<\/p>\n<p>\u201cPerde\u201d(veil\/pitch) is a term gaining certain technical meanings not only in music but also in<br \/>\nS\u00fbf\u020bsm, as well. Although it is not emphasized in academic studies, classical texts show us<br \/>\nthat this term indicates a common worldview in aforementioned areas. Thus, the preference\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/scholar.googleusercontent.com\/scholar?q=cache:gfE9z7cowd8J:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">HTML olarak g\u00f6r\u00fcnt\u00fcle<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/download\/article-file\/255463\">[PDF] dergipark.gov.tr<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/www.ceeol.com\/content-files\/document-538157.pdf\">XVII. Y\u00dcZYIL OSMANLI M\u00dcZ\u0130K GELENE\u011e\u0130 VE BUHUR\u0130ZADE MUSTAFA ITR\u0130 EFEND\u0130<\/a><\/h3>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=Z7zs8U4AAAAJ&amp;hl=tr&amp;oi=sra\">C G\u00fcray<\/a>, MS Toka\u00e7\u00a0\u2013 Folklor\/Edebiyat \u2013 ceeol.com<\/p>\n<p>Osmanl\u0131 M\u00fczik K\u00fclt\u00fcr\u00fc a\u00e7\u0131s\u0131ndan XvII. Y\u00fczy\u0131l, \u00f6nemli de\u011fi\u015fimleri i\u00e7inde bar\u0131nd\u0131ran bir<br \/>\nd\u00f6nemdir (G\u00fcray, 2012: 89-91). Bu y\u00fczy\u0131lda, k\u00f6keni Eski Mezopotamya\u2019ya kadar takip<br \/>\nedilebilen ve makam-us\u00fbl gelene\u011fi ile \u201cform \u00f6zelliklerinin\u201d aktar\u0131m\u0131nda \u00f6nc\u00fcl bir rol oynayan\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:8ePZ3zquPh0J:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=2107313243542905841&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">2 s\u00fcr\u00fcm\u00fcn hepsi<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/cuid\/issue\/29944\/317103\">[HTML] dergipark.gov.tr<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/cuid\/issue\/29944\/317103\">Ahmed S\u00e2f\u00ee\u2019nin Sef\u00eenet\u00fc\u2019s-S\u00e2f\u00ee\u2019sinde M\u00fbsik\u00ee B\u00f6l\u00fcmleri ve Ud\u2019la \u0130lgili K\u0131sm\u0131n \u0130ncelenmesi<\/a><\/h3>\n<p>M T\u0131ra\u015fc\u0131, M \u00d6zfidan\u00a0\u2013 Cumhuriyet \u0130lahiyat Dergisi, 2017 \u2013 dergipark.gov.tr<\/p>\n<p>The late period Ottoman intellectual and writer, A\u1e25mad \u1e62\u0101f\u012b\u2019s one of the extant works is an<br \/>\nencyclopedic study consists of eighteen volumes. The original copy is lost but there is a<br \/>\nmicrofilm record at Suleymaniye Manuscript Library. Apart from a few book reviews, this\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:R9Fg8NThS0sJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=5425678480780087623&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">5 s\u00fcr\u00fcm\u00fcn hepsi<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/scholar.googleusercontent.com\/scholar?q=cache:R9Fg8NThS0sJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u00d6nbellek<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/download\/article-file\/611987\">[PDF] dergipark.gov.tr<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/download\/article-file\/611987\">CROSS-CULTURAL INFLUENCES IN MAKAM THEORY: THE CASE OF GREEK ORTHODOX THEORISTS IN THE OTTOMAN EMPIRE<\/a><\/h3>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=fpci1_gAAAAJ&amp;hl=tr&amp;oi=sra\">N \u015eahin<\/a>,\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=Z7zs8U4AAAAJ&amp;hl=tr&amp;oi=sra\">C G\u00fcray<\/a>, AL\u0130F AYDIN\u00a0\u2013 Musicologist \u2013 dergipark.gov.tr<\/p>\n<p>The makam theory, which has been transmitted for nearly 5,000 years in Anatolian culture<br \/>\nthrough the periods of Ancient Greek, Roman, and Byzantine Empires, Medieval Islam, the<br \/>\nOttoman Empire, and the Turkish Republic, presents an efficient cultural base on which\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=3017109680747440683&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">2 s\u00fcr\u00fcm\u00fcn hepsi<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/scholar.googleusercontent.com\/scholar?q=cache:K-pX8UTt3ikJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">HTML olarak g\u00f6r\u00fcnt\u00fcle<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/download\/article-file\/545800\">[PDF] dergipark.gov.tr<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/rastmd\/issue\/36959\/465984\">Ben\u00e2\u00ee ve M\u00fbsik\u00ee Risalesinde Mak\u00e2m Kavram\u0131<\/a><\/h3>\n<p>G K\u00f6pr\u00fcl\u00fc\u00a0\u2013 Rast M\u00fczikoloji Dergisi \u2013 dergipark.gov.tr<\/p>\n<p>Being a historical source since the 15th century, Musical Ris\u00e2la is a theoretical work written<br \/>\nin Persian language by Ben\u00e2\u00ee, who is a Turkish man from Herat, in 888 (Islamic<br \/>\ncalendar)\/1493 (Gregorian calendar). Ben\u00e2\u00ee mentioned a variety of theoretical topics in his\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:YO0G_Pt-qsMJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a><\/p>\n<p>&nbsp;<\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;profile=ehost&amp;scope=site&amp;authtype=crawler&amp;jrnl=13003984&amp;asa=Y&amp;AN=79811315&amp;h=BNq6ARUQrzHRHv%2BQdKCJz29dG0syA6UmoLtRORTJGJsemavKlvE6HIXnhq%2FoLCp%2BV0L1i6IqZk1ZhaNZtxrnrg%3D%3D&amp;crl=c\">S\u00d6ZSEL VE M\u00dcZ\u0130KAL VARYANTLA\u015eMA: MAN\u0130LER\u0130N T\u00dcRK\u00dc \u0130\u00c7\u0130NDEK\u0130 D\u00d6N\u00dc\u015e\u00dcMLER\u0130.<\/a><\/h3>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=YBJhVPgAAAAJ&amp;hl=tr&amp;oi=sra\">AC El\u00e7\u0131<\/a>\u00a0\u2013 Milli Folklor, 2011 \u2013 search.ebscohost.com<\/p>\n<p>Performance and oral formulaic theorists put forward to meaningless of searching for the<br \/>\n\u201cunique\u201d and \u201cfixed\u201d texts in oral culture and they support it through different works. With<br \/>\noicotype concept, Von Sydow highlights the localization of narrations according to regional\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cites=2955598848883545521&amp;as_sdt=2005&amp;sciodt=0,5&amp;hl=tr\">Al\u0131nt\u0131lanma say\u0131s\u0131: 2<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:sdVBXn5lBCkJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=2955598848883545521&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">2 s\u00fcr\u00fcm\u00fcn hepsi<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/download\/article-file\/382976\">[PDF] dergipark.gov.tr<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/abuhsbd\/issue\/32941\/365983\">T\u00dcRK HALK M\u00dcZ\u0130\u011e\u0130 EZG\u0130LER\u0130NDE VARYANTLAR: ISPARTA-BURDUR \u00d6RNE\u011e\u0130<\/a><\/h3>\n<p>G\u00dcN Elvan\u00a0\u2013 Akademik Bak\u0131\u015f Uluslararas\u0131 Hakemli Sosyal Bilimler\u00a0\u2026 \u2013 dergipark.gov.tr<\/p>\n<p>Like every folkloric production, the Turkish folk songs also become variable over time. This<br \/>\nvariation results in folk songs being renewed and multiplied. Turkish folk songs become<br \/>\ndifferentiated in regards to their melody and style. There are a lot of reasons for this kind of\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:s8kTsne9u0kJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3><strong>Sema\u2019dan Semah\u2019a Bir Sonsuz Devir<\/strong><\/h3>\n<h2><\/h2>\n<p>&nbsp;<\/p>\n<h3>ALINTI][C] Alevilik ve Etkile\u015fim \u0130\u00e7ine Girdi\u011fi K\u00fclt\u00fcrel Yap\u0131lar A\u00e7\u0131s\u0131ndan Pervane Kavram\u0131n\u0131n \u0130rdelenmesi<\/h3>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=Z7zs8U4AAAAJ&amp;hl=tr&amp;oi=sra\">C G\u00fcray<\/a>, E \u015eimsek\u00a0\u2013 T\u00fcrk K\u00fclt\u00fcr\u00fc ve Hac\u0131 Bekta\u015f Vel\u00ee Ara\u015ft\u0131rma Dergisi, 2011<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cites=1418182270185879158&amp;as_sdt=2005&amp;sciodt=0,5&amp;hl=tr\">Al\u0131nt\u0131lanma say\u0131s\u0131: 5<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:drYvyUJlrhMJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=1418182270185879158&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">2 s\u00fcr\u00fcm\u00fcn hepsi<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/www.abked.de\/index.php\/abked\/article\/view\/133\/118\">[PDF] abked.de<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/www.abked.de\/index.php\/abked\/article\/view\/133\">Ankara Geleneksel M\u00fczik K\u00fclt\u00fcr\u00fcnde Dini Simgeler<\/a><\/h3>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=Z7zs8U4AAAAJ&amp;hl=tr&amp;oi=sra\">C G\u00fcray<\/a>\u00a0\u2013 Journal of Alevism-Bektashism Studies, 2013 \u2013 abked.de<\/p>\n<p>The city of Ankara had supplemented its importance in the Republic Era, with the historical<br \/>\nbackground and the cultural diversity she is richened by. Comprehensive traditional music<br \/>\nculture of Ankara is one of the outstanding indicators of this rich cultural heritage of the\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=13803457163454802819&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">2 s\u00fcr\u00fcm\u00fcn hepsi<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.googleusercontent.com\/scholar?q=cache:g2sLBCi7j78J:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">HTML olarak g\u00f6r\u00fcnt\u00fcle<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/download\/article-file\/619894\">[PDF] dergipark.gov.tr<\/a><\/p>\n<h3>[PDF][PDF]\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/download\/article-file\/619894\">\u0130BN HURD\u00c2ZBEH\u2019\u0130N EL-MUHT\u00c2R M\u0130N K\u0130T\u00c2B\u0130\u2019L-LEHV VE\u2019L-MEL\u00c2H\u00ce\u2019S\u0130 \u0130LE EL-MUFADDAL B. SELEME\u2019N\u0130N EL-MEL\u00c2H\u00ce VE ESM\u00c2UH\u00c2 M\u0130N KIBEL\u0130\u2019L<\/a><\/h3>\n<p>M ANALOJ\u0130 \u2013 dergipark.gov.tr<\/p>\n<p>Many reasons can be mentioned over why we compare these two works. That these two<br \/>\nnames who lived in the same period had a comprehensive knowledge of music and musical<br \/>\ninstruments is among the most important of those reasons. Even though there were some\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/scholar.googleusercontent.com\/scholar?q=cache:lci8EDedeJ4J:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">HTML olarak g\u00f6r\u00fcnt\u00fcle<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/www.academia.edu\/download\/43075397\/IMER-SEMA-GURMAN-MAKALE-.docx\">[DOC] academia.edu<\/a><\/p>\n<h3>[DOC][DOC]\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/www.academia.edu\/download\/43075397\/IMER-SEMA-GURMAN-MAKALE-.docx\">MED\u0130DAT\u0130F DANS BA\u011eLAMINDA SEMA SERAMON\u0130S\u0130\u2019N\u0130N \u0130NCELENMES\u0130 VE KOREOGRAF\u0130K BAKI\u015e A\u00c7ISI \u0130LE SEMA\u2019NIN BEDEN D\u0130L\u0130 ANAL\u0130Z\u0130<\/a><\/h3>\n<p>\u0130S G\u00dcRMAN \u2013 academia.edu<\/p>\n<p>Abstract The Mevlevi Sema ceremony, sect is a form of zhikr. In order to reach the maturity of<br \/>\nthe soul to God in the skies over to the spiritual journey. The historical dimension of the<br \/>\ndance and the child with branches of studies, when looking at the methods used within the\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:NAWqHfPN-wEJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.googleusercontent.com\/scholar?q=cache:NAWqHfPN-wEJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">HTML olarak g\u00f6r\u00fcnt\u00fcle<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/www.j-humansciences.com\/ojs\/index.php\/IJHS\/article\/viewFile\/4386\/2106\">[PDF] j-humansciences.com<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/www.j-humansciences.com\/ojs\/index.php\/IJHS\/article\/view\/4386\">To review a tradition of philosophical education inherited from the Turkish music of the Ottoman period: Contemporary me\u015fk practices Osmanl\u0131 d\u00f6nemi T\u00fcrk\u00a0\u2026<\/a><\/h3>\n<p>NOL \u00d6ner\u00a0\u2013 Journal of Human Sciences, 2017 \u2013 j-humansciences.com<\/p>\n<p>The purpose of this study is to bring the me\u015fk tradition, which was almost the only valid<br \/>\nmethod of transmission in the Ottoman period, into today\u2019s world once again and in a<br \/>\nmultilateral manner, by revealing the semantic world, moral fabric and philosophical\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:_VqAKKNPOcwJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=14715880819587570429&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">2 s\u00fcr\u00fcm\u00fcn hepsi<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.googleusercontent.com\/scholar?q=cache:_VqAKKNPOcwJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">HTML olarak g\u00f6r\u00fcnt\u00fcle<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/neuifd\/issue\/42290\/424240\">\u0130bn Hurd\u00e2zbeh\u2019in el-Muht\u00e2r min Kit\u00e2bi\u2019l-Lehvi ve\u2019l-Mel\u00e2h\u00ee\u2019si ile el-Mufaddal b. Seleme\u2019nin el-Mel\u00e2h\u00ee ve Esm\u00e2uh\u00e2 min Kibeli\u2019l-M\u00fbs\u00eek\u00e2 Adl\u0131 Eseriyle \u0130lgili Bir Analoji<\/a><\/h3>\n<p>A Tokay\u00a0\u2013 Necmettin Erbakan \u00dcniversitesi \u0130lahiyat Fak\u00fcltesi\u00a0\u2026 \u2013 dergipark.gov.tr<\/p>\n<p>\u201cel-K\u00e2tib\u201d lakab\u0131 ile \u015f\u00f6hret bulan, Irak Co\u011frafya Ekol\u00fcn\u00fcn \u00f6nc\u00fcs\u00fc \u0130bn Hurd\u00e2zbeh (v. 280 ila<br \/>\n300), k\u00fclt\u00fcr ve edebiyatta \u00f6ne \u00e7\u0131kan bir \u015fahsiyettir. O, el-Cebel b\u00f6lgesinde Ber\u00eed Te\u015fkilat\u0131n\u0131n<br \/>\nsorumlulu\u011funu \u00fcstlenmi\u015f ve el-Mu \u2018temid\u2019in (dm 869-885) g\u00fcvenini kazan\u0131p Ba\u011fdat\u2019taki ilm\u00ee\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/scholar.googleusercontent.com\/scholar?q=cache:dTekYlvh8R8J:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u00d6nbellek<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/download\/article-file\/255396\">[PDF] dergipark.gov.tr<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/www.ceeol.com\/content-files\/document-538492.pdf\">VAHDET-\u0130 MEVCUT\u2019TAN VAHDET-\u0130 V\u00dcCUD\u2019A: Anadolu\u2019da \u0130slam D\u00f6nemi Sonras\u0131ndaki Tanr\u0131 Alg\u0131s\u0131n\u0131n Semah ve Sema Kavramlar\u0131 Arac\u0131l\u0131\u011f\u0131yla \u0130ncelenmesi<\/a><\/h3>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=Z7zs8U4AAAAJ&amp;hl=tr&amp;oi=sra\">C G\u00fcray<\/a>\u00a0\u2013 Folklor\/Edebiyat \u2013 ceeol.com<\/p>\n<p>\u0130nsanl\u0131\u011f\u0131n ilk d\u00f6nemlerinde Tanr\u0131 do\u011fa olaylar\u0131n\u0131n bilinmezli\u011fi ile soyut bir \u015fekilde<br \/>\n\u00f6zde\u015fle\u015ftirilirken (Armstrong, 1998: 15), sonraki d\u00f6nemlerde do\u011fa olaylar\u0131n\u0131 kontrol etme<br \/>\ng\u00fcc\u00fcne sahip ancak somut simgelerle var edilen bir Tanr\u0131 anlay\u0131\u015f\u0131 h\u00e2kim olmaya ba\u015flam\u0131\u015ft\u0131r\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:ogXAbioaHMMJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=14059140906292872610&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">2 s\u00fcr\u00fcm\u00fcn hepsi<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/download\/article-file\/286449\">[PDF] dergipark.gov.tr<\/a><\/p>\n<h3>[PDF][PDF]\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/download\/article-file\/286449\">Path to the Universal Self in Haji Baktash Wal\u00ee: Four Doors-Forty Stations<\/a><\/h3>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=p_8kwiIAAAAJ&amp;hl=tr&amp;oi=sra\">E Sevim<\/a>\u00a0\u2013 2016 \u2013 dergipark.gov.tr<\/p>\n<p>This work aims to discover the shared psychological characteristics between Haji Bektash<br \/>\nWal\u00ee\u2019s desire to \u201cbe in a state of unity,\u201d as described in his teaching of \u201cFour Doors-Forty<br \/>\nStations (D\u00f6rt Kap\u0131 K\u0131rk Mak\u00e2m),\u201d and the concept of the \u201cuniversal self\u201d appearing in\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:0Fw_fBKzF-EJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=16219629474973441232&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">4 s\u00fcr\u00fcm\u00fcn hepsi<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/scholar.googleusercontent.com\/scholar?q=cache:0Fw_fBKzF-EJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">HTML olarak g\u00f6r\u00fcnt\u00fcle<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/isamveri.org\/pdfdrg\/D01093\/2011_60\/2011_60_GURAYC_SIMSEKE.pdf\">[PDF] isamveri.org<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;profile=ehost&amp;scope=site&amp;authtype=crawler&amp;jrnl=13068253&amp;asa=Y&amp;AN=70044748&amp;h=DLeLUW5FwKMnwks%2B58lpjSwpwb5k050JuLxYwGhmB5byFA4K6TgQcDGNH4H39izThrhDWU0Ik54eYcJQvVzc8Q%3D%3D&amp;crl=c\">ALEV\u0130L\u0130K VE ETK\u0130LE\u015e\u0130M \u0130\u00c7\u0130NE G\u0130RD\u0130G\u0130 K\u00dcLT\u00dcREL YAPILAR A\u00c7ISINDAN\u201d PERVANE\u201d KAVRAMININ \u0130RDELENMES\u0130.<\/a><\/h3>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=Z7zs8U4AAAAJ&amp;hl=tr&amp;oi=sra\">C G\u00fcray<\/a>, E \u015e\u0131m\u015fek\u00a0\u2013 Turkish Culture &amp; Haci Bektas Veli\u00a0\u2026, 2011 \u2013 search.ebscohost.com<\/p>\n<p>\u00d6zet Pervane kavram\u0131 halk ve divan edebiyatlar\u0131nda kullan\u0131lan \u00f6nemli bir mazmun<br \/>\nolmas\u0131n\u0131n yan\u0131nda, Anadolu\u2019ya has \u201cB\u00e2t\u0131ni\u201d temelli inan\u00e7 sistemlerinin aktar\u0131m i\u00e7in ihtiya\u00e7<br \/>\nduydu\u011fu ifade g\u00fcc\u00fcne sahip bir sembol olarak dikkat \u00e7ekmektedir. Pervane kavram\u0131n\u0131n bu\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:j00lhQd-ISIJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=2459385442284686735&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">2 s\u00fcr\u00fcm\u00fcn hepsi<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/isamveri.org\/pdfdrg\/D01093\/2014_71\/2014_71_HULURH_KOLUACIKI.pdf\">[PDF] isamveri.org<\/a><\/p>\n<h3>[PDF][PDF]\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/isamveri.org\/pdfdrg\/D01093\/2014_71\/2014_71_HULURH_KOLUACIKI.pdf\">FARKLILIK \u0130\u00c7\u0130NDE B\u0130RL\u0130K: ALEV\u0130-BEKTA\u015e\u0130 K\u00dcLT\u00dcR\u00dc1 VE ARA\u00c7SAL \u00c7ER\u00c7EVELEMEN\u0130N MEYDAN OKUYU\u015eU.<\/a><\/h3>\n<p>H H\u00dcL\u00dcR, \u0130 KOLUA\u00c7IK\u00a0\u2013 Turkish Culture &amp; Haci Bektas Veli Research\u00a0\u2026, 2014 \u2013 isamveri.org<\/p>\n<p>\u00d6zet G\u00fcn\u00fcm\u00fczde egemen olan tekno-ekonomik s\u00fcre\u00e7lerin, k\u00fclt\u00fcrlerin \u00f6zg\u00fcnl\u00fcklerini<br \/>\nd\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc bir etkisi vard\u0131r. Bu t\u00fcr s\u00fcre\u00e7lerin bir sonucu olarak k\u00fclt\u00fcrler, evrensel bir<br \/>\ninsanl\u0131\u011fa ili\u015fkin bir kavray\u0131\u015f geli\u015ftirmi\u015flerdir. Ancak pratikten kopuk, nihilist bir y\u00f6nelim\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:0zcxol4La1wJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=6659428975073376211&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">3 s\u00fcr\u00fcm\u00fcn hepsi<\/a><\/p>\n<p>&nbsp;<\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/search.proquest.com\/openview\/16c8c6c8f87d7ed9ee9184807e0e7fe4\/1?pq-origsite=gscholar&amp;cbl=2044964\">ANADOLU SUF\u0130L\u0130\u011e\u0130N\u0130N OLU\u015eTURDU\u011eU \u00c7ALGI ALGISI \u00dcZER\u0130NE K\u00dcLT\u00dcREL B\u0130R ANAL\u0130Z:\u2019BA\u011eLAMA\u2019VE\u2019NEY\u2019\u00d6ZEL\u0130NDE \u00c7ALGININ \u0130NSANLA\u015eTIRILMA VE\u00a0\u2026<\/a><\/h3>\n<p>BM D\u00f6nmez,\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=4fPKrusAAAAJ&amp;hl=tr&amp;oi=sra\">MS Do\u011fan<\/a>\u00a0\u2013 Alternatif Politika, 2018 \u2013 search.proquest.com<\/p>\n<p>The perception attributed to the instruments in Anatolian sufism is related to the<br \/>\nmetaphorization of the idea of human-God-universe identity through instruments. In this<br \/>\nstudy, the situation which the human being is perceived as an identical with the instrument\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:MbP1wwTMupcJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/www.abked.de\/index.php\/abked\/article\/view\/133\/118\">[PDF] abked.de<\/a><\/p>\n<p>&nbsp;<\/p>\n<h3><strong><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/www.abked.de\/index.php\/abked\/article\/view\/133\">Ankara Geleneksel M\u00fczik K\u00fclt\u00fcr\u00fcnde Dini Simgeler<\/a><\/strong><\/h3>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=Z7zs8U4AAAAJ&amp;hl=tr&amp;oi=sra\">C G\u00fcray<\/a>\u00a0\u2013 Journal of Alevism-Bektashism Studies, 2013 \u2013 abked.de<\/p>\n<p>The city of Ankara had supplemented its importance in the Republic Era, with the historical<br \/>\nbackground and the cultural diversity she is richened by. Comprehensive traditional music<br \/>\nculture of Ankara is one of the outstanding indicators of this rich cultural heritage of the\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=13803457163454802819&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">2 s\u00fcr\u00fcm\u00fcn hepsi<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.googleusercontent.com\/scholar?q=cache:g2sLBCi7j78J:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">HTML olarak g\u00f6r\u00fcnt\u00fcle<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/rastmd.net\/index.php\/Rast\/article\/view\/114\/109\">[PDF] rastmd.net<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/rastmd.net\/index.php\/Rast\/article\/view\/114\">Hakk\u0131 Derman\u2019a Ait Bay\u00e2ti Keman Taksiminin Analizi<\/a><\/h3>\n<p>M G\u00fcrel\u00a0\u2013 Rast Musicology Journal, 2016 \u2013 rastmd.net<\/p>\n<p>Abstract Hakk\u0131 Derman (1907-1972), keman ile T\u00fcrk M\u00fbsik\u00eesi icr\u00e2c\u0131l\u0131\u011f\u0131nda, performans<br \/>\nbecerisiyle tav\u0131rl\u0131 icr\u00e2n\u0131n geli\u015fmesine hizmet etmi\u015f, arabesk (karma m\u00fczik \u00fcsl\u00fbbu ile olu\u015fan)<br \/>\nm\u00fczik anlay\u0131\u015f\u0131na her daim uzak durmu\u015f, kendisinden sonra gelen kem\u00e2nileri teknik ve tav\u0131r\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=16920119260618293309&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">3 s\u00fcr\u00fcm\u00fcn hepsi<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/scholar.googleusercontent.com\/scholar?q=cache:PQBmJtJW0OoJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">HTML olarak g\u00f6r\u00fcnt\u00fcle<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/download\/article-file\/610519\">[PDF] dergipark.gov.tr<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/download\/article-file\/610519\">EGE VE ORTA ANADOLUDA ABDALLIK GELENE\u011e\u0130N\u0130N TAR\u0130HSEL VE K\u00dcLT\u00dcREL \u00d6ZELL\u0130KLER\u0130N\u0130N M\u00dcZ\u0130K GELENEKLER\u0130 VE M\u00dcZ\u0130KAL ANAL\u0130Z\u00a0\u2026<\/a><\/h3>\n<p>ET ARICI,\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=Z7zs8U4AAAAJ&amp;hl=tr&amp;oi=sra\">C G\u00fcray<\/a>\u00a0\u2013 dergipark.gov.tr<\/p>\n<p>Anadolu\u2019da Abdall\u0131k gelene\u011finin ortaya \u00e7\u0131k\u0131\u015f\u0131 ve \u015fekillenmesinde \u00e7e\u015fitli k\u00fclt\u00fcrlerin ve<br \/>\ntasavvufi z\u00fcmrelerin olduk\u00e7a \u00f6nemli etkisi bulunmaktad\u0131r. Abdallar\u0131n g\u00fcn\u00fcm\u00fczde gerek<br \/>\nibadetleri gerekse ya\u015fama bi\u00e7imlerinin, ele al\u0131nan tarihsel s\u00fcre\u00e7teki Abdal ya\u015fant\u0131s\u0131 ve\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=15212502649407216135&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">2 s\u00fcr\u00fcm\u00fcn hepsi<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/scholar.googleusercontent.com\/scholar?q=cache:Bxqbco-qHdMJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">HTML olarak g\u00f6r\u00fcnt\u00fcle<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/www.muzikkoyu.net\/themes\/muzikkoyu\/assets\/magazine\/muzik-koyu-sayi-1.pdf\">[PDF] muzikkoyu.net<\/a><\/p>\n<h3>[PDF][PDF]\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/www.muzikkoyu.net\/themes\/muzikkoyu\/assets\/magazine\/muzik-koyu-sayi-1.pdf\">baslarken<\/a><\/h3>\n<p>A G\u00f6kda\u011f \u2013 muzikkoyu.0net<\/p>\n<p>M\u00fczik K\u00f6y\u00fc, temel felsefesini m\u00fczi\u011fin do\u011fa ile olan ba\u011flar\u0131ndan alan ve ger\u00e7ek m\u00fczi\u011fin<br \/>\ndo\u011faya en yak\u0131n olunarak \u00fcretilebilece\u011fine inanan bir d\u00fc\u015f\u00fcncenin \u00fcr\u00fcn\u00fcd\u00fcr. Bu<br \/>\nd\u00fc\u015f\u00fcnceyle, yerel ve profesyonel m\u00fczik ustalar\u0131n\u0131n m\u00fczikseverlerle usta-\u00e7\u0131rak ili\u015fkisi\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:UOJomfoC3TEJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=3593031353050391120&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">2 s\u00fcr\u00fcm\u00fcn hepsi<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.googleusercontent.com\/scholar?q=cache:UOJomfoC3TEJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">HTML olarak g\u00f6r\u00fcnt\u00fcle<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/www.researchgate.net\/profile\/Ezgi_Tekin_Arici\/publication\/328289958_WOMEN_AS_A_SYMBOL_OF_PRODUCTIVITYABUNDANCE_IN_ANATOLIAN_MYTH_AND_ASSOCIATION_WITH_MUSIC\/links\/5bc4ae6ca6fdcc2c91fc51f8\/WOMEN-AS-A-SYMBOL-OF-PRODUCTIVITYABUNDANCE-IN-ANATOLIAN-MYTH-AND-ASSOCIATION-WITH-MUSIC.pdf\">[PDF] researchgate.net<\/a><\/p>\n<h3>[PDF][PDF]\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/www.researchgate.net\/profile\/Ezgi_Tekin_Arici\/publication\/328289958_WOMEN_AS_A_SYMBOL_OF_PRODUCTIVITYABUNDANCE_IN_ANATOLIAN_MYTH_AND_ASSOCIATION_WITH_MUSIC\/links\/5bc4ae6ca6fdcc2c91fc51f8\/WOMEN-AS-A-SYMBOL-OF-PRODUCTIVITYABUNDANCE-IN-ANATOLIAN-MYTH-AND-ASSOCIATION-WITH-MUSIC.pdf\">WOMEN AS A SYMBOL OF PRODUCTIVITY (ABUNDANCE) IN ANATOLIAN MYTH AND ASSOCIATION WITH MUSIC<\/a><\/h3>\n<p>E Tekin,\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=Z7zs8U4AAAAJ&amp;hl=tr&amp;oi=sra\">C G\u00fcray<\/a>\u00a0\u2013 researchgate.net<\/p>\n<p>From primitive societies to the civilization process of Egypt, Mesopotamia and Anatolia it is<br \/>\nseen that the women have gained prominence as a symbol of blessing. Because, women<br \/>\nhave the ability of fertility and reproductivity, they have presented a serious matter in the\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.googleusercontent.com\/scholar?q=cache:dmIhzJzh400J:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">HTML olarak g\u00f6r\u00fcnt\u00fcle<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;profile=ehost&amp;scope=site&amp;authtype=crawler&amp;jrnl=13003984&amp;AN=108798518&amp;h=aS0ezrbb5hgTSL4l2OxiP6IwEGeBwLsWQKock92e7oge9gIoYsV%2FYDXrhZZIyrPpgCvZsaF6Cdu936kZyaClRA%3D%3D&amp;crl=c\">THE LEGENDS MINSTREL \u015eEREF TA\u015eLIOVA TRANSMITTED FROM MINSTREL KAHRAMAN IN THE CONTEXT OF ORAL HISTORY TEXT.<\/a><\/h3>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=YBJhVPgAAAAJ&amp;hl=tr&amp;oi=sra\">A EL\u00c7\u0130<\/a>\u00a0\u2013 Milli Folklor, 2015 \u2013 search.ebscohost.com<\/p>\n<p>Minstrels as primary sources for the root of the Turkish music are like living memories of the<br \/>\nculture and they witness and transmit the social, cultural and historical aspects of their era<br \/>\nwithin the frames of oral tradition. It has been accepted by many researchers that products\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:SvE70fsanWIJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a><\/p>\n<p>&nbsp;<\/p>\n<h2><\/h2>\n<h2><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=1418182270185879158&amp;hl=tr&amp;as_sdt=2005\">Alevilik ve Etkile\u015fim \u0130\u00e7ine Girdi\u011fi K\u00fclt\u00fcrel Yap\u0131lar A\u00e7\u0131s\u0131ndan Pervane Kavram\u0131n\u0131n\u2026<\/a><\/h2>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/download\/article-file\/88788\">[PDF] dergipark.gov.tr<\/a><\/p>\n<h3>[ALINTI][C] A\u015fka Semah D\u00f6nmek<\/h3>\n<p>HC Tatar,\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=vWclkk0AAAAJ&amp;hl=tr&amp;oi=sra\">T Tatar<\/a>\u00a0\u2013 H\u00fcnk\u00e2r Alevilik Bekta\u015filik Akademik Ara\u015ft\u0131rmalar\u00a0\u2026, 2014<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cites=5889887299034278948&amp;as_sdt=2005&amp;sciodt=0,5&amp;hl=tr\">Al\u0131nt\u0131lanma say\u0131s\u0131: 1<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:JOwF4koVvVEJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=5889887299034278948&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">3 s\u00fcr\u00fcm\u00fcn hepsi<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/www.abked.de\/index.php\/abked\/article\/view\/133\/118\">[PDF] abked.de<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/www.abked.de\/index.php\/abked\/article\/view\/133\">Ankara Geleneksel M\u00fczik K\u00fclt\u00fcr\u00fcnde Dini Simgeler<\/a><\/h3>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=Z7zs8U4AAAAJ&amp;hl=tr&amp;oi=sra\">C G\u00fcray<\/a>\u00a0\u2013 Journal of Alevism-Bektashism Studies, 2013 \u2013 abked.de<\/p>\n<p>The city of Ankara had supplemented its importance in the Republic Era, with the historical<br \/>\nbackground and the cultural diversity she is richened by. Comprehensive traditional music<br \/>\nculture of Ankara is one of the outstanding indicators of this rich cultural heritage of the\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=13803457163454802819&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">2 s\u00fcr\u00fcm\u00fcn hepsi<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.googleusercontent.com\/scholar?q=cache:g2sLBCi7j78J:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">HTML olarak g\u00f6r\u00fcnt\u00fcle<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;profile=ehost&amp;scope=site&amp;authtype=crawler&amp;jrnl=13068253&amp;AN=131781956&amp;h=bHnbGrXJmPbBBfJLV%2BOz8hImrwxH7NhoLpw3VHrdrtsk3d2GcYQCQWYGqkEq53DLLYAIwG3t5%2FmcUy8PR4eDIA%3D%3D&amp;crl=c\">DEV\u0130RSEL \u0130BADET MODELLER\u0130 OLARAK SEMAH-SEM\u00c2 UYGULAMALARININ TAR\u0130HSEL K\u00d6KENLER\u0130.<\/a><\/h3>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=Z7zs8U4AAAAJ&amp;hl=tr&amp;oi=sra\">C G\u00dcRAY<\/a>\u00a0\u2013 Turkish Culture &amp; Haci Bektas Veli Research\u00a0\u2026, 2018 \u2013 search.ebscohost.com<\/p>\n<p>Cyclic perception is an ancient system of thinking for human beings to explain the God-<br \/>\nhuman relationship and to transfer the principles of this relationship to human life. The first<br \/>\nlayer of this system, named as \u201cagricultural cycle\u201d symbolizing the first agricultural\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/isamveri.org\/pdfdrg\/D01093\/2016_78\/2016_78_CETINA.pdf\">[PDF] isamveri.org<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/isamveri.org\/pdfdrg\/D01093\/2016_78\/2016_78_CETINA.pdf\">MEVLEV\u00ceL\u0130K VE BEKT\u00c2\u015e\u00ceL\u0130K\u2019TEK\u0130 BAZI BENZE\u015eMELERE DA\u0130R.<\/a><\/h3>\n<p>A \u00c7ET\u0130N\u00a0\u2013 Turkish Culture &amp; Haci Bektas Veli Research Quarterly, 2016 \u2013 isamveri.org<\/p>\n<p>With conversion of Turks to Islam, they have started playing a role mainly in political and<br \/>\nother areas, and this has been a common occurrence. In religious scope, Turks have made<br \/>\nsignificant contributions in terms of Sufism. Sufi structures, such as Mawlaviyah, Bektashiyah\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:p54oZiA-_-YJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=16645091056658456231&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">3 s\u00fcr\u00fcm\u00fcn hepsi<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/scholar.googleusercontent.com\/scholar?q=cache:p54oZiA-_-YJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">HTML olarak g\u00f6r\u00fcnt\u00fcle<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/download\/article-file\/255396\">[PDF] dergipark.gov.tr<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/www.ceeol.com\/content-files\/document-538492.pdf\">VAHDET-\u0130 MEVCUT\u2019TAN VAHDET-\u0130 V\u00dcCUD\u2019A: Anadolu\u2019da \u0130slam D\u00f6nemi Sonras\u0131ndaki Tanr\u0131 Alg\u0131s\u0131n\u0131n Semah ve Sema Kavramlar\u0131 Arac\u0131l\u0131\u011f\u0131yla \u0130ncelenmesi<\/a><\/h3>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=Z7zs8U4AAAAJ&amp;hl=tr&amp;oi=sra\">C G\u00fcray<\/a>\u00a0\u2013 Folklor\/Edebiyat \u2013 ceeol.com<\/p>\n<p>\u0130nsanl\u0131\u011f\u0131n ilk d\u00f6nemlerinde Tanr\u0131 do\u011fa olaylar\u0131n\u0131n bilinmezli\u011fi ile soyut bir \u015fekilde<br \/>\n\u00f6zde\u015fle\u015ftirilirken (Armstrong, 1998: 15), sonraki d\u00f6nemlerde do\u011fa olaylar\u0131n\u0131 kontrol etme<br \/>\ng\u00fcc\u00fcne sahip ancak somut simgelerle var edilen bir Tanr\u0131 anlay\u0131\u015f\u0131 h\u00e2kim olmaya ba\u015flam\u0131\u015ft\u0131r\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:ogXAbioaHMMJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=14059140906292872610&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">2 s\u00fcr\u00fcm\u00fcn hepsi<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=16838053951822022122&amp;hl=tr&amp;as_sdt=2005\">Makam yap\u0131lar\u0131n\u0131 yans\u0131tan bir model \u00f6nerisi i\u00e7in yapay zeka tekniklerinin kullan\u0131m\u0131<\/a>\u00a0(Y\u00fcksek Lisans tezi)<\/h2>\n<h3><strong>\u00a0<\/strong><\/h3>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/earsiv.odu.edu.tr:8080\/xmlui\/bitstream\/handle\/11489\/487\/GELENEKSEL%20T%C3%9CRK%20HALK%20M%C3%9CZ%20%20%20NDE%20MAK%C3%82M%20KAVRAMININ.pdf?sequence=1\">[PDF] odu.edu.tr<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/earsiv.odu.edu.tr:8080\/jspui\/handle\/11489\/487\">Geleneksel T\u00fcrk Halk M\u00fczi\u011finde Mak\u00e2m Kavram\u0131n\u0131n Kullan\u0131lmas\u0131na Edv\u00e2r Gelene\u011fi A\u00e7\u0131s\u0131ndan Bir Yakla\u015f\u0131m<\/a><\/h3>\n<p>\u0130 Karaduman \u2013 2014 \u2013 earsiv.odu.edu.tr<\/p>\n<p>Geleneksel T\u00fcrk M\u00fczi\u011fi\u2019nde ezgi karakteri mak\u00e2m anlay\u0131\u015f\u0131 ile ortaya konmaktad\u0131r. Me\u015fk<br \/>\nsistemi i\u00e7inde varl\u0131\u011f\u0131n\u0131 devam ettirmi\u015f olan bu m\u00fczik t\u00fcr\u00fcnde mak\u00e2m anlay\u0131\u015f\u0131, y\u00fczy\u0131llar<br \/>\ni\u00e7inde do\u011fal olarak de\u011fi\u015fikli\u011fe u\u011fram\u0131\u015ft\u0131r. De\u011fi\u015fim farkl\u0131 y\u00fczy\u0131llarda yaz\u0131lm\u0131\u015f olan\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cites=12939159463939151178&amp;as_sdt=2005&amp;sciodt=0,5&amp;hl=tr\">Al\u0131nt\u0131lanma say\u0131s\u0131: 3<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:ShU6VPogkbMJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=12939159463939151178&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">4 s\u00fcr\u00fcm\u00fcn hepsi<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/scholar.googleusercontent.com\/scholar?q=cache:ShU6VPogkbMJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">HTML olarak g\u00f6r\u00fcnt\u00fcle<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/www.ayk.gov.tr\/wp-content\/uploads\/2015\/01\/G%C3%9CRAY-Cenk-B%C4%B0Z-K%C4%B0M%C4%B0Z-\">[PDF] ayk.gov.tr<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/www.ayk.gov.tr\/wp-content\/uploads\/2015\/01\/G%C3%9CRAY-Cenk-B%C4%B0Z-K%C4%B0M%C4%B0Z-\">B\u0130Z K\u0130M\u0130Z?\u201cK\u0130ML\u0130\u011e\u0130M\u0130Z \u00dcZER\u0130NE D\u00dc\u015e\u00dcNCELER\u2026\u201d<\/a><\/h3>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=Z7zs8U4AAAAJ&amp;hl=tr&amp;oi=sra\">C G\u00dcRAY<\/a>\u00a0\u2013 ayk.gov.tr<\/p>\n<p>Nowadays, it can be easily observed that the discussions about the cultural layers shaping<br \/>\nup our cultural identity are tending to contain many misconceptions and misunderstandings<br \/>\nmixed with an high amount of emotionality. The definition of culture contains such concepts\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:UD9cG3BYoSsJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/scholar.googleusercontent.com\/scholar?q=cache:UD9cG3BYoSsJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">HTML olarak g\u00f6r\u00fcnt\u00fcle<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;profile=ehost&amp;scope=site&amp;authtype=crawler&amp;jrnl=13082140&amp;AN=99531415&amp;h=5mt9WU9PTu5Bg1SifE3iCXEr9jPiIANkAlTo1T5zhaMNNmelQWiy%2BwCRQ1lsqorGmgJMUEqRs2eK6I9UvcR3zg%3D%3D&amp;crl=c\">GELENEKSEL T\u00dcRK HALK M\u00dcZ\u0130\u011e\u0130NDE MAK\u00c2M KAVRAMININ KULLANILMASINA EDV\u00c2R GELENE\u011e\u0130 A\u00c7ISINDAN B\u0130R YAKLA\u015eIM.<\/a><\/h3>\n<p>\u0130 KARADUMAN\u00a0\u2013 Electronic Turkish Studies, 2014 \u2013 search.ebscohost.com<\/p>\n<p>Geleneksel T\u00fcrk M\u00fczi\u011fi\u2019nde ezgi karakteri mak\u00e2m anlay\u0131\u015f\u0131 ile ortaya konmaktad\u0131r. Me\u015fk<br \/>\nsistemi i\u00e7inde varl\u0131\u011f\u0131n\u0131 devam ettirmi\u015f olan bu m\u00fczik t\u00fcr\u00fcnde mak\u00e2m anlay\u0131\u015f\u0131, y\u00fczy\u0131llar<br \/>\ni\u00e7inde do\u011fal olarak de\u011fi\u015fikli\u011fe u\u011fram\u0131\u015ft\u0131r. De\u011fi\u015fim farkl\u0131 y\u00fczy\u0131llarda yaz\u0131lm\u0131\u015f olan\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:DShLVPCj6sMJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/download\/article-file\/643095\">[PDF] dergipark.gov.tr<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/dergipark.gov.tr\/iusosyoloji\/issue\/43148\/523270\">G\u00f6\u00e7 Ba\u011flam\u0131nda M\u00fczik ve Kimlik \u0130li\u015fkisi: T\u00fcrk-Alman Gen\u00e7 Kad\u0131nlar \u00d6rne\u011fi<\/a><\/h3>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=fpci1_gAAAAJ&amp;hl=tr&amp;oi=sra\">N \u015eahin<\/a>\u00a0\u2013 \u0130stanbul \u00dcniversitesi Sosyoloji Dergisi \u2013 dergipark.gov.tr<\/p>\n<p>Turkish citizens who went to Germany for work in the 1960s and 1970s attached themselves<br \/>\nto the language and music of their home country to sustain their local or national belongings.<br \/>\nIn the context of 21st-century globalization, the second and third generation have different\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/scholar.googleusercontent.com\/scholar?q=cache:3QJ4mmJHhCAJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">HTML olarak g\u00f6r\u00fcnt\u00fcle<\/a><\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/www.acarindex.com\/dosyalar\/makale\/acarindex-1423932748.pdf\">[PDF] acarindex.com<\/a><\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/www.acarindex.com\/dosyalar\/makale\/acarindex-1423932748.pdf\">HA\u015e\u0130M BEY MECMUASININ\u201d MAKAM VE TONAL\u0130TE KAR\u015eILA\u015eTIRMASI\u201d Y\u00d6N\u00dcNDEN \u0130NCELENMES\u0130.<\/a><\/h3>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=vX8ep9cAAAAJ&amp;hl=tr&amp;oi=sra\">G YAL\u00c7IN<\/a>\u00a0\u2013 Electronic Turkish Studies, 2013 \u2013 acarindex.com<\/p>\n<p>The first printed source contains Western music theory knowledge is the second edition of<br \/>\n\u201cMecm\u00fba-i K\u00e2rh\u00e2 ve Nak\u0131\u015fh\u00e2 ve \u015eark\u0131y\u00e2t\u201d known as \u201cH\u00e2\u015fim Bey Mecmuas\u0131\u201d is published by<br \/>\nHasim Bey in 1864. Another feature of this book is in the description of the Turkish music\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:43Xt1voOxw4J:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=1064836307406910947&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">3 s\u00fcr\u00fcm\u00fcn hepsi<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/scholar.googleusercontent.com\/scholar?q=cache:43Xt1voOxw4J:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">HTML olarak g\u00f6r\u00fcnt\u00fcle<\/a><\/p>\n<p>&nbsp;<\/p>\n<h2><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=17672487702740167941&amp;hl=tr&amp;as_sdt=2005\">Biz Kimiz<\/a><\/h2>\n<h3><\/h3>\n<h3><strong>\u00a0<\/strong><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/www.researchgate.net\/profile\/Kadir_Sancak\/publication\/312054305_Yumusak_Guc_Kaynagi_Olarak_Kultur_ve_Turkiye%27nin_Yumusak_Gucunde_Kultur_Faktoru_Kadir_SANCAK_Culture_as_a_Soft_Power_Source_and_Culture_Factor_in_Turkey%27s_Soft_Power\/links\/586d0a1908aebf17d3a70974\/Yumusak-Guec-Kaynagi-Olarak-Kueltuer-ve-Tuerkiyenin-Yumusak-Guecuende-Kueltuer-Faktoerue-Kadir-SANCAK-Culture-as-a-Soft-Power-Source-and-Culture-Factor-in-Turkeys-Soft-Power.pdf\">Yumu\u015fak G\u00fc\u00e7 Kayna\u011f\u0131 Olarak K\u00fclt\u00fcr ve T\u00fcrkiye\u2019nin Yumu\u015fak G\u00fcc\u00fcnde K\u00fclt\u00fcr Fakt\u00f6r\u00fc<\/a><\/h3>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=mZSXKwQAAAAJ&amp;hl=tr&amp;oi=sra\">K SANCAK<\/a>\u00a0\u2013 researchgate.net<\/p>\n<p>\u00d6zet: Son d\u00f6nemde uluslararas\u0131 ili\u015fkiler disiplininin pop\u00fcler kavramlar\u0131ndan biri yumu\u015fak<br \/>\ng\u00fc\u00e7t\u00fcr. Kavram\u0131 literat\u00fcre kazand\u0131ran Joseph S. Nye, yumu\u015fak g\u00fcc\u00fcn \u00fc\u00e7 temel kayna\u011f\u0131n\u0131n<br \/>\noldu\u011funu belirtmekte ve bunlar i\u00e7erisinde ilk s\u0131rada k\u00fclt\u00fcre yer vermektedir. Bir\u00e7ok bile\u015feni<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2><\/h2>\n<h2><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=7959525050384496062&amp;hl=tr&amp;as_sdt=2005\">\u0130ki kenti birle\u015ftiren kadim miras: \u0130stanbul\u2019dan Paris\u2019e kahve ve kahvehane k\u00fclt\u00fcr\u00fc\u2026<\/a><\/h2>\n<p>&nbsp;<\/p>\n<h3><strong>\u00a0<\/strong><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/www.cenkguray.com\/cenk-guray-turkce-oz-gecmis\/#page=51\">M\u0130ZAH GAZETELER\u0130NDEK\u0130 B\u0130LG\u0130LER I\u015eI\u011eINDA \u201cZAMANE \u015eIKLARI\u201d VE \u201c\u0130\u015eTE ALAFRANGA\u201d<\/a><\/h3>\n<p>ODD KILI\u00c7KAYA\u00a0\u2013 Sahibi\/Owner D\u00dc Sosyal Bilimler Enstit\u00fcs\u00fc\u00a0\u2026, 2015 \u2013 researchgate.net<\/p>\n<p>\u00d6zet Mustafa Nuri\u2019nin yazd\u0131\u011f\u0131 \u201cZamane \u015e\u0131klar\u0131\u201d ve MF\u2019nin kaleme ald\u0131\u011f\u0131 \u201c\u0130\u015fte Alafranga\u201d,<br \/>\nalafranga hayat u\u011fruna dejenere olmu\u015f, kendini kaybetmi\u015f insanlar\u0131 anlat\u0131r. Yeti\u015fti\u011fi k\u00fclt\u00fcr\u00fc<br \/>\nbir tarafa b\u0131rak\u0131p k\u00fc\u00e7\u00fcmseyerek, Bat\u0131 k\u00fclt\u00fcr\u00fcn\u00fc her \u015feyiyle kabul eden \u201c\u015f\u0131k\u201d ve \u201csivilize\u201d<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:k058wurrZWoJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=2005\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=7666793334185938579&amp;hl=tr&amp;as_sdt=2005\">5 s\u00fcr\u00fcm\u00fcn hepsi<\/a><\/p>\n<h2><\/h2>\n<h2><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=9172297495893530555&amp;hl=tr&amp;as_sdt=2005\">Anadolu ve T\u00fcrk K\u00fclt\u00fcr\u00fc A\u00e7\u0131s\u0131ndan Sem\u00e2h ve Sem\u00e2 Kavramlar\u0131na Bir Bak\u0131\u015f<\/a><\/h2>\n<h3><strong>\u00a0<\/strong><\/h3>\n<h3><strong><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/acikerisim.deu.edu.tr\/xmlui\/handle\/12345\/9611\">\u0130slami uyan\u0131\u015f, \u00e7oklu modernlik ve pop\u00fcler k\u00fclt\u00fcr ba\u011flam\u0131nda mevlevi semas\u0131n\u0131n d\u00f6n\u00fc\u015f\u00fcm\u00fc: Afyonkarahisar \u00f6rnek olay\u0131<\/a><\/strong><\/h3>\n<p>H UZUN \u2013 2012 \u2013 acikerisim.deu.edu.tr<\/p>\n<p>Bu \u00e7al\u0131\u015fmada, \u0130slami Uyan\u0131\u015f, \u00c7oklu Modernlik ve Pop\u00fcler K\u00fclt\u00fcr Ba\u011flam\u0131nda Mevlevi<br \/>\nsemas\u0131n\u0131n d\u00f6n\u00fc\u015f\u00fcm\u00fc, Afyonkarahisar \u015fehri merkez olmak \u00fczere incelenmeye \u00e7al\u0131\u015f\u0131lm\u0131\u015ft\u0131r.<br \/>\n13. y\u00fczy\u0131lda Mevlana zaman\u0131nda \u015fekillenmeye ba\u015flayan Mevlevilik, o\u011flu Sultan Veled<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/search.proquest.com\/openview\/16c8c6c8f87d7ed9ee9184807e0e7fe4\/1?pq-origsite=gscholar&amp;cbl=2044964\">ANADOLU SUF\u0130L\u0130\u011e\u0130N\u0130N OLU\u015eTURDU\u011eU \u00c7ALGI ALGISI \u00dcZER\u0130NE K\u00dcLT\u00dcREL B\u0130R ANAL\u0130Z:\u2019BA\u011eLAMA\u2019VE\u2019NEY\u2019\u00d6ZEL\u0130NDE \u00c7ALGININ \u0130NSANLA\u015eTIRILMA VE\u00a0\u2026<\/a><\/h3>\n<p>BM D\u00f6nmez,\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/citations?user=4fPKrusAAAAJ&amp;hl=tr&amp;oi=sra\">MS Do\u011fan<\/a>\u00a0\u2013 Alternatif Politika, 2018 \u2013 search.proquest.com<\/p>\n<p>The perception attributed to the instruments in Anatolian sufism is related to the<br \/>\nmetaphorization of the idea of human-God-universe identity through instruments. In this<br \/>\nstudy, the situation which the human being is perceived as an identical with the instrument\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:MbP1wwTMupcJ:scholar.google.com\/&amp;scioq=&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u0130lgili makaleler<\/a><\/p>\n<p>&nbsp;<\/p>\n<h2><\/h2>\n<h2><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=2286054610205498003&amp;hl=tr&amp;as_sdt=2005\">Anadolu\u2019daki Geleneksel M\u00fczikler ve AB S\u00fcreci<\/a><\/h2>\n<h3><strong>\u00a0<\/strong><\/h3>\n<h3><strong><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/acikerisim.baskent.edu.tr\/handle\/11727\/1520\">T\u00fcrkiye\u2019de Cumhuriyet d\u00f6nemi\u2019nin ilk modernle\u015fme hamlelerinin s\u00fcrecinden bug\u00fcne Cumhuriyet halk partisi\u2019nin m\u00fczik politikalar\u0131<\/a><\/strong><\/h3>\n<p>B G\u00f6k\u00e7eli \u2013 2014 \u2013 acikerisim.baskent.edu.tr<\/p>\n<p>Bu \u00e7al\u0131\u015fma T\u00fcrkiye\u2019de Cumhuriyet D\u00f6nemi\u2019nin \u0130lk Modernle\u015fme Hamleleri S\u00fcrecinden<br \/>\nBug\u00fcne Cumhuriyet Halk Partisi\u2019nin M\u00fczik Politikalar\u0131n\u0131 konu almaktad\u0131r. \u00c7izilen \u00e7er\u00e7evede<br \/>\nOsmanl\u0131 zaman\u0131ndaki modernle\u015fme s\u00fcre\u00e7lerinin de incelenmesi gerekti\u011fi a\u00e7\u0131kt\u0131r;<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?q=related:LpdFEcr8QCMJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=2005\">\u0130lgili makaleler<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=2540308134640326446&amp;hl=tr&amp;as_sdt=2005\">4 s\u00fcr\u00fcm\u00fcn hepsi<\/a><\/p>\n<h3><strong>Maqam Traditions<\/strong><\/h3>\n<h3><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/www.rastmd.net\/index.php\/Rast\/article\/view\/174\">How was the traditional makam theory westernized for the sake of modernization?<\/a><\/h3>\n<p>OM \u00d6zt\u00fcrk\u00a0\u2013 Rast Musicology Journal, 2018 \u2013 rastmd.net<\/p>\n<p>In this article, the transformative interventions of those who want to modernize the traditional<br \/>\nmakam theory in Westernization (or modernization) process experienced in Turkey are<br \/>\ndiscussed in historical and critical context. The makam is among the most basic concepts of\u00a0\u2026<\/p>\n<p><a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cites=1812078784363557650&amp;as_sdt=2005&amp;sciodt=0,5&amp;hl=tr\">Al\u0131nt\u0131lanma say\u0131s\u0131: 1<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/https:\/\/scholar.google.com.tr\/scholar?cluster=1812078784363557650&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">3 s\u00fcr\u00fcm\u00fcn hepsi<\/a>\u00a0<a href=\"https:\/\/web.archive.org\/web\/20191227145428\/http:\/\/scholar.googleusercontent.com\/scholar?q=cache:EvMCtw3MJRkJ:scholar.google.com\/&amp;hl=tr&amp;as_sdt=0,5&amp;sciodt=0,5\">\u00d6nbellek<\/a><\/p>\n<h3>[ALINTI][C] Konservatuvarlarda g\u00f6rev yapan akademisyenlerin t\u00fckenmi\u015flik d\u00fczeyleri<\/h3>\n<p>O \u00d6zt\u00fcrk \u2013 2018 \u2013 Private Publisher\u2019Fikri Soysal\u2019<\/p>\n<p>&nbsp;<\/p>\n<h3>Al\u0131nt\u0131 yapanlar<\/h3>\n<p>&nbsp;<\/p>\n<table width=\"266\">\n<thead>\n<tr>\n<td width=\"75\"><\/td>\n<td width=\"44\">Hepsi<\/td>\n<td width=\"147\">2014 y\u0131l\u0131ndan bug\u00fcne<\/td>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td width=\"75\">Al\u0131nt\u0131lar<\/td>\n<td width=\"44\">84<\/td>\n<td width=\"147\">56<\/td>\n<\/tr>\n<tr>\n<td width=\"75\">h-endeksi<\/td>\n<td width=\"44\">5<\/td>\n<td width=\"147\">4<\/td>\n<\/tr>\n<tr>\n<td width=\"75\">i10-endeksi<\/td>\n<td width=\"44\">3<\/td>\n<td width=\"147\">2<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<ol start=\"8\">\n<li><strong>Ulusal &amp; Uluslararas\u0131 Projeler<\/strong><\/li>\n<\/ol>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Projelerde Yapt\u0131\u011f\u0131 G\u00f6revler :<\/strong><\/p>\n<p><strong>P1. Projenin Ad\u0131:<\/strong>\u00a0Maden \u0130\u015fletme Tasar\u0131m\u0131-Maden \u0130\u015fletme E\u011fitiminde Sanal Ger\u00e7eklik Teknolojisinin Uygulanmas\u0131 ve Geli\u015ftirilmesi<\/p>\n<p><strong>Y\u00fcr\u00fcten\/Destekleyen Kurum:<\/strong>\u00a0ODT\u00dc Maden M\u00fchendisli\u011fi B\u00f6l\u00fcm\u00fc\/DPT<\/p>\n<p><strong>Projedeki G\u00f6rev:<\/strong>\u00a0Ara\u015ft\u0131rmac\u0131<\/p>\n<p><strong>Projenin S\u00fcresi:<\/strong>\u00a01997-1998<\/p>\n<p><strong>Proje No:\u00a0<\/strong>AFP-03-05DPT.97KI22030, ODT\u00dc May\u0131s 1998, final raporu 15 s.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>P2. Projenin Ad\u0131:<\/strong>\u00a0T\u00fcrk M\u00fczi\u011finin ve K\u00fclt\u00fcr\u00fcn\u00fcn Tarihsel Kayna\u011f\u0131 Olarak \u201cEdvarlar\u201d Projesi,<\/p>\n<p><strong>Y\u00fcr\u00fcten\/Destekleyen Kurum:<\/strong>\u00a0T.C.K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 G\u00fczel Sanatlar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc<\/p>\n<p><strong>Projedeki G\u00f6rev:<\/strong>\u00a0Y\u00fcr\u00fctme ve Hakem Kurullar\u0131 \u00dcyeli\u011fi<\/p>\n<p><strong>Projenin S\u00fcresi:<\/strong>\u00a02011-2015<\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><strong>P3. Projenin Ad\u0131:<\/strong>\u00a01. Uluslararas\u0131 Kanun Festivali ve Sempozyumu<\/p>\n<p><strong>Y\u00fcr\u00fcten\/Destekleyen Kurum:<\/strong>\u00a0T.C.K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 G\u00fczel Sanatlar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc-T.C.Ba\u015fbakanl\u0131k Tan\u0131tma Fonu<\/p>\n<p><strong>Projedeki G\u00f6rev:<\/strong>\u00a0Genel Koordinat\u00f6r Yard\u0131mc\u0131s\u0131<\/p>\n<p><strong>Projenin S\u00fcresi:<\/strong>\u00a02011-2012<\/p>\n<p>&nbsp;<\/p>\n<p><strong>P4. Projenin Ad\u0131:<\/strong>\u00a02. Uluslararas\u0131 Kanun Festivali ve Sempozyumu<\/p>\n<p><strong>Y\u00fcr\u00fcten\/Destekleyen Kurum:<\/strong>\u00a0T.C.K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 G\u00fczel Sanatlar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc-T.C.Ba\u015fbakanl\u0131k Tan\u0131tma Fonu-Atat\u00fcrk K\u00fclt\u00fcr Merkezi<\/p>\n<p><strong>Projedeki G\u00f6rev:<\/strong>\u00a0Genel Koordinat\u00f6r Yard\u0131mc\u0131s\u0131<\/p>\n<p><strong>Projenin S\u00fcresi:<\/strong>\u00a02014-2015<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>P5. Projenin Ad\u0131:\u00a0<\/strong>Y\u0131ld\u0131r\u0131m Beyaz\u0131t \u00dcniversitesi T\u00fcrk Musikisi Devlet Konservatuvar\u0131 \u00c7alg\u0131 ve M\u00fcziksel Ekipman Altyap\u0131s\u0131n\u0131n Geli\u015ftirilmesi Projesi<\/p>\n<p><strong>Y\u00fcr\u00fcten\/Destekleyen Kurum:\u00a0<\/strong>YBU-BAP Fonu, 1669<\/p>\n<p><strong>Projedeki G\u00f6rev:\u00a0<\/strong>Y\u00f6netici<\/p>\n<p><strong>Projenin S\u00fcresi:\u00a0<\/strong>2014-2016<\/p>\n<p>&nbsp;<\/p>\n<p><strong>P6. Projenin Ad\u0131:\u00a0<\/strong>Uluslararas\u0131 Geleneksel M\u00fczik Konseyinin Makam ve Arap D\u00fcnyas\u0131nda M\u00fczik Konulu Ortak Sempozyumu<\/p>\n<p><strong>Y\u00fcr\u00fcten\/Destekleyen Kurum:\u00a0<\/strong>YBU-BAP Fonu, 1693<\/p>\n<p><strong>Projedeki G\u00f6rev:\u00a0<\/strong>Y\u00f6netici<\/p>\n<p><strong>Projenin S\u00fcresi:\u00a0<\/strong>2014-2016<\/p>\n<p>&nbsp;<\/p>\n<p><strong>P7. Projenin Ad\u0131:\u00a0<\/strong>Bizans Sonras\u0131 H\u0131ristiyan ve \u0130slam Co\u011frafyalar\u0131nda Makam M\u00fczi\u011fine Kuramsal Yakla\u015f\u0131mlar\u0131n Kar\u015f\u0131la\u015ft\u0131rmal\u0131 Analizi<\/p>\n<p><strong>Y\u00fcr\u00fcten\/Destekleyen Kurum:\u00a0<\/strong>YBU-BAP Fonu, 2225<\/p>\n<p><strong>Projedeki G\u00f6rev:\u00a0<\/strong>Y\u00f6netici<\/p>\n<p><strong>Projenin S\u00fcresi:\u00a0<\/strong>2015-2017<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>P8. Projenin Ad\u0131:<\/strong>\u00a0Diyalog i\u00e7in Halkbilimi<\/p>\n<p><strong>Y\u00fcr\u00fcten\/Destekleyen Kurum:<\/strong>\u00a0Avrupa Birli\u011fi\/ODT\u00dc Mezunlar\u0131 Derne\u011fi\/Open Society Club Ruse\/T.C.K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 G\u00fczel Sanatlar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc\/ODT\u00dc\/Ankara Kul\u00fcb\u00fc Derne\u011fi<\/p>\n<p><strong>Projedeki G\u00f6rev:<\/strong>\u00a0T.C.K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 G\u00fczel Sanatlar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc Sorumlusu<\/p>\n<p><strong>Projenin S\u00fcresi:<\/strong>\u00a02011-2012<\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><strong>P9. Projenin Ad\u0131:\u00a0<\/strong>T\u00fcrk-Kazak M\u00fczik Ortakl\u0131\u011f\u0131<\/p>\n<p><strong>Y\u00fcr\u00fcten\/Destekleyen Kurum:\u00a0<\/strong>UNESCO Milli Komitesi<\/p>\n<p><strong>Projedeki G\u00f6rev:\u00a0<\/strong>Ara\u015ft\u0131rmac\u0131<\/p>\n<p><strong>Projenin S\u00fcresi:\u00a0<\/strong>2012-2013<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>P10. Projenin Ad\u0131:\u00a0<\/strong>Kanserli \u00c7ocuklarda M\u00fczik Terapisinin Uyku Kalitesi, Depresyon Durumuna ve Bak\u0131m Vericilerde Depresyon, Aile Y\u00fck\u00fcne Etkisi<\/p>\n<p><strong>Y\u00fcr\u00fcten\/Destekleyen Kurum:\u00a0<\/strong>Y\u0131ld\u0131r\u0131m Beyaz\u0131t \u00dcniversitesi T\u00fcrk Musikisi Devlet Konservatuar\u0131 Ankara Y\u0131ld\u0131r\u0131m Beyaz\u0131t \u00dcniversitesi BAP Destekli Proje, 1224<\/p>\n<p><strong>Projedeki G\u00f6rev:\u00a0<\/strong>Ara\u015ft\u0131rmac\u0131<\/p>\n<p><strong>Projenin S\u00fcresi:\u00a0<\/strong>2014-2017<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>P11. Projenin Ad\u0131:<\/strong>\u00a0Anadolu ve \u00c7evre Co\u011frafyalarda Makam M\u00fczi\u011fi Ansiklopedisi<\/p>\n<p><strong>Y\u00fcr\u00fcten\/Destekleyen Kurum:<\/strong>\u00a0AKM<\/p>\n<p><strong>Projedeki G\u00f6rev:\u00a0<\/strong>Proje y\u00fcr\u00fct\u00fcc\u00fcs\u00fc<\/p>\n<p><strong>Projenin S\u00fcresi: 2018-2019<\/strong><\/p>\n<ol start=\"9\">\n<li><strong>\u0130dari G\u00f6revler<\/strong><\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p>\u0130dari G\u00f6revler :<\/p>\n<p>At\u0131l\u0131m \u00dcniversitesi G\u00fczel Sanatlar Fak\u00fcltesi Akademik Kurul \u00dcyeli\u011fi (2007-2010)<\/p>\n<p>MODES (M\u00fchendislik Sistemlerinin Modellenmesi ve Tasar\u0131m\u0131) Doktora Program\u0131 Akademik Kurul \u00dcyeli\u011fi (2006-2012)<\/p>\n<p>MODES (M\u00fchendislik Sistemlerinin Modellenmesi ve Tasar\u0131m\u0131) Doktora Program\u0131<\/p>\n<p>Yeterlilik Komitesi \u00dcyeli\u011fi (2009-2013)<\/p>\n<p>YB\u00dc E\u011fitim Komisyonu (2012-)<\/p>\n<p>YB\u00dc TMDK T\u00fcrk M\u00fczi\u011fi B\u00f6l\u00fcm Ba\u015fkanl\u0131\u011f\u0131 (2016-2017)<\/p>\n<p>Hacettepe \u00dc. Ankara Devlet Konservatuvar\u0131\/G\u00fczel Sanatlar Enstit\u00fcs\u00fc M\u00fczik Teorileri ABD Ba\u015fkan\u0131<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<ol>\n<li><strong>Bilimsel ve Mesleki Kurulu\u015flara \u00dcyelikler<\/strong><\/li>\n<\/ol>\n<p>Atat\u00fcrk K\u00fclt\u00fcr, Dil ve Tarih Y\u00fcksek Kurumu Atat\u00fcrk K\u00fclt\u00fcr Merkezi Bilim Kurulu \u00dcyesi (2018-)<\/p>\n<p>ICTM-International Council for Traditional Music<\/p>\n<p>Anadolu M\u00fczik K\u00fclt\u00fcrleri Derne\u011fi (Ba\u015fkan)<\/p>\n<p>Etnom\u00fczikoloji Derne\u011fi<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<ol>\n<li><strong>\u00d6d\u00fcller<\/strong><\/li>\n<\/ol>\n<p><strong>\u00d61.<\/strong>\u00a0The Fountain-DEM TRIO (Felmay Music, 2008, Okan Murat \u00d6zt\u00fcrk, Murat Salim Toka\u00e7, Cenk G\u00fcray)-Songlines Dergisi Top of the World CD Awards, \u0130ngiltere,2008.<\/p>\n<p><strong>\u00d62.<\/strong>\u00a0The Fountain-DEM TRIO (Felmay Music, 2008, Okan Murat \u00d6zt\u00fcrk, Murat Salim Toka\u00e7, Cenk G\u00fcray)-Mapamundi Radyosu-Y\u0131l\u0131n En Be\u011fenilen CD\u2019leri, \u0130spanya, 2008.<\/p>\n<p><strong>\u00d63.<\/strong>\u00a0The Fountain-DEM TRIO (Felmay Music, 2008, Okan Murat \u00d6zt\u00fcrk, Murat Salim Toka\u00e7, Cenk G\u00fcray)-Alman M\u00fczik Ele\u015ftirmenleri Birli\u011fi \u00d6d\u00fcl\u00fc Aday\u0131, Almanya, 2008.<\/p>\n<p><strong>\u00d64.<\/strong>\u00a0KADEM Musiki ve Edebiyat Dergisi T\u00fcrk M\u00fczi\u011fi Hizmet \u00d6d\u00fcl\u00fc, \u0130stanbul, 2015.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<ol start=\"2\">\n<li><strong>Son iki y\u0131lda verdi\u011finiz lisans ve lisans\u00fcst\u00fc d\u00fczeydeki dersler<\/strong><\/li>\n<\/ol>\n<table width=\"577\">\n<tbody>\n<tr>\n<td rowspan=\"2\" width=\"93\"><strong>Akademik Y\u0131l<\/strong><\/td>\n<td rowspan=\"2\" width=\"85\"><strong>D\u00f6nem<\/strong><\/td>\n<td rowspan=\"2\" width=\"245\"><strong>Dersin Ad\u0131<\/strong><\/td>\n<td colspan=\"2\" width=\"153\"><strong>Haftal\u0131k Saati<\/strong><\/td>\n<\/tr>\n<tr>\n<td width=\"64\"><strong>Teorik<\/strong><\/td>\n<td width=\"89\"><strong>Uygulama<\/strong><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"4\" width=\"93\">2017-2018<\/td>\n<td rowspan=\"2\" width=\"85\"><strong>G\u00fcz<\/strong><\/td>\n<td width=\"245\">Anadolu \u0130nan\u00e7 Sistemlerinde M\u00fczik<\/td>\n<td width=\"64\">3<\/td>\n<td width=\"89\">0<\/td>\n<\/tr>\n<tr>\n<td width=\"245\">Geleneksel T\u00fcrk M\u00fcziklerinde Makam Analizi<\/td>\n<td width=\"64\">3<\/td>\n<td width=\"89\">0<\/td>\n<\/tr>\n<tr>\n<td rowspan=\"2\" width=\"85\"><strong>\u0130lkbahar<\/strong><\/td>\n<td width=\"245\">Orta\u00e7a\u011f \u0130slam D\u00fcnyas\u0131nda M\u00fczik<\/td>\n<td width=\"64\">3<\/td>\n<td width=\"89\">0<\/td>\n<\/tr>\n<tr>\n<td width=\"245\">Geleneksel T\u00fcrk M\u00fcziklerinde Form Analizi<\/td>\n<td width=\"64\">3<\/td>\n<td width=\"89\">0<\/td>\n<\/tr>\n<tr>\n<td rowspan=\"4\" width=\"93\">2018-2019<\/td>\n<td rowspan=\"2\" width=\"85\"><strong>G\u00fcz<\/strong><\/td>\n<td width=\"245\">Anadolu\u2019da Alevilik-Bekta\u015filik<\/td>\n<td width=\"64\">3<\/td>\n<td width=\"89\">0<\/td>\n<\/tr>\n<tr>\n<td width=\"245\">Anadolu \u0130nan\u00e7 Sistemlerinde M\u00fczik<\/td>\n<td width=\"64\">3<\/td>\n<td width=\"89\">0<\/td>\n<\/tr>\n<tr>\n<td rowspan=\"2\" width=\"85\"><strong>G\u00fcz<\/strong><\/td>\n<td width=\"245\">Geleneksel T\u00fcrk M\u00fczi\u011fi Teorisi 1<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Geleneksel T\u00fcrk M\u00fczi\u011fi Teorisi 3<\/p>\n<p>Kar\u015f\u0131la\u015ft\u0131rmal\u0131 Ses Sistemleri<\/p>\n<p>\u00d6zel Konular (3 farkl\u0131 ders)3<\/p>\n<p>3<\/p>\n<p>3<\/p>\n<p>100<\/p>\n<p>0<\/p>\n<p>0<\/p>\n<p>0<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Not:\u00a0<\/strong>A\u00e7\u0131lm\u0131\u015fsa, yaz d\u00f6neminde verilen dersler de tabloya ilave edilecektir.<\/p>\n<p>&nbsp;<\/p>\n<p>KISA \u00d6ZGE\u00c7M\u0130\u015e<\/p>\n<p><b>Cenk G\u00fcray<\/b><\/p>\n<p>1973 y\u0131l\u0131nda Ankara\u2019da do\u011fdu. Ortado\u011fu Teknik \u00dcniversitesi Maden M\u00fchendisli\u011fi B\u00f6l\u00fcm\u00fc\u2019nden 1995 y\u0131l\u0131nda mezun oldu. Ayn\u0131 b\u00f6l\u00fcmde 1998\u2019de y\u00fcksek lisans, 2003\u2019de de doktora \u00e7al\u0131\u015fmalar\u0131n\u0131 Prof.Dr. Ne\u015f\u2019e \u00c7elebi\u2019nin dan\u0131\u015fmanl\u0131\u011f\u0131nda, Prof.Dr. G\u00fcnhan Pa\u015famehmeto\u011flu ve Prof.Dr.Volkan Atalay\u2019\u0131n destekleriyle tamamlad\u0131. Ba\u015fkent \u00dcniversitesi Devlet Konservatuar\u0131 M\u00fczikoloji Anabilim Dal\u0131\u2019ndaki y\u00fcksek lisans \u00e7al\u0131\u015fmalar\u0131n\u0131 2006 y\u0131l\u0131nda Y.Do\u00e7.Dr.Erdo\u011fan Okyay\u2019\u0131n dan\u0131\u015fmanl\u0131\u011f\u0131nda \u201cMakam Yap\u0131lar\u0131n\u0131 Yans\u0131tan Bir Model \u00d6nerisi \u0130\u00e7in Yapay Zeka Tekniklerinin Kullan\u0131m\u0131\u201d adl\u0131 tez \u00e7al\u0131\u015fmas\u0131 ile sonu\u00e7land\u0131rd\u0131. 2006\u2019da Ankara \u00dcniversitesi \u0130lahiyat Fak\u00fcltesi T\u00fcrk Din Musikisi Anabilim Dal\u0131\u2019nda Do\u00e7.Dr. Bayram Akdo\u011fan\u2019\u0131n dan\u0131\u015fmanl\u0131\u011f\u0131nda doktora \u00e7al\u0131\u015fmas\u0131na ba\u015flad\u0131. Bu \u00e7al\u0131\u015fma 2012 y\u0131l\u0131nda, \u201cAnadolu\u2019daki inan\u00e7 ve m\u00fczik ili\u015fkisinin sema-semah kavramlar\u0131 \u00e7er\u00e7evesinde incelenmesi\u201d ba\u015fl\u0131kl\u0131 tez \u00e7al\u0131\u015fmas\u0131 ile sonu\u00e7land\u0131. \u015eu anda, Cenk G\u00fcray Y\u0131ld\u0131r\u0131m Beyaz\u0131t \u00dcniversitesi T\u00fcrk Musikisi Devlet Konservatuar\u0131\u2019nda \u00f6\u011fretim \u00fcyesi ve T.C.K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 G\u00fczel Sanatlar Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc\u2019nde Genel Sanat Koordinat\u00f6r Yard\u0131mc\u0131s\u0131 olarak g\u00f6rev yapmaktad\u0131r. G\u00fcray, ayn\u0131 zamanda Anadolu M\u00fczi\u011fi\u2019nin temel \u00e7alg\u0131s\u0131 ba\u011flaman\u0131n temsilcileri aras\u0131ndad\u0131r. Erhan K\u00fcrk\u00e7\u00fc, Mehmet Semiz, Okan Murat \u00d6zt\u00fcrk, Veysel Ayd\u0131n, Sel\u00e7uk Sipahio\u011flu, Hasan Erdo\u011fan,\u00a0 S\u00fcleyman Erguner ve Tahir Aydo\u011fdu ile geleneksel m\u00fczik icras\u0131 ve kuram\u0131 alanlar\u0131nda \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. Ayr\u0131ca, Durul Gence ve Murat Arkan ile caz teorisi ve tarihi konular\u0131nda \u00e7al\u0131\u015fma f\u0131rsat\u0131 bulurken, Erkan O\u011fur\u2019dan da pek \u00e7ok m\u00fczikal ve felsefi de\u011fer alma \u015fans\u0131 bulmu\u015ftur.\u00a0 \u0130craya y\u00f6nelik \u00e7al\u0131\u015fmalar\u0131nda Ali Fuat Ayd\u0131n ile Zeybek m\u00fczi\u011fi ve Ege m\u00fczik k\u00fclt\u00fcr\u00fc \u00fczerinde yo\u011funla\u015f\u0131rken; Dr. Murat Salim Toka\u00e7 ve Erguvan Toplulu\u011fu ile Osmanl\u0131 Kent M\u00fczi\u011fi gelene\u011fi \u00fczerinde \u00e7al\u0131\u015fma imk\u00e2n\u0131 bulmu\u015f, bu de\u011ferli ustalar\u0131n tecr\u00fcbelerinden faydalanm\u0131\u015ft\u0131r. AB\u0130S-Deneysel M\u00fczik Toplulu\u011fu, Akdeniz Orkestras\u0131, Ya\u011fmur \u00d6ncesi ve ODT\u00dc T\u00fcrk Halk Bilimi Toplulu\u011fu Ba\u011flama Orkestras\u0131 gibi topluluklar arac\u0131l\u0131\u011f\u0131yla m\u00fczikal fikirlerini ortaya koymu\u015f, bu \u00e7al\u0131\u015fmalar kapsam\u0131nda Muammer Ketenco\u011flu, Sarp Maden gibi de\u011ferli icrac\u0131lar\u0131n birikimlerinden de faydalanm\u0131\u015ft\u0131r. G\u00fcray ara\u015ft\u0131rmac\u0131 olarak pek \u00e7ok ulusal ve uluslararas\u0131 bilimsel toplant\u0131ya kat\u0131lm\u0131\u015f, bildiriler ve makaleler yay\u0131nlam\u0131\u015ft\u0131r. \u0130crac\u0131 olarak, T\u00fcrkiye\u2019de ve pek \u00e7ok \u00fclkede konserlerde, TV-Radyo programlar\u0131nda, kay\u0131tlarda yer alm\u0131\u015f; yurt i\u00e7i ve d\u0131\u015f\u0131nda alb\u00fcmler \u00fcretmi\u015ftir. Cenk G\u00fcray evli ve bir k\u0131z \u00e7ocu\u011fu sahibidir.<\/p>\n<p align=\"justify\">Ara\u015ft\u0131rma Alanlar\u0131:<b>\u00a0Anadolu M\u00fczik Kuram\u0131 ve Tarihi, Ba\u011flama E\u011fitimi ve \u0130cras\u0131, Anadolu M\u00fczi\u011finde Kuram Tarihi ve Uygulamalar\u0131, Anadolu\u2019da \u0130nan\u00e7 ve M\u00fczik \u0130li\u015fkisi, T\u00fcrk Din Musikisi, M\u00fczikoloji\u2019de Bili\u015fim ve \u0130statistik Uygulamalar\u0131, M\u00fchendislik Ekonomisi ve Uygulamalar\u0131, M\u00fchendislik Ekonomisi, End\u00fcstri M\u00fchendisli\u011finde Y\u00f6neylem Ara\u015ft\u0131rmas\u0131 ve \u0130statistik Uygulamalar\u0131, End\u00fcstri M\u00fchendisli\u011finde Yapay Zeka ve Bilgisayar Grafi\u011fi Uygulamalar\u0131, Bulan\u0131k Mant\u0131k.\u00a0<\/b><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; CENK G\u00dcRAY 1973 y\u0131l\u0131nda Ankara\u2019da do\u011fdu. Anadolu\u2019nun geleneksel m\u00fczik k\u00fclt\u00fcr\u00fcne hem bu m\u00fczi\u011fin temel \u00e7alg\u0131s\u0131 olan ba\u011flamay\u0131 icra ederek hem de m\u00fczikoloji\/m\u00fczik teorisi alan\u0131ndaki akademik \u00e7al\u0131\u015fmalar\u0131yla hizmet etmeye \u00e7al\u0131\u015fmaktad\u0131r. G\u00fcray ara\u015ft\u0131rmac\u0131 olarak pek \u00e7ok ulusal ve uluslararas\u0131 bilimsel toplant\u0131ya<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-12","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/pages\/12","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cenkguray.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12"}],"version-history":[{"count":4,"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/pages\/12\/revisions"}],"predecessor-version":[{"id":69,"href":"https:\/\/cenkguray.com\/index.php?rest_route=\/wp\/v2\/pages\/12\/revisions\/69"}],"wp:attachment":[{"href":"https:\/\/cenkguray.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}